Australia Box Office for Iris (2015)
Theatrical Performance (US$) | ||
Australia Box Office | $297,897 | Details |
Worldwide Box Office | $2,515,266 | Details |
Further financial details... |
Synopsis
IRIS pairs the 87-year-old Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even at Iris' advanced age, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life's sustenance and reminds us that dressing, and indeed life, is nothing but an experiment. Despite the abundance of glamour in her current life, she continues to embrace the values and work ethic established during a middle-class Queens upbringing during the Great Depression. I feel lucky to be working. If you're lucky enough to do something you love, everything else follows.
Metrics
Movie Details
Australia Releases: | August 13th, 2015 (Limited) August 29th, 2024 (Limited) |
Video Release: | August 18th, 2015 by Magnolia Home Entertainment |
MPAA Rating: | PG-13 for some strong language. (Rating bulletin 2361, 2/18/2015) |
Running Time: | 78 minutes |
Keywords: | Biography, Fashion, Autumn Years, Set in New York City |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Maysles Films, Inc. |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 25th, 2015
August 25th, 2015
TV on DVD releases dominate the home market this week even more than they did last week, including five of the six best-selling new releases on Amazon.com. Despite this, none of them are contenders for Pick of the Week, at least not in my opinion. The two best are Two Days, One Night and CitizenFour. I really should select one of those for Pick of the Week... but I'm going with Big Game on Blu-ray, because I'm a big goofball.
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Per Theater Chart: Youthful Enthusiasm
June 9th, 2015
There was only one film in the $10,000 club, Testament of Youth, which opened with $13,252 in four theaters. There was one other film, A Pigeon Sat on a Branch Reflecting on Existence, which earned an average of $8,699 in two theaters over the weekend. However, it was a Wednesday release and its average over five days was $12,657.
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Per Theater Chart: Welcome to the Age of Ultron
May 7th, 2015
The Avengers: Age of Ultron not only earned first place on the overall box office chart, but it also topped the per theater chart with an average of $44,731. There were a couple of limited releases in the $10,000 club, Welcome to Me with an average of $19,084 in two theaters and Far from the Madding Crowd with an average of $16,499 in ten theaters. Iris came really close with an average of $9,542 in six theaters over the weekend and an average of $11,467 from Wednesday through Sunday.
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Weekend Estimates: Age of Ultron Projected to Fall Short of Record
May 3rd, 2015
The Avengers: Age of Ultron looks set to fall just short of the all-time box office record this weekend, based on Disney’s Sunday morning weekend projection. There were already signs it would struggle after Friday’s numbers were announced, and Saturday’s $57 million day leaves the film with much too much to do on Sunday to break the record. Disney is projecting $187.66 million as of this morning, and I expect the film to come in a shade below that, based on other tracking. It’s pretty hard to call $188 million a disappointing weekend, although it is short of most expectations. The film still has plenty of entries in the record books to celebrate.
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Limited Releases: Looking Stylish
May 1st, 2015
Two points before we get to the films on this week's list. One, the column is late. Sorry. Two, anyone else noticing a decrease is stability with Firefox? It has been crashing a lot the past few days, hence the delay with this column. This week’s list is filled with many films that are earning good reviews, but not great reviews, and are playing on Video on Demand. Iris is the best film coming out this week, but Far from the Madding Crowd is probably going to be the biggest hit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/08/14 | 19 | $33,193 | 11 | $3,018 | $33,193 | 1 | |
2015/08/21 | 17 | $48,951 | +47% | 16 | $3,059 | $100,073 | 2 |
2015/08/28 | 26 | $33,992 | -31% | 15 | $2,266 | $157,338 | 3 |
2015/09/04 | 26 | $20,618 | -39% | 18 | $1,145 | $190,547 | 4 |
2015/09/11 | 30 | $14,479 | -30% | 18 | $804 | $222,484 | 5 |
2015/09/18 | 28 | $10,343 | -29% | 12 | $862 | $245,377 | 6 |
2015/10/02 | 46 | $2,880 | 6 | $480 | $260,638 | 8 | |
2015/10/09 | 47 | $2,622 | -9% | 7 | $375 | $276,521 | 9 |
2015/10/16 | 46 | $2,719 | +4% | 4 | $680 | $278,086 | 10 |
2015/10/30 | 58 | $1,512 | 2 | $756 | $276,433 | 12 | |
2024/08/30 | - | $247 | 1 | $247 | $297,897 | 473 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/13/2015 | $33,193 | 11 | 18 | 110 | $297,897 | 9/4/2024 |
Mexico | 11/20/2015 | $0 | 0 | 1 | 1 | $2,929 | 12/29/2015 |
New Zealand | 9/17/2015 | $18,620 | 12 | 22 | 102 | $157,624 | 5/2/2019 |
North America | 4/29/2015 | $57,254 | 6 | 92 | 524 | $1,310,678 | |
Thailand | 12/24/2015 | $10,292 | 3 | 3 | 9 | $31,875 | 6/9/2016 |
United Kingdom | 7/31/2015 | $64,198 | 24 | 28 | 97 | $273,964 | 5/6/2019 |
Worldwide Total | $2,515,266 | 9/4/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Iris Apfel | Herself |
Interviewee(s)
Carl Apfel | Himself |
Billy Apfel | Himself |
Alexis Bittar | Herself |
Mickey Boardman | Himself |
Linda Fargo | Herself |
Tavi Gevinson | Herself |
David Hoey | Himself |
Naeem Khan | Herself |
Harold Koda | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Albert Maysles | Director |
Laura Coxson | Producer |
Rebekah Maysles | Producer |
Jennifer Ash Rudick | Producer |
Paul Lovelace | Co-Producer |
Paul Lovelace | Editor |
Doreen Small | Executive Producer |
Albert Maysles | Director of Photography |
Charles C. Dorego | Co-Executive Producer |
Sean Price Williams | Additional Cinematography |
Nelson Walker III | Additional Cinematography |