Mexico Box Office for Insidious Chapter 3 (2015)
Theatrical Performance (US$) | ||
Mexico Box Office | $4,686,592 | Details |
Worldwide Box Office | $120,453,155 | Details |
Home Market Performance | ||
North America DVD Sales | $3,081,478 | Details |
North America Blu-ray Sales | $1,720,083 | Details |
Total North America Video Sales | $4,801,561 | |
Further financial details... |
Synopsis
This chilling prequel, set before the haunting of the Lambert family, reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Mexico Releases: | June 26th, 2015 (Wide) |
Video Release: | September 22nd, 2015 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for violence, frightening images, some language and thematic elements. (Rating bulletin 2362, 2/25/2015) |
Running Time: | 97 minutes |
Franchise: | Insidious |
Keywords: | Prequel, Young Child Dealing with the Death of a Parent, Possessed, Paranormal Investigation, Sequels Without Their Original Stars, Directing Yourself, Screenplay Written By the Star, Supernatural, Supernatural Horror |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Entertainment One, Blumhouse, Oren Peli |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Ultron's Reign Continues
November 7th, 2015
It was the first full week for The Avengers: Age of Ultron on the home market and it topped the new releases for October 6th, 2015 and earned first place on the combined DVD and Blu-ray chart for October 11th. Over the week, the film sold 1.02 million units and generated $18.02 million for the week for sales of 2.62 million units / $47.21 million after nine days of release. By comparison, Furious 7 generated $47.05 million, not during its first two weeks, but since its release nearly a month ago. It is already in the top ten for the year and it should climb into the top five shortly.
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Home Market Releases for October 6th, 2015
October 7th, 2015
The home market release report is a little late this week, because in our ongoing attempt to improve our site, we are looking at the format of this column and it will change shortly. (Also, this week both Amazon and Rotten Tomatoes were acting up. I had to download a script blocker and block all scripts on Rotten Tomatoes. Certain things no longer work, but at least it doesn't cause Firefox to freeze every ten minutes.) The biggest release of the week is The Avengers: The Age of Ultron, sort of. It came out last Friday, not this Tuesday. I'm waiting for my copy to arrive so I can do a full review. Meanwhile, the best new release of the week is When Marnie Was There in Blu-ray Combo Pack.
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International Box Office: Jurassic’s Worldwide Success
June 18th, 2015
Jurassic World completed the trifecta over the weekend. Not only did the film have the largest domestic debut, it broke the same record internationally and worldwide. The film pulled in $315.61 million on 19,612 screens in 66 markets for a worldwide opening weekend of $524.42 million. It broke the previous international and worldwide records that were held by Harry Potter and the Deathly Hallows, Part II. It is also the first film to open with more than $500 million worldwide and it is just a matter of when, not if, it will top $1 billion globally. The only downside is the number of markets it has yet to open in, which is one. It debuts in Japan in August and it might be the biggest global hit of the year before it even gets there.
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Weekend Wrap-Up: Jurassic World Chews Up the Record Book
June 16th, 2015
After disappointing weekend after disappointing weekend, I had become pessimistic about any film's chances of being a breakout success this summer. Jurassic World changed that. The film didn't just top expectations, it broke all-time records. Over the weekend, the film pulled in $208.81 million. That is the record for biggest single weekend and it helped take the overall weekend box office to an all-time high with $273.67 million. This is 106% more than last weekend; that's right, the weekend box office was more than double last week's result. Additionally, and more importantly, it was 46% higher than the same weekend last year. Jurassic World itself earned 12% more than all films combined this weekend last year.
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Weekend Predictions: Is There Still an Audience for a Jurassic Film?
June 12th, 2015
Jurassic World is the only wide release this week and its box office potential is so high that it has scared away even the counter-programming. It isn't the only film playing in theaters this weekend, but it will very likely make more at the box office than the rest of them combined. Spy will be a distant second place and is hoping not to be crushed. If it can avoid falling 50%, it should have enough legs to reach the century mark. ... with a push from the studio. The only other film that is on track to earn more than $10 million over the weekend is San Andreas, which already crossed the $100 million mark. This weekend last year, two films opened wide, 22 Jump Street and How to Train Your Dragon 2. Neither film will match Jurassic World individually, but they might have the advantage if you combine their openings. Additionally, there will only be two $10 million films this weekend, while there were three last year. 2015 will win on top, but 2014 has better depth and I think 2015 will lose the year-over-year comparison... again.
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International Box Office: After Shocks for San Andreas
June 11th, 2015
San Andreas remained in first place over the weekend with $97.8 million in 69 markets for a total of $188.0 million internationally and $286.5 million worldwide. It is almost guaranteed that the film's production budget is fully covered and the film should have the legs to cover its full advertising budget before its international run is over. That means its home market run will be pure gravy. This week, its biggest market was China, where the film earned first place with $34.26 million over the weekend for a six-day opening of $51.95 million. It won't last in first place for long, as Jurassic World has already opened in that market and taken over top spot. (More on that this time next week.) Its next biggest opening was South Korea, where it also earned first place with $5.74 million on 847 screens over the weekend for a total opening of $7.25 million.
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Weekend Wrap-Up: Spy High, but not a Monster Hit
June 9th, 2015
None of the three new releases matched expectations and while the holdovers pulled their weight, it wasn't enough to help the overall box office. Spy didn't make it to $30 million during its opening weekend, but it came within a rounding error of that mark. Insidious Chapter 3 did very well compared to its production budget, but will likely be the weakest installment in the franchise. Meanwhile, if it weren't for its lower production budget, Entourage would be considered a bomb. Overall, the box office fell 4.3% from last weekend to $133 million. Worse still, the box office fell 18% from last year. Year-to-date, the overall box office has pulled in $4.39 billion, which is 1.2% above 2014's pace.
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Weekend Estimates: Spy! Beats Crowded Field with $30 Million Debut
June 7th, 2015
Going into the weekend, any one of three films could conceivably win at the box office, with a fourth wide release having the potential to act as a spoiler by pulling away some of the audience from the others. In the event, the right film won, if one goes by the reviews, with Spy! pulling in $30 million to take the prize. That’s basically a par score for Melissa McCarthy, compared to Bridesmaids’ $26 million start, the $34.5 million debut of Identity Thief, The Heat’s $39 million, and Tammy’s $21.5 million. Paul Feig directed McCarthy in Bridesmaids, The Heat and now Spy!, so it’s a par score for him too.
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Friday Estimates: Insidious Scares Spy Out of Top Spot
June 6th, 2015
Insidious Chapter 3 came out on top on Friday's box office chart, at least according to the estimates. Its opening day haul of $10.4 million put it just ahead of Spy’s Friday box office of $10.3 million. (When we get the final numbers, it is not unlikely that these two will switch places.) However, while Insidious won the battle on Friday, it won’t win the war for the weekend. Horror films have much weaker internal multipliers (internal multiplier is the weekend total divided by the Friday box office). For example, Insidious Chapter 2 had an opening day of $20.23 million on its way to a $40.27 million weekend. Its internal multiplier was just 1.99. That’s low, even for a horror film. Insidious Chapter 3 should have a better multiplier than that, thanks to its better reviews, but not by a huge margin. It certainly won’t keep pace with Spy. Even $25 million is likely out of question with $23 million being the most likely result after Friday’s results. This might not be enough to keep pace with San Andreas by the end of the weekend.
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Weekend Predictions: Will Spy Become McCarthy / Feig's Third Hit?
June 5th, 2015
There are three wide releases this week, including one that is already in theaters. The biggest of these three releases is Spy, which is the latest film from Melissa McCarthy and Paul Feig. Both of their previous films crossed $100 million with ease. Insidious Chapter 3 is the third film in the Insidious franchise, but most think it won't be the best. Entourage started out ahead of expectations, but its reviews could cause a quick decline. This weekend last year, The Fault in Our Stars opened with nearly $50 million, while Maleficent landed in second place with more than $30 million. I don't think 2015 will be strong on top, but I think it will have better depth.
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2015 Preview: June
June 1st, 2015
May turned out to be softer than anticipated with The Avengers: Age of Ultron missing expectations by about $100 million. Additionally, only Pitch Perfect 2 really topped expectations. May 2015 kept pace with May of 2014, more or less. June doesn't have any films as strong as Age of Ultron, but there are two films that should have no trouble getting to $200 million. Those two films are Jurassic World and Inside Out and I'm not sure which one will turn out to be the biggest hit of the month. Last June, the biggest hit was Transformers: Age of Extinction, but both Jurassic World and Inside Out should top that film, albeit by small margins. On the other hand, last June had four other films that reached $100 million, while this time around only Spy! and Ted 2 have a real shot at that milestone. 2015 is stronger at the top, but has weaker depth. It will be interesting to see if 2015 will keep pace with 2014 over the course of the full month.
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Contest: I Spy!
May 28th, 2015
Next week is the first week of June and there are three films opening wide: Entourage, Insidious: Chapter 3, and Spy! There's a chance none of these films will finish with $100 million at the box office, but Spy! has the best shot at that milestone. As such, it is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Spy!.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize. Because The SpongeBob Movie: Sponge Out of Water is coming out on 3D Blu-ray this Tuesday (Look for our review coming out over the weekend.) our Frankenprizes will feature SpongeBob SquarePants releases, as well as other similar kids DVDs. Its a great prize to win just as school ends.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a SpongeBob Frankenprize.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a SpongeBob Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/06/26 | 4 | $1,730,409 | 1,138 | $1,521 | $1,730,409 | 1 | |
2015/07/03 | 4 | $865,960 | -50% | 772 | $1,122 | $3,611,097 | 2 |
2015/07/10 | 5 | $278,133 | -68% | 0 | $4,343,003 | 3 | |
2015/07/17 | 10 | $39,811 | -86% | 68 | $585 | $4,566,316 | 4 |
2015/07/24 | 19 | $5,422 | -86% | 9 | $602 | $4,681,049 | 5 |
2015/07/31 | 29 | $1,607 | -70% | 1 | $1,607 | $4,686,592 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/18/2015 | $360,530 | 85 | 93 | 215 | $1,046,891 | 1/1/2019 |
Australia | 7/16/2015 | $153,617 | 32 | 32 | 98 | $394,242 | 8/10/2015 |
Austria | 7/3/2015 | $93,517 | 55 | 55 | 220 | $419,853 | 9/22/2015 |
Belgium | 7/15/2015 | $0 | 0 | 38 | 124 | $701,628 | 9/22/2015 |
Bolivia | 6/4/2015 | $59,419 | 20 | 20 | 56 | $167,307 | 12/30/2018 |
Brazil | 7/30/2015 | $946,322 | 405 | 405 | 1037 | $2,263,164 | 10/13/2015 |
Cambodia | 6/11/2015 | $21,420 | 10 | 10 | 10 | $25,988 | 12/30/2018 |
Chile | 6/4/2015 | $274,616 | 52 | 52 | 173 | $696,565 | 12/30/2018 |
Czech Republic | 6/5/2015 | $35,240 | 59 | 59 | 208 | $139,458 | 12/30/2018 |
Estonia | 6/5/2015 | $0 | 0 | 9 | 9 | $33,924 | 6/17/2015 |
France | 7/8/2015 | $923,290 | 0 | 229 | 411 | $3,005,646 | 8/21/2018 |
Germany | 7/2/2015 | $556,346 | 333 | 365 | 1513 | $2,740,428 | 10/13/2015 |
Greece | 6/25/2015 | $82,548 | 44 | 44 | 108 | $263,602 | 7/15/2015 |
Hong Kong | 7/23/2015 | $165,043 | 42 | 42 | 69 | $345,993 | 11/26/2018 |
Hungary | 6/18/2015 | $27,694 | 20 | 27 | 65 | $77,036 | 12/30/2018 |
India | 6/26/2015 | $0 | 280 | 280 | 584 | $1,394,254 | 7/30/2015 |
Italy | 6/4/2015 | $345,581 | 0 | 0 | 0 | $1,129,005 | 6/24/2015 |
Latvia | 6/5/2015 | $7,277 | 6 | 6 | 10 | $34,595 | 12/30/2018 |
Lebanon | 6/4/2015 | $28,668 | 12 | 12 | 39 | $115,081 | 12/30/2018 |
Lithuania | 6/5/2015 | $0 | 0 | 54 | 64 | $91,227 | 7/8/2015 |
Malaysia | 6/4/2015 | $1,528,762 | 220 | 220 | 440 | $2,738,562 | 6/17/2015 |
Mexico | 6/26/2015 | $1,730,409 | 1138 | 1138 | 1988 | $4,686,592 | 8/4/2015 |
Netherlands | 6/25/2015 | $185,223 | 56 | 56 | 254 | $674,929 | 11/24/2018 |
North America | 6/5/2015 | $22,692,741 | 3,002 | 3,014 | 11,369 | $52,218,558 | |
Norway | 6/5/2015 | $142,074 | 112 | 112 | 204 | $405,028 | 7/30/2015 |
Peru | 6/4/2015 | $0 | 0 | 90 | 90 | $785,459 | 12/30/2018 |
Philippines | 6/5/2015 | $1,449,992 | 224 | 224 | 417 | $3,581,187 | 12/30/2018 |
Poland | 6/19/2015 | $150,062 | 0 | 0 | 0 | $557,101 | 12/30/2018 |
Portugal | 8/6/2015 | $0 | 0 | 6 | 14 | $141,328 | 9/30/2015 |
Romania | 6/19/2015 | $58,654 | 44 | 44 | 103 | $162,583 | 12/30/2018 |
Russia (CIS) | 6/4/2015 | $2,793,403 | 892 | 892 | 2237 | $5,845,382 | 12/30/2018 |
Singapore | 6/4/2015 | $512,298 | 36 | 36 | 98 | $1,097,937 | 7/15/2015 |
Slovakia | 6/4/2015 | $26,385 | 44 | 44 | 102 | $74,864 | 7/1/2015 |
South Africa | 6/19/2015 | $0 | 0 | 9 | 19 | $67,859 | 8/4/2015 |
South Korea | 7/9/2015 | $1,344,333 | 410 | 416 | 1141 | $5,457,974 | 8/5/2015 |
Spain | 6/4/2015 | $628,753 | 329 | 329 | 1429 | $2,363,698 | 11/28/2018 |
Sweden | 6/5/2015 | $0 | 0 | 8 | 17 | $575,248 | 9/9/2015 |
Taiwan | 6/5/2015 | $646,636 | 83 | 83 | 267 | $1,534,651 | 7/8/2015 |
Thailand | 6/18/2015 | $178,556 | 87 | 87 | 177 | $558,441 | 7/15/2015 |
Turkey | 6/5/2015 | $91,693 | 110 | 110 | 346 | $430,218 | 12/30/2018 |
Ukraine | 6/4/2015 | $121,719 | 156 | 156 | 458 | $266,462 | 12/30/2018 |
United Arab Emirates | 6/4/2015 | $343,514 | 31 | 31 | 56 | $708,203 | 12/30/2018 |
United Kingdom | 6/5/2015 | $2,198,930 | 436 | 436 | 1582 | $6,335,324 | 8/18/2015 |
Uruguay | 6/4/2015 | $43,872 | 13 | 13 | 49 | $175,194 | 12/30/2018 |
Venezuela | 6/26/2015 | $288,771 | 32 | 32 | 279 | $2,571,801 | 6/9/2016 |
Vietnam | 6/4/2015 | $518,556 | 116 | 116 | 301 | $1,684,675 | 12/30/2018 |
Rest of World | $9,668,010 | ||||||
Worldwide Total | $120,453,155 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Stefanie Scott | Quinn Brenner |
Supporting Cast
Dermot Mulroney | Sean Brenner |
Angus Sampson | Tucker |
Leigh Whannell | Specs |
Lin Shaye | Elise Rainier |
Hayley Kiyoko | Maggie |
Steve Coulter | Carl |
Michael Reid McKay | The Man Who Can't Breathe |
Corbett Tuck | Danielle |
Tom Gallop | Dr. Henderson |
Ele Keats | Lilith Brenner |
Phyllis Applegate | Grace |
Phil Abrams | Mel |
Ruben Garfias | Ernesto |
Fawn Irish | Lambert Woman |
Adrian Sparks | Jack Ranier |
James Wan | Theater Director |
Joseph Bishara | Lipstick-Face Demon |
Tom Fitzpatrick | Bride in Black/Parker Crane |
Anne Bergstedt Jordanova | Neighbor |
Amaris Davidson | Nurse |
Anna Ross | Dead Teenage Junkie |
Tate Berney | Alex Brenner |
Ashton Moio | Hector |
Samantha Ramraj | Sindy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Leigh Whannell | Director |
Leigh Whannell | Screenwriter |
Jason Blum | Producer |
Oren Peli | Producer |
James Wan | Producer |
Steven Schneider | Executive Producer |
Brian Kavanaugh-Jones | Executive Producer |
Charles Layton | Executive Producer |
Peter Schlessel | Executive Producer |
Lia Buman | Executive Producer |
Xavier Marchand | Executive Producer |
Brian Pearson | Director of Photography |
Jennifer Spence | Production Designer |
Tim Alverson | Editor |
Joseph Bishara | Composer |
Rick A. Osako | Co-Producer |
Jeanette Volturno-Brill | Co-Producer |
Bailey Conway | Co-Producer |
Ariyela Wald-Cohain | Costume Designer |
Terri Taylor | Casting Director |
Craig Mann | Re-recording Mixer |
Paul Hackner | Supervising Sound Editor |
John Hartigan | Special Effects Supervisor |
Leigh Whannell | Character Creator |
Mark Rayner | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.