Netherlands Box Office for The Informer (2019)
Theatrical Performance (US$) | ||
Netherlands Box Office | $520,934 | Details |
Worldwide Box Office | $2,366,073 | Details |
Home Market Performance | ||
North America DVD Sales | $766,883 | Details |
North America Blu-ray Sales | $636,062 | Details |
Total North America Video Sales | $1,402,945 | |
Further financial details... |
Synopsis
Honorably discharged Special Ops soldier Pete Koslow’s world is turned upside-down when he is jailed after a fight to protect his wife. He’s given a chance for early release by becoming an informant for the FBI and using his covert skills in an operation to take down The General, the most powerful crime boss in New York. But when the FBI sting meant to finally earn Koslow his freedom results in the death of an undercover NYPD cop, Koslow finds himself caught in the crossfire between the mob and the FBI.
Metrics
Movie Details
Production Budget: | $60,000,000 |
Netherlands Releases: | January 3rd, 2020 (Wide) |
Video Release: | December 30th, 2019 by Warner Home Video November 6th, 2020 by Vertical Entertainment |
MPAA Rating: | R for strong violence and pervasive language. (Rating bulletin 2611 (Cert #51925), 1/8/2020) |
Running Time: | 113 minutes |
Keywords: | Set in New York, Ex-soldier, Confidential Informant, Prison, Gangs, Crime Boss, FBI, Criminals Working With Cops |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Thunder Road Film, Aviron Pictures, The Fyzz Facility, Maddem Films Limited |
Production Countries: | United Kingdom, United States |
Languages: | English |
Limited and Virtual Releases: The Box Office Won’t Die this Weekend
July 30th, 2020
No less than 15 films are debuting in theaters around the country this weekend, which makes this the biggest weekend for new releases since March 13. Eight of the new films are earning decent pre-release buzz, and all but one of those are earning good reviews. I think She Dies Tomorrow has the best shot at earning some measure of box office success, but as a Canadian, it is my patriotic duty to support Gordon Lightfoot: If You Could Read My Mind.
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Limited and VOD Releases: Prospects for Limited Releases are Never, Rarely this Dire
March 13th, 2020
The COVID-19 outbreak hangs heavily over the film business this weekend, and raises a lot of questions about how much business we will see at the box office. It is going to affect family films most of all, because families are more likely to stay home than adults when it comes to diseases like this. However, the second group to be affected could be art house films, because these tend to only play in large cities, and large cities have been hit harder by the outbreak so far. The advise is to stay three feet away from anyone else, which is impossible if you are using the New York City subway system, for example. I don’t think any of the films on this week’s list are going to thrive, at least not in theaters. That’s too bad, because there are several that deserve audiences, including Big Time Adolescence, Never, Rarely, Sometimes, Always, and others.
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2020 Preview: January
January 1st, 2020
It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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The Informer Trailer
February 4th, 2019
Thriller starring Joel Kinnaman opens March 22 ... Full Movie Details.
Honorably discharged Special Ops soldier Pete Koslow’s world is turned upside-down when he is jailed after a fight to protect his wife. He’s given a chance for early release by becoming an informant for the FBI and using his covert skills in an operation to take down The General, the most powerful crime boss in New York. But when the FBI sting meant to finally earn Koslow his freedom results in the death of an undercover NYPD cop, Koslow finds himself caught in the crossfire between the mob and the FBI.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/01/03 | 12 | $181,665 | 53 | $3,428 | $272,522 | 1 | |
2020/01/10 | 15 | $97,985 | -46% | 53 | $1,849 | $420,265 | 2 |
2020/01/17 | 23 | $48,826 | -50% | 49 | $996 | $492,608 | 3 |
2020/01/24 | 28 | $18,757 | -62% | 34 | $552 | $520,934 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/2/2020 | $0 | 0 | 0 | 0 | $0 | |
Italy | 10/17/2019 | $133,590 | 0 | 0 | 0 | $133,590 | 10/22/2019 |
Lithuania | 9/27/2019 | $11,374 | 11 | 11 | 17 | $20,986 | 10/16/2019 |
Netherlands | 1/3/2020 | $181,665 | 53 | 53 | 189 | $520,934 | 10/19/2022 |
North America | 11/6/2020 | $133,475 | 283 | 283 | 542 | $300,460 | |
Portugal | 1/10/2020 | $100,916 | 57 | 59 | 152 | $224,208 | 2/5/2020 |
Russia (CIS) | 10/24/2019 | $98,588 | 406 | 406 | 595 | $159,436 | 10/19/2022 |
South Korea | 4/15/2020 | $48,331 | 200 | 200 | 328 | $124,944 | 5/7/2020 |
Turkey | 10/25/2019 | $7,429 | 25 | 25 | 32 | $15,160 | 10/19/2022 |
United Kingdom | 8/30/2019 | $366,696 | 450 | 450 | 858 | $866,355 | 10/9/2019 |
Worldwide Total | $2,366,073 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Joel Kinnaman | Pete Koslow |
Rosamund Pike | Wilcox |
Common | Grens |
Ana de Armas | Sofia Hoffman |
Clive Owen | Montgomery |
Supporting Cast
Edwin De La Renta | Smiley Phelps |
Sam Spruell | Slewitt |
Aylam Orian | Andrzej Dziedzic |
Karma Meyer | Anna Koslow |
Mateusz Kosciukiewicz | Stazek |
Peter Mensah | Officer Franklin |
Arturo Castro | Daniel Gomez |
Abdul-Ahad Patel | Vermin |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Andrea Di Stefano | Director |
Matt Cook | Screenwriter |
Rowan Joffe | Screenwriter |
Andrea Di Stefano | Screenwriter |
Börge Hellström | Based on the novel “Three Seconds” by |
Anders Roslund | Based on the novel “Three Seconds” by |
Wayne Marc Godfrey | Producer |
Erica Lee | Producer |
Basil Iwanyk | Producer |
James Harris | Producer |
Mark Lane | Producer |
Robert Jones | Producer |
Ollie Madden | Producer |
John Fuhrman | Executive Producer |
Alex Walton | Executive Producer |
Ollie Madden | Executive Producer |
Anders Erden | Executive Producer |
Andrea Scarso | Executive Producer |
Simon Williams | Executive Producer |
Jeff Rice | Executive Producer |
Gabriel Napora | Executive Producer |
Yas Taalat | Executive Producer |
Rowan Joffe | Executive Producer |
Lee Broda | Executive Producer |
Shaun Sanghani | Executive Producer |
Vishal Rungta | Executive Producer |
Shelly Browning | Executive Producer |
William Sadleir | Executive Producer |
David Dinerstein | Executive Producer |
Jason Resnick | Executive Producer |
Arnaud Lannic | Co-Producer |
Babak Eftekhari | Co-Producer |
Daniel Katz | Director of Photography |
Mark Scruton | Production Designer |
Job Ter Berg | Editor |
Molly Emma Rowe | Costume Designer |
Will Blair | Composer |
Brooke Blair | Composer |
Chris Piccaro | Music Supervisor |
Marshall Leviten | Line Producer |
Colin Jones | Casting Director |