Australia Box Office for Into The Storm (2014)
Theatrical Performance (US$) | ||
Australia Box Office | $4,482,617 | Details |
Worldwide Box Office | $150,429,371 | Details |
Home Market Performance | ||
North America DVD Sales | $6,789,338 | Details |
North America Blu-ray Sales | $2,989,517 | Details |
Total North America Video Sales | $9,778,855 | |
Further financial details... |
Synopsis
In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot.
Metrics
Movie Details
Production Budget: | $50,000,000 |
Australia Releases: | September 5th, 2014 (Wide), released as Into The Storm |
Video Release: | November 18th, 2014 by Warner Home Video |
MPAA Rating: | PG-13 for sequences of intense destruction and peril, and language including some sexual references. (Rating bulletin 2309, 2/12/2014) |
Running Time: | 89 minutes |
Keywords: | Disaster, Extreme Weather, Field Scientists, Visual Effects, Ensemble, Action Thriller, Found Footage |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Broken Road |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for November 18th, 2014
November 19th, 2014
There are no summer tentpole releases making their home market debuts this week, but that doesn't mean it is a bad week on the home market. 22 Jump Street is leading the way, while there are four other first run releases among the new releases, ranging from If I Stay to Sin City: A Dame to Kill For in terms of box office numbers. Not only that, but this week there are a trio of Hayao Miyazak releases, including his more recent film, The Wind Rises, which is coming out on DVD or Blu-ray Combo Pack. That film, along with the double-shot, are the Picks of the Week. However, they are not the only films worth picking up. If you like horror / comedy, give Housebound on DVD or Blu-ray a try.
More...
International Box Office: Lost in a Maze
October 1st, 2014
The Maze Runner easily won the race for top spot on the international chart with $28.8 million in 62 markets for a three-week total of $92.4 million. This is already enough to cover its production budget, so the studio should be very, very happy. The film remained in first place in South Korea with $4.37 million on 655 screens over the weekend for a total of $11.94 million after two weeks of release. It also topped the charts in Russia with $3.13 million on 1,486 screens for a two-week total of $10.49 million. The film has yet to open in Italy, the U.K., Germany, France, Japan, and others. It should surpass $200 million internationally and $300 million worldwide before it is done. That is excellent for a film that cost $34 million to make.
More...
International Box Office: Maze Runs Down Competition
September 24th, 2014
Just as it did on the domestic chart, The Maze Runner earned first place on the international chart. It did so with $38.0 million in 51 markets for an early total of $50.7 million. Its biggest market was Russia, where it placed first with $5.59 million on 1,748 screens, while South Korea was close behind with $4.88 million on 648 screens over the weekend for a total opening of $5.41 million. It also earned first place in Australia with $3.19 million on 305 screens over the weekend for a total opening of $3.31 million. The final major market debut of the weekend was Brazil, where it earned first place with $1.96 million on 316 screens. It slipped to second place in Mexico with $1.73 million on 996 screens over the weekend for a two-week total of $5.92 million.
More...
International Box Office: Another Week, Another Milestone for Lucy
September 17th, 2014
Since this time last week, Lucy topped $200 million internationally. Considering a significant number of people thought it wouldn't reach $200 million worldwide, this is a great result. Over the weekend, it remained in first place with $24.9 million in 59 markets for totals of $230.6 million internationally and $354.1 million worldwide. The film opened in first place in Russia with $9.77 million on 1,013 screens, which was more than $9 million more than the second place film.
More...
International Box Office: Lucy Makes a Return Trip to the Top
September 10th, 2014
Lucy reclaimed top spot on the international chart with $26 million in 54 markets for totals of $193 million internationally and $314 million worldwide. I don't think a lot of people thought this movie would reach $300 million worldwide, so this is a great run. The film opened in second place in South Korea with $7 million, but includes weekday numbers. The film remained in first place in the U.K. with $1.96 million on 506 screens over the weekend for a total of $17.26 million after three weeks of release. Lucy opens in Russia and China this weekend and could remain in first place.
More...
International Box Office: Dawn of a New Day for Apes
September 4th, 2014
Dawn of the Planet of the Apes rose from eighth to first place thanks to its debut in China. Overall, the film made $51.2 million in 29 markets for totals of $408.0 million internationally and $613.3 million worldwide. It dominated the box office in China with $45.13 million and if it has any legs in this market, it will reach $500 million internationally and $750 million worldwide is within reach after its run in Japan.
More...
International Box Office: Lucy is Sky High
August 28th, 2014
Lucy rocketed to first place with 34.0 million in 42 markets for totals of $104.4 million internationally and $218.1 million worldwide. Its biggest opening of the weekend came from Taiwan, where the movie opened with $6.2 million on 88 screens. The film also opened in first place in the U.K. with $5.10 million on 486 screens and in Spain with $3.32 million on 387. More impressively, it remained in first place in France with $4.43 million in 615 screens over the weekend for a total of $29.93 million after three weeks of release.
Weekend Wrap-Up: Holdovers Help, But Summer Stops
August 19th, 2014
Only one of the three wide releases this past weekend did reasonably well over the weekend. Despite earning reviews that were flirting with single-digits, Let's Be Cops was the best of the new releases this weekend earning an acceptable opening. On the other hand, Teenage Mutant Ninja Turtles and Guardians of the Galaxy held on well earning first and second places over the weekend. The overall box office plummeted from last weekend down 23% to $143 million, but this is still 2.5% more than the same weekend last year. Year-to-date, 2014 is still behind 2013, even though the gap shrunk a little bit at 4.5% or $6.75 billion to $7.07 billion.
More...
Weekend Wrap-Up: Turtles Topple Guardians
August 11th, 2014
Despite earning some of the worst reviews of the summer, Teenage Mutant Ninja Turtles easily won the race for the top of the box office chart unseating Guardians of the Galaxy, which earned some of the best reviews. The rest of the new releases were well back. Overall, the box office was down from last weekend, but by less than 0.5% to $185 million. Compared to last year, the box office was 16% higher, which is a great result. Year-to-date, 2014 is still behind 2013, but the deficit was down to 4.4% or $300 million at $6.52 billion to $6.82 billion.
More...
Weekend Estimates: Turtles Power to $65 Million
August 10th, 2014
The Teenage Mutant Ninja Turtles didn’t just overcome the bad guys in a movie this weekend. They also overcame almost universally-scathing reviews and an end-of-Summer release date to top the box office. With expectations going into the weekend ranging from the low 30s to $50 million or so, an opening that Paramount is projecting at $65 million as of Sunday morning is a triumph. Even with the prospect of steep declines in the weeks ahead, the film should hit $150 million domestically, and with international markets expected to be the film’s strong suit, a sequel or two are likely to follow. The weekend’s other openers have less rosy futures.
More...
Weekend Predictions: Can any of the New Releases Overtake Guardians?
August 7th, 2014
Yep. It's August alright. There are four wide releases coming out this week, the largest of which is Teenage Mutant Ninja Turtles, which is currently earning 17% positive reviews. It's not even the worst reviewed film of the weekend so far, as Into the Storm is a little worse. There are a couple of films that might earn overall positive reviews: The Hundred Foot Journey and Step Up All In. None of the new releases are on track to match Guardians of the Galaxy. In fact, all four combined won't make as much as Guardians of the Galaxy opened with last weekend. This weekend last year, there were also four wide releases, three of which earned more than $20 million. I don't think that will be true this year, but I think based on the strength of Guardians of the Galaxy and Teenage Mutant Ninja Turtles, 2014 will win in the year-over-year comparison.
More...
2014 Preview: August
August 1st, 2014
July was... well... let's just pretend it didn't happen. Dawn of the Planet of the Apes did well, but week after week 2014 fell further behind 2013 in the year-to-date comparison. At the moment, we are roughly $400 million behind last year's pace and while I don't think August will continue the losing streak, there's really no chance August will put a dent in that number. It looks more and more likely that Guardians of the Galaxy will be a hit, especially given its early reviews, but it could be the last $100 million hit till October, if the bad buzz surrounding Teenage Mutant Ninja Turtles turns into bad ticket sales. Last August there were two films that reached $100 million, plus two others that came close. This August might match that, while the biggest film this year should top the biggest film from last year. I think the slump 2014 is suffering through will end the first weekend and overall I think it will cut the deficit a little bit. That said, summer 2014 will still end as one of the worst recent summers at the box office.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/09/05 | - | $1,856,207 | 336 | $5,524 | $1,856,207 | 1 | |
2014/09/12 | - | $909,446 | -51% | 336 | $2,707 | $3,287,205 | 2 |
2014/09/19 | - | $391,682 | -57% | 293 | $1,337 | $3,914,962 | 3 |
2014/09/26 | - | $206,404 | -47% | 158 | $1,306 | $4,255,430 | 4 |
2014/10/03 | - | $36,882 | -82% | 44 | $838 | $4,386,496 | 5 |
2014/10/10 | - | $13,809 | -63% | 31 | $445 | $4,436,163 | 6 |
2014/10/17 | - | $4,959 | -64% | 21 | $236 | $4,465,998 | 7 |
2014/10/31 | - | $488 | 2 | $244 | $4,482,617 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/5/2014 | $1,856,207 | 336 | 336 | 1221 | $4,482,617 | 10/11/2017 |
North America | 8/8/2014 | $17,346,427 | 3,434 | 3,434 | 15,085 | $47,602,194 | 9/11/2017 |
Rest of World | $98,344,560 | ||||||
Worldwide Total | $150,429,371 | 10/11/2017 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Richard Armitage | Gary |
Sarah Wayne Callies | Allison |
Supporting Cast
Matt Walsh | Pete |
Alycia Debnam Carey | Kaitlyn |
Arlen Escarpeta | Daryl |
Max Deacon | Donnie |
Nathan Kress | Trey |
Jeremy Sumpter | Jacob |
Lee Whittaker | Lucas |
Kyle Davis | Donk |
Jon Reep | Reevis |
Scott Lawrence | Principal Thomas Walker |
Dave Drumm | Chester |
Brandon Ruiter | Todd White |
Jimmy Groce | Studious Male |
Linda Gehringer | Linda |
Keala Wayne Winterhalt | Wayne |
Maryann Nagel | Ms. McGee |
Frank Zieger | Road Worker |
Kron Moore | Teacher (Mrs. Blasky) |
London Elise Moore | Cheerleader |
Michael D. Ellison | Volunteer Fireman |
Vincent McCurdy Clark | Billy |
Stephanie Koenig | Marcia |
Chuck Gaidica | Weather Anchor |
Steve Garagiola | News Anchor |
John W. Hardy | Preacher |
Mikayla Bouchard | Crying Woman |
Gino Borri | David Brody |
Amanda Ryskamp | Jenny |
Taras Michael Los | Fireman |
Cameos
Gary Alan England | Himself |
Don Lemon | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Steven Quale | Director |
John Swetnam | Screenwriter |
Todd Garner | Producer |
Richard Brener | Executive Producer |
Walter Hamada | Executive Producer |
Dave Neustadter | Executive Producer |
Mark McNair | Executive Producer |
Jeremy Stein | Executive Producer |
Bruce Berman | Executive Producer |
Brian Pearson | Director of Photography |
David Sandefur | Production Designer |
Eric Sears | Editor |
Mindy Marin | Casting Director |
Kimberly Adams | Costume Designer |
Brian Tyler | Composer |
Randall Starr | Visual Effects Producer |
Mark McNair | Unit Production Manager |
Richard Cowan | First Assistant Director |
David E. Waters | Second Assistant Director |
Matthew Hirsch | Production Supervisor |
Marco Rubeo | Art Director |
Kirsten Oglesby | Assistant Art Director |
Lindsay L. Good | Art Department Coordinator |
Brana Rosenfeld | Set Decorator |
Ron Phillips | Additional Photography-Still Photographer |
Geoffrey Patterson | Sound Mixer |
Sara Jane Slotnick | Assistant Costume Designer |
Patty Malkin | Costume Supervisor |
Darin Read | Post-Production Supervisor |
Kevin Hickman | Additional Editor |
Kim Boritz | Assistant Editor |
JoAnne Yarrow | Assistant Editor |
Maria Paula Galdo | Assistant Editor |
Per Hallberg | Supervising Sound Editor |
Philip D. Morrill | Assistant Sound Editor |
Daniel Saxlid | Supervising Dialogue Editor |
Christopher Assells | Sound Designer |
Jon Little | Sound Designer |
Kyle Clausen | Assistant Editor |
Darrin Mann | Foley Mixer |
Steve Pederson | Re-recording Mixer |
Brad Sherman | Re-recording Mixer |
Dawn Gilliam | Script Supervisor |
Brigette Myre Ellis | Make up |
Rocky Faulkner | Make up |
Angela Gurule | Hairstylist |
Shannon Bakeman | Hairstylist |
Joe Pancake | Special Effects |
Donnie Dean | Special Effects |
Rich-E Cordobes | Special Effects |
Steve Austin | Special Effects |
Bria Kinter | Set Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.