New Zealand Box Office for Insidious: The Last Key (2018)
| Theatrical Performance (US$) | ||
| New Zealand Box Office | $262,362 | Details |
| Worldwide Box Office | $172,811,971 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,906,670 | Details |
| North America Blu-ray Sales | $1,906,827 | Details |
| Total North America Video Sales | $3,813,497 | |
| Further financial details... | ||
Synopsis
Dr. Elise Rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet: in her own family home.
Metrics
Movie Details
| Production Budget: | $10,000,000 |
| New Zealand Releases: | January 19th, 2018 (Special Engagement) February 2nd, 2018 (Wide) |
| Video Release: | March 20th, 2018 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for disturbing thematic content, violence and terror, and brief strong language. (Rating bulletin 2496 (Cert #50733), 10/4/2017) |
| Running Time: | 103 minutes |
| Franchise: | Insidious |
| Keywords: | Supernatural, Haunting, Haunted House, Screenplay Written By the Star, Prequel, Inbetwequel, Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Stage 6 Films, Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/01/19 | - | $3,084 | 7 | $441 | $32,996 | 1 | |
| 2018/01/26 | - | $1,055 | -66% | 7 | $151 | $35,919 | 2 |
| 2018/02/02 | - | $557 | -47% | 2 | $279 | $36,726 | 3 |
| 2018/03/09 | 4 | $82,839 | 21 | $3,945 | $128,849 | 8 | |
| 2018/03/16 | 7 | $48,404 | -42% | 21 | $2,305 | $201,228 | 9 |
| 2018/03/23 | 10 | $28,009 | -42% | 21 | $1,334 | $242,334 | 10 |
| 2018/03/30 | - | $2,435 | -91% | 3 | $812 | $252,732 | 11 |
| 2018/04/06 | - | $1,930 | -21% | 5 | $386 | $256,818 | 12 |
| 2018/04/13 | - | $5,076 | +163% | 17 | $299 | $265,274 | 13 |
| 2018/04/20 | - | $1,643 | -68% | 4 | $411 | $262,362 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/18/2018 | $533,581 | 131 | 138 | 417 | $1,681,325 | 1/1/2019 |
| Australia | 2/9/2018 | $640,913 | 140 | 140 | 537 | $1,691,713 | 3/26/2018 |
| Austria | 1/5/2018 | $297,221 | 60 | 61 | 339 | $898,472 | 5/1/2018 |
| Bahrain | 1/4/2018 | $83,055 | 9 | 9 | 29 | $276,230 | 1/1/2019 |
| Belgium | 1/10/2018 | $319,113 | 43 | 44 | 232 | $834,506 | 4/24/2018 |
| Bolivia | 1/18/2018 | $68,205 | 22 | 22 | 76 | $250,967 | 1/1/2019 |
| Brazil | 1/18/2018 | $1,576,511 | 575 | 575 | 2004 | $4,740,877 | 5/2/2018 |
| Bulgaria | 4/6/2018 | $14,616 | 48 | 48 | 62 | $35,005 | 2/26/2019 |
| Cambodia | 1/8/2018 | $34,883 | 16 | 35 | 57 | $106,655 | 1/1/2019 |
| Central America | 1/4/2018 | $478,207 | 181 | 181 | 495 | $1,262,155 | 3/13/2018 |
| Chile | 1/11/2018 | $303,613 | 70 | 70 | 230 | $1,092,964 | 12/20/2018 |
| Colombia | 1/4/2018 | $674,366 | 170 | 187 | 881 | $2,406,270 | 12/20/2018 |
| Croatia | 1/18/2018 | $13,528 | 6 | 6 | 14 | $27,981 | 1/1/2019 |
| Curacao | 1/4/2018 | $2,115 | 2 | 2 | 7 | $9,774 | 1/1/2019 |
| Czech Republic | 1/5/2018 | $186,429 | 102 | 102 | 273 | $498,741 | 1/1/2019 |
| Dominican Republic | 1/4/2018 | $17,978 | 11 | 12 | 51 | $78,029 | 1/1/2019 |
| Ecuador | 1/19/2018 | $348,299 | 60 | 60 | 197 | $1,144,892 | 1/1/2019 |
| Egypt | 1/4/2018 | $90,609 | 14 | 14 | 113 | $501,717 | 1/1/2019 |
| Estonia | 1/5/2018 | $36,977 | 12 | 12 | 40 | $117,859 | 2/21/2018 |
| France | 1/5/2018 | $2,161,520 | 221 | 267 | 1171 | $4,900,000 | 2/5/2018 |
| Germany | 1/5/2018 | $1,998,481 | 311 | 399 | 2595 | $5,066,145 | 5/30/2018 |
| Greece | 1/4/2018 | $283,388 | 77 | 77 | 174 | $738,898 | 2/13/2018 |
| Hong Kong | 1/4/2018 | $270,459 | 95 | 95 | 145 | $531,744 | 2/1/2018 |
| Hungary | 1/4/2018 | $148,365 | 30 | 45 | 207 | $469,565 | 1/1/2019 |
| Iceland | 1/25/2018 | $3,850 | 1 | 1 | 4 | $15,521 | 1/1/2019 |
| India | 1/5/2018 | $1,385,951 | 1018 | 1018 | 1474 | $2,420,336 | 2/6/2018 |
| Indonesia | 1/12/2018 | $5,489,540 | 949 | 949 | 1319 | $9,080,255 | 1/1/2019 |
| Iraq | 1/4/2018 | $35,181 | 7 | 7 | 41 | $164,317 | 1/1/2019 |
| Israel | 3/29/2018 | $87,579 | 24 | 24 | 109 | $292,377 | 1/1/2019 |
| Italy | 1/18/2018 | $911,704 | 293 | 293 | 365 | $1,794,893 | 4/24/2018 |
| Jamaica | 1/3/2018 | $16,336 | 4 | 4 | 10 | $36,739 | 1/1/2019 |
| Jordan | 1/4/2018 | $39,435 | 5 | 5 | 22 | $168,640 | 1/1/2019 |
| Kenya | 4/6/2018 | $768 | 8 | 8 | 12 | $2,049 | 1/1/2019 |
| Kuwait | 1/4/2018 | $169,279 | 10 | 10 | 29 | $493,760 | 1/1/2019 |
| Latvia | 1/5/2018 | $24,703 | 7 | 7 | 30 | $95,999 | 1/1/2019 |
| Lebanon | 1/4/2018 | $113,345 | 18 | 18 | 43 | $226,333 | 1/1/2019 |
| Lithuania | 1/5/2018 | $76,419 | 95 | 95 | 264 | $222,803 | 3/5/2018 |
| Malaysia | 1/5/2018 | $1,601,297 | 460 | 460 | 1158 | $3,273,275 | 2/13/2018 |
| Mexico | 1/3/2018 | $2,972,057 | 0 | 985 | 2356 | $8,502,856 | 3/13/2018 |
| Mongolia | 1/5/2018 | $23,503 | 7 | 7 | 28 | $57,518 | 1/1/2019 |
| Netherlands | 1/12/2018 | $258,980 | 49 | 56 | 280 | $935,148 | 2/27/2018 |
| New Zealand | 2/2/2018 | $3,084 | 7 | 21 | 108 | $262,362 | 4/23/2018 |
| North America | 1/5/2018 | $29,581,355 | 3,116 | 3,150 | 12,790 | $67,745,330 | 7/22/2019 |
| Norway | 1/5/2018 | $325,826 | 124 | 124 | 281 | $642,890 | 2/13/2018 |
| Oman | 1/4/2018 | $36,924 | 10 | 10 | 17 | $83,219 | 1/1/2019 |
| Pakistan | 1/5/2018 | $84,618 | 42 | 42 | 111 | $287,410 | 1/1/2019 |
| Paraguay | 1/25/2018 | $26,453 | 17 | 17 | 44 | $64,128 | 1/1/2019 |
| Peru | 2/1/2018 | $574,552 | 130 | 130 | 320 | $1,592,778 | 12/20/2018 |
| Philippines | 1/17/2018 | $1,577,139 | 223 | 223 | 526 | $2,875,062 | 12/20/2018 |
| Poland | 1/5/2018 | $459,933 | 117 | 118 | 397 | $1,101,844 | 1/1/2019 |
| Portugal | 1/4/2018 | $131,394 | 35 | 37 | 148 | $495,360 | 2/27/2018 |
| Qatar | 1/4/2018 | $125,173 | 14 | 14 | 32 | $279,927 | 1/1/2019 |
| Romania | 1/5/2018 | $188,672 | 70 | 70 | 270 | $528,020 | 1/1/2019 |
| Russia (CIS) | 1/12/2018 | $943,411 | 611 | 1004 | 3434 | $7,303,314 | 1/1/2019 |
| Singapore | 1/4/2018 | $484,226 | 31 | 31 | 121 | $1,063,261 | 2/13/2018 |
| Slovakia | 1/5/2018 | $105,904 | 65 | 65 | 168 | $249,478 | 2/13/2018 |
| South Africa | 1/19/2018 | $41,483 | 25 | 33 | 127 | $178,019 | 4/3/2018 |
| South Korea | 1/18/2018 | $0 | 0 | 769 | 1283 | $3,982,776 | 3/22/2018 |
| Spain | 1/5/2018 | $1,238,260 | 291 | 314 | 1513 | $4,017,364 | 5/7/2018 |
| Suriname | 1/4/2018 | $4,322 | 1 | 1 | 6 | $15,152 | 1/1/2019 |
| Sweden | 1/5/2018 | $245,020 | 64 | 64 | 346 | $899,979 | 4/17/2018 |
| Switzerland | 1/4/2018 | $194,528 | 38 | 40 | 208 | $517,174 | 4/10/2018 |
| Syria | 1/4/2018 | $11,352 | 1 | 2 | 9 | $41,261 | 1/1/2019 |
| Taiwan | 1/5/2018 | $449,081 | 87 | 87 | 279 | $1,064,825 | 4/24/2018 |
| Thailand | 1/4/2018 | $251,185 | 103 | 103 | 236 | $681,103 | 5/24/2018 |
| Trinidad | 1/3/2018 | $47,959 | 14 | 14 | 44 | $113,559 | 1/1/2019 |
| Turkey | 1/12/2018 | $175,601 | 176 | 176 | 488 | $760,905 | 2/26/2019 |
| Ukraine | 1/18/2018 | $257,256 | 257 | 257 | 647 | $535,698 | 1/1/2019 |
| United Arab Emirates | 1/4/2018 | $480,695 | 45 | 45 | 107 | $1,134,445 | 1/1/2019 |
| United Kingdom | 1/12/2018 | $2,520,181 | 413 | 414 | 1794 | $7,315,816 | 4/3/2018 |
| Uruguay | 1/18/2018 | $30,090 | 14 | 14 | 71 | $150,670 | 1/1/2019 |
| Venezuela | 1/19/2018 | $298,776 | 59 | 59 | 233 | $2,326,194 | 5/21/2018 |
| Vietnam | 1/5/2018 | $768,640 | 330 | 330 | 715 | $1,829,548 | 1/1/2019 |
| Rest of World | $5,527,797 | ||||||
| Worldwide Total | $172,811,971 | 7/22/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Lin Shaye | Elise Rainier |
Supporting Cast
| Angus Sampson | Tucker |
| Leigh Whannell | Specs |
| Josh Stewart | Gerald Rainier |
| Caitlin Gerard | Imogen Rainier |
| Tessa Ferrer | Audrey Rainier |
| Aleque Reid | Anna |
| Ava Kolker | Young Elise |
| Pierce Pope | Young Christian Rainier |
| Bruce Davison | Christian Rainier |
| Javier Botet | Keyface |
| Marcus Henderson | Detective Whitfield |
| Amanda Jaros | Mara Jennings |
| Judith Drake | Waitress Pam |
| Hana Hayes | Teenage Elise |
| Thomas Robie | Teenage Christian Rainier |
| Josh Wingate | Executed Man |
| Danielle Kennedy | Kitchen Woman |
| Melanie Gaydos | Dark Angel |
| Ty Simpkins | Dalton Lambert |
| Rose Byrne | Renai Lambert |
| Patrick Wilson | Josh Lambert |
| Joseph Bishara | Lipstick-Face Demon |
| Stefanie Scott | Quinn Brenner |
| Barbara Hershey | Lorraine Lambert |
| Danielle Bisutti | Mother of Parker Crane |
| Brynn Bowie | Kali Lambert |
| Madison Bowie | Kali Lambert |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Adam Robitel | Director |
| Leigh Whannell | Screenwriter |
| Leigh Whannell | Character Creator |
| Jason Blum | Producer |
| Oren Peli | Producer |
| James Wan | Producer |
| Leigh Whannell | Producer |
| Steven Schneider | Executive Producer |
| Bailey Conway-Anglewicz* | Executive Producer |
| Couper Samuelson | Executive Producer |
| Charles Layton | Executive Producer |
| Brian Kavanaugh-Jones | Executive Producer |
| Toby Oliver | Director of Photography |
| Melanie Paizes-Jones | Production Designer |
| Tim Alverson | Editor |
| Joseph Bishara | Composer |
| Rick A. Osako | Co-Producer |
| Jeanette Volturno* | Co-Producer |
| Lisa Norcia | Costume Designer |
| Terri Taylor | Casting Director |
| Rob King | Stunt Coordinator |
| Rick A. Osako | Unit Production Manager |
| Rick A. Osako | Line Producer |
| Dan “Laz” Lazarovits* | First Assistant Director |
| Marc Newland | Key Second Assistant Director |
| Laura Altmann | Associate Producer |
| Dan “Laz” Lazarovits* | Associate Producer |
| Laura Altmann | Production Supervisor |
| Jennifer Scudder Trent | Post-Production Supervisor |
| Hunter Brown | Art Director |
| Sandra Skora | Set Decorator |
| Steven A. Morrow | Sound Mixer |
| Steve Newquist | Special Effects Coordinator |
| David L. Profeta | Costume Supervisor |
| Anthony Gordon | Make up |
| Carleigh Herbert | Make up |
| Yunea M. Cruz | Hairstylist |
| Enoch H. Williams | Hairstylist |
| Ozzy Alvarez | Special Make-up Effects |
| Kelly Golden | Special Make-up Effects |
| Ken Niederbaumer | Special Make-up Effects |
| Sherie Giehtbrock | Script Supervisor |
| Vanessa Meier | Script Supervisor |
| Kandice Billingsley | Location Manager |
| Jamie Hardt | Sound Designer |
| Angela Hackner | Dialogue Editor |
| Drew Sacks | First Assistant Editor |
| Melanie Kuan Gutierrez | Second Assistant Editor |
| Martin Jacob Lopez | Sound Effects Editor |
| Diego Staub | Foley Mixer |
| Brett Pierce | Music Editor |
| Jamie Hardt | Re-recording Mixer |
| Chris Spilfogel | Score Engineer/Mixer |
| Jamison Goei | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.