Italy Box Office for Jersey Boys (2014)
Theatrical Performance (US$) | ||
Italy Box Office | $1,065,599 | Details |
Worldwide Box Office | $65,282,732 | Details |
Home Market Performance | ||
North America DVD Sales | $9,150,435 | Details |
North America Blu-ray Sales | $3,172,312 | Details |
Total North America Video Sales | $12,322,747 | |
Further financial details... |
Synopsis
Jersey Boys tells the story of the four young men from the wrong side of the tracks in New Jersey who came together to form the `60s rock group The Four Seasons. Their trials and triumphs are accompanied by the hit songs that influenced a generation, and are now being embraced by a new generation of fans through the stage musical.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Italy Releases: | June 18th, 2014 (Wide) |
Video Release: | November 11th, 2014 by Warner Home Video |
MPAA Rating: | R for language throughout. (Rating bulletin 2318, 4/16/2014) |
Running Time: | 132 minutes |
Keywords: | Breaking the Fourth Wall, Intertitle, Addiction, Infidelity, Relationships Gone Wrong, Big Break, Mafia, Musicians, Music Industry, Singers, Ensemble, Biography, Novel or Other Work Adapted by Author, Biographical Drama |
Source: | Based on Musical or Opera |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | GK Films, Malpaso Productions |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for November 11th, 2014
November 10th, 2014
It is not a very deep week on the home market. Leading the way is How to Train Your Dragon 2 on DVD or Blu-ray Combo Pack or 3D Combo Pack. The film failed to live up to high expectations at the box office, but it earned Oscar-worthy reviews. If it doesn't at least earn a nomination for Best Feature-Length Animated Film, I would be shocked. So it should come as no surprise that the Pick of the Week is The Compleat Al, which is making its DVD debut this week.
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Weekend Estimates: Guardians Go Big, Up Opens Okay
August 3rd, 2014
It was a big, big weekend at the box office with Guardians of the Galaxy pulling in an estimated $94 million. The majority of analysts thought it would break the August weekend record, but very few thought it would have one of the top five openings of the year. Additionally, the film earned some of the best reviews of the year and could become the biggest hit of the year... at least untill Mockingjay, Part 1 hits theaters in November. Get On Up did not do as well earning $14.03 million and grabbing third place along the way. This is barely more than Jersey Boys opened with in June. Its reviews should help it earn better legs and it wasn't an expensive movie to make, so the studio should be relatively happy with this start.
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Weekend Wrap-Up: Dinobots Propel Transformers to the Top
June 30th, 2014
As expected, Transformers: Age of Extinction easily won the race for the top of the box office chart and became the first film released in 2014 to earn more than $100 million during its opening weekend. Granted, it barely made it, but we will take it. This helped the overall box office climb by 20% to $190 million over the weekend. Unfortunately, this was still 8% lower than the same weekend last year when Monsters University repeated at the box office champion. Year-to-date, 2014 has pulled in $5.11 billion, which is 0.3% below 2013's pace of $5.13 billion. This is still close enough that we shouldn't panic, but the trajectory is going in the wrong direction.
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Weekend Predictions: Are we Witnessing the Extinction of a Franchise?
June 26th, 2014
There is only one wide release of the week, but it is a potential monster hit. It is also potentially the last in a very profitable franchise. Transformers: Age of Extinction is the fourth film in the Transformers franchise, a franchise that has averaged more than $350 million at the box office. However, they have also averaged well below 50% positive reviews and the poor critical response could finally be taking its toll. It will still crush the competition this weekend, but it likely won't live up to past installments in the franchise. It will also beat last year's new releases and more than double the first place film; however that might not be enough to save 2014. Last year there were five films that pulled in $20 million or more. This year there will be only one. In fact, there will be only four films that pull in $10 million or more.
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Weekend Wrap-Up: Think Sinks, But Still Comes out on Top
June 24th, 2014
This weekend was a disaster. Think Like a Man Too couldn't even live up to the original's opening, which is terrible for a sequel. Jersey Boys opened on the low end of lower expectations. Unfortunately, the holdovers weren't able to take advantage of the weak openings and the overall box office plummeted 22% to just $146 million. Compared to last year, the overall box office was down 39%. That's a disaster. There's no other way to describe it. Last year's number one film, Monster University made more money during its opening day than Think Like a Man Too made during the full weekend. It made more during its opening weekend than the top three films this year made. Even worse, 2014 has lost its lead over 2013. Granted, it is still close at $4.86 billion to $4.88 million, or just 0.3%, but it wasn't that long ago that 2014 was on a record-setting pace. Transformers: Age of Extinction should help turn things around next weekend, but I don't think that film will help in the long run.
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Weekend Estimates: Think Like a Man Rolls to Weekend Win
June 22nd, 2014
Mid-Summer weekend will produce a near tie at the box office, according to estimates released on Sunday, with Sony in first and second place. Think Like a Man Too will come out top with about $30 million, according to the studio—basically in line with the $33 million earned by the first film in the franchise. That portends a total that will fall short of the $91.5 million earned by the previous outing domestically, and with limited international appeal, this installment will be solidly, but not spectacularly profitable. Enough for a third film? Probably.
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Weekend Predictions: Think or Swim
June 19th, 2014
There are two wide releases coming out this week, but none of them are expected to be monster hits. Think Like a Man Too could eventually get to $100 million, while Jersey Boys might become a midlevel hit, but no more than that. There are a couple of holdovers that should be very big players at the box office, as both How to Train Your Dragon 2 and 22 Jump Street will earn close to $30 million over the next three days. On the other hand, this weekend last year there were two monster hits, Monster University and World War Z, as well as a holdover, Man of Steel, that will make more than either of the two new releases this year will make. 2014 is going to get crushed in the year-over-year comparison.
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Contest: Stop Thinking
June 13th, 2014
Next weekend, Think Like a Man 2 and Jersey Boys open. It appears that Jersey Boys is going to open much wider that Thinking Like a Man 2, but Thinking Like a Man 2 is very likely to top Jersey Boys on the weekend chart. As such, it is the choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Think Like a Man 2.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Non-Stop on Blu-ray Combo Pack.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Non-Stop on Blu-ray Combo Pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2014 Preview: June
June 1st, 2014
It is too soon to tell how May will end, as this story will be published before the weekend estimates came out. (Maleficent had an excellent start on Friday, unlike A Million Ways to Die in the West.) Overall, it was a good month with at least three movies that are on track to hit $200 million, but there was no really big winner for the month. It was nice and balanced. Unfortunately, last May there was a monster hit, Iron Man 3, and 2014 could not compete with that, so it lost ground to 2013. June hopes to turn things around and there are some reasons to be optimistic. All four weeks there is at least one film opening that at least has a shot at $100 million. There are even two films that at least have a shot at $300 million. Transformers: Age of Extinction should win the monthly box office race while How to Train Your Dragon 2 is a long shot to win, but I wouldn't be completely surprised if it did. Additionally, 22 Jump Street, Edge of Tomorrow, The Fault in Our Stars, and Think Like a Man 2 are all contenders for the century club. Not all of them will get to that milestone, but all of them at least have a short. Last June, there were three films that reached $200 million, including Man of Steel, which nearly reached $300 million. It looks like June of 2014 will be about as strong as June of 2013, more or less. If all films reach their potential, it could win the year-over-year comparison. Unless there are some shocking bombs, it shouldn't struggle so much that 2014 loses its lead over 2013 entirely.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 3 | $261,037 | 293 | $891 | $661,598 | 2 | |
2014/07/04 | 4 | $111,845 | -57% | 193 | $580 | $848,527 | 3 |
2014/07/11 | 8 | $80,875 | -28% | 106 | $763 | $966,684 | 4 |
2014/07/18 | 7 | $37,086 | -54% | 49 | $757 | $1,030,310 | 5 |
2014/07/25 | 11 | $24,328 | -34% | 21 | $1,158 | $1,065,599 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/26/2014 | $39,421 | 40 | 40 | 54 | $60,158 | 12/30/2018 |
Australia | 7/3/2014 | $1,759,753 | 301 | 301 | 1008 | $6,985,661 | 6/27/2022 |
Belgium | 6/18/2014 | $0 | 0 | 24 | 73 | $49,013 | 12/17/2015 |
Bolivia | 7/3/2014 | $0 | 0 | 6 | 6 | $2,289 | 12/30/2018 |
Brazil | 6/26/2014 | $62,467 | 29 | 29 | 66 | $147,381 | 12/17/2015 |
Chile | 7/3/2014 | $14,383 | 24 | 24 | 33 | $22,208 | 12/30/2018 |
Colombia | 6/27/2014 | $11,579 | 23 | 23 | 29 | $21,866 | 12/30/2018 |
Ecuador | 7/25/2014 | $7,050 | 18 | 18 | 18 | $7,050 | 12/30/2018 |
France | 6/18/2014 | $0 | 0 | 272 | 272 | $1,057,264 | 12/15/2015 |
Italy | 6/18/2014 | $0 | 0 | 293 | 662 | $1,065,599 | 12/17/2015 |
Lebanon | 6/19/2014 | $0 | 0 | 1 | 3 | $8,540 | 12/30/2018 |
Mexico | 7/17/2014 | $200,746 | 105 | 105 | 202 | $418,220 | 12/17/2015 |
Netherlands | 6/19/2014 | $0 | 0 | 31 | 57 | $107,571 | 12/15/2015 |
New Zealand | 7/3/2014 | $250,677 | 75 | 79 | 206 | $960,862 | 12/17/2015 |
North America | 6/20/2014 | $13,319,371 | 2,905 | 2,905 | 12,980 | $47,047,013 | 3/19/2015 |
Peru | 7/3/2014 | $0 | 0 | 2 | 3 | $51,899 | 12/30/2018 |
Philippines | 7/16/2014 | $18,479 | 12 | 12 | 15 | $26,169 | 12/30/2018 |
Singapore | 7/17/2014 | $55,582 | 25 | 25 | 50 | $90,975 | 12/17/2015 |
United Kingdom | 6/20/2014 | $0 | 0 | 436 | 725 | $2,657,931 | 12/17/2015 |
Uruguay | 7/3/2014 | $2,007 | 3 | 3 | 6 | $6,770 | 12/30/2018 |
Rest of World | $4,488,293 | ||||||
Worldwide Total | $65,282,732 | 6/27/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
John Lloyd Young | Frankie Valli |
Erich Bergen | Bob Gaudio |
Michael Lomenda | Nick Massi |
Vincent Piazza | Tommy DeVito |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Clint Eastwood | Director |
Clint Eastwood | Producer |
Graham King | Producer |
Robert Lorenz | Producer |
Marshall Brickman | Screenwriter |
Rick Elice | Screenwriter |
Frankie Valli | Executive Producer |
Bob Gaudio | Executive Producer |
Tim Moore | Executive Producer |
Tim Headington | Executive Producer |
Brett Ratner | Executive Producer |
James Packer | Executive Producer |
Steven Mnuchin | Executive Producer |
Tom Stern | Director of Photography |
James J. Murakami | Production Designer |
Joel Cox | Editor |
Gary D. Roach | Editor |
Deborah Hopper | Costume Designer |
Bob Gaudio | Composer |
Bob Crewe | Song Writer |
Geoffrey Miclat | Casting Director |
Michael Owens | Visual Effects Supervisor |
Tim Moore | Unit Production Manager |
David M. Bernstein | First Assistant Director |
Paula Case | Second Assistant Director |
Ron Melrose | Music Supervisor |
Sergio Trujillo | Choreography |
Patrick M. Sullivan, Jr. | Supervising Art Director |
Tammy S. Lee | Assistant Art Director |
Ronald R. Reiss | Set Decorator |
Blu Murray | Assistant Editor |
David S. Cox | Assistant Editor |
Kerry Lyn McKissick | Script Supervisor |
Alan Robert Murray | Supervising Sound Editor |
Bub Asman | Supervising Sound Editor |
Chris McGeary | Supervising Music Editor |
Tommy Lockett | Music Editor |
Keith Bernstein | Still Photographer |
Walt Martin | Sound Mixer |
Kyle Eastwood | Additional Music |
Matt McGuire | Additional Music |
Mitchell Kenney | Costume Supervisor |
Michelle Vittone-McNeil | Make up |
Elena Arroy | Make up |
Maggie E. Elliott | Make up |
Joel Harlow | Special Make-up Effects |
Carol A. O'Connell | Hairstylist |
Terry Baliel | Hairstylist |
Ross Dunkerley | Chief Lighting Technician |
John Dallas Lacy | Assistant Chief Lighting Technician |
Buzzy Burwell | Lighting Technician |
Brian Minzlaff | Lighting Technician |
Thomas P. Marshall | Lighting Technician |
Nick Zeigler | Lighting Technician |
Cindy M. Ichikawa | Art Department Coordinator |
Vance Vanboxtel, Jr. | Special Effects |
Dominic V. Ruiz | Special Effects |
Ryan Riley | Special Effects Foreman |
Ante Dugandzic | Special Effects Foreman |
John McAlary | Casting Associate |
Eve Streger | Casting Associate |
Chris Bustard | Extras Casting |
Sarah Pickard | Extras Casting |
Katy Wood | Dialogue Editor |
Jason King | Sound Effects Editor |
Kevin R.W. Murray | Assistant Sound Editor |
Hugo Weng | Dialogue Editor |
Bobby Hernandez | Score Mixer |
John Reitz | Re-recording Mixer |
Gregg Rudloff | Re-recording Mixer |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
John Guentner | Foley Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.