Spain Box Office for The Invisible Woman (2013)
Theatrical Performance (US$) | ||
Spain Box Office | $206,488 | Details |
Worldwide Box Office | $1,495,398 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $313,547 | Details |
Total North America Video Sales | $313,547 | |
Further financial details... |
Synopsis
Nelly, a happily-married mother and schoolteacher, is haunted by her past. Her memories, provoked by remorse and guilt, take us back in time to follow the story of her relationship with Charles Dickens with whom she discovered an exciting but fragile complicity. Dickens – famous, controlling and emotionally isolated within his success – falls for Nelly, who comes from a family of actors. The theatre is a vital arena for Dickens – a brilliant amateur actor – a man more emotionally coherent on the page or on stage, than in life. As Nelly becomes the focus of Dickens’ passion and his muse, for both of them secrecy is the price, and for Nelly a life of “invisibility”.
Metrics
Movie Details
Spain Releases: | June 6th, 2014 (Wide) |
Video Release: | April 15th, 2014 by Sony Pictures Home Entertainment |
MPAA Rating: | R for some sexual content. (Rating bulletin 2294, 10/16/2013) |
Running Time: | 111 minutes |
Keywords: | Historical Drama, Romance, Writing and Writers, Performing Arts, Biography |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Headline Pictures, Magnolia Mae Films, Lonely Dragon |
Production Countries: | United Kingdom |
Languages: | English |
DVD and Blu-ray Releases for April 15th, 2014
April 15th, 2014
It is a busy week on the home market with five films that either opened at least semi-wide or expanded semi-wide. However, unlike last week, there's no monster hit like The Hobbit: The Desolation of Smaug leading the way. In fact, most of the semi-wide or wide releases on this week's list were critical and box office disappointments. Only Philomena did well with critics. Fortunately, it did well enough that it is a contender for Pick of the Week without even considering the extras on the DVD or Blu-ray. There are a few other new releases that are noteworthy, but most of them are catalog Blu-ray releases. These include Touch of Evil on Blu-ray and Double Indemnity on Blu-ray. In the end, I went with Touch of Evil, but I literally had to roll a dice to decide.
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Per Theater Chart: In Love with the Top
February 19th, 2014
Beijing Love Story led the way on the per theater chart with an average of $18,708 in 9 theaters. This is surprisingly strong, given its weak reviews. Next up is the overall box office leader, The LEGO Movie, with an average of $13,204 and the overall second place film, About Last Night, was right behind with an average of $11,384.
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2014 Awards Season: Oscars Understand the Gravity of the Situation
January 16th, 2014
The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises.
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Per Theater Chart: Holdovers Feeling Lonely
January 7th, 2014
It was a slow week for new releases as none topped $10,000 on the per theater chart. There were some holdovers that performed well, led by Lone Survivor, which pulled in an average of $42,429 in two theaters. This is compared to $45,436 during its opening weekend. Such a small decline is great news for its upcoming wide expansion. August: Osage County was next with an average of $27,983 in five theaters, which is 22% lower than its opening average of $35,860. Its running tally is already at nearly half a million and it has potential to expand, especially if it continues to do well during Awards Season. The final film in the $10,000 club was Her with an average of $15,378 in 47 theaters. It is already at nearly $3 million after three weeks of release and it expands wide this weekend.
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Weekend Projections: Hobbit Top But Frozen Most Impressive
December 29th, 2013
The Hobbit will extend its run at the top of the chart to three weekends, according to studio estimates released on Sunday, but Frozen is the real winner, with a 47% increase in box office from last weekend (the second-best in the top 10 behind Saving Mr. Banks), and a new entry in the record books as the second-most-successful film in its 6th weekend in theaters -- only Avatar tops it.
The rest of the chart is a mess of new releases enjoying varying degrees of success.
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Limited Releases: Last Chance for Oscar Glory
December 27th, 2013
There are a quartet of films opening in limited release this weekend hoping, as this is the last weekend they could open and still have a shot at Oscar glory this year. Three of the four films have already earned at least one major nomination, while the fourth has a shot at Oscar nominations in a technical category or two. Overall, however, their reviews are merely good, but not great. With all of the competition, it might be too difficult for any of them to expand wide. August: Osage County has the best combination of reviews and buzz and should win the weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 22 | $7,185 | 11 | $653 | $184,904 | 4 | |
2014/07/04 | 25 | $3,501 | -51% | 9 | $389 | $192,561 | 5 |
2014/07/11 | 36 | $3,226 | -8% | 7 | $461 | $198,290 | 6 |
2014/07/18 | 34 | $1,656 | -49% | 5 | $331 | $202,467 | 7 |
2014/07/25 | 33 | $2,295 | +39% | 2 | $1,148 | $206,488 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 12/25/2013 | $37,149 | 3 | 136 | 417 | $1,233,347 | |
Poland | 2/14/2014 | $0 | 0 | 2 | 2 | $5,757 | 12/30/2018 |
Serbia and Montenegro | 5/22/2014 | $0 | 0 | 9 | 9 | $19,884 | 12/30/2018 |
South Africa | 7/4/2014 | $6,678 | 5 | 5 | 17 | $29,922 | 12/17/2015 |
Spain | 6/6/2014 | $0 | 0 | 11 | 34 | $206,488 | 12/17/2015 |
Worldwide Total | $1,495,398 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ralph Fiennes | Charles Dickens |
Felicity Jones | Nelly Ternan |
Supporting Cast
Kristin Scott Thomas | Mrs. Ternan |
Tom Hollander | Wilkie Collins |
Joanna Scanlan | Catherine Dickens |
Perdita Weeks | Maria Ternan |
Amanda Hale | Fanny Ternan |
Tom Burke | Mr. George Wharton |
John Kavanagh | Reverend Benham |
Michael Marcus | Charley Dickens |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ralph Fiennes | Director |
Abi Morgan | Screenwriter |
Claire Tomalin | Story Creator |
Gabrielle Tana | Producer |
Stewart Mackinnon | Producer |
Christian Baute | Producer |
Carolyn Marks Blackwood | Producer |
Sharon Harel | Executive Producer |
Maya Amsellem | Executive Producer |
Eve Schoukroun | Executive Producer |
Stefano Ferrari | Executive Producer |
Christine Langan | Executive Producer |
Jamie Laurenson | Executive Producer |
Kevan Van Thompson | Co-Producer |
Rob Hardy | Director of Photography |
Nicolas Gaster | Editor |
Maria Djurkovic | Production Designer |
Ilan Eshkeri | Composer |
Michael O’Connor | Costume Designer |
Jenny Shircore | Make-up and Hair Designer |
Leo Davis | Casting Director |
Lissy Holm | Casting Director |
Ben Howard | Second Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.