United Kingdom Box Office for The Infiltrator (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $1,357,083 | Details |
Worldwide Box Office | $22,152,137 | Details |
Home Market Performance | ||
North America DVD Sales | $1,023,894 | Details |
North America Blu-ray Sales | $591,341 | Details |
Total North America Video Sales | $1,615,235 | |
Further financial details... |
Synopsis
The story of undercover U.S. Customs agent Robert Mazur AKA Robert Musella, who became a pivotal player for drug lords cleaning their dirty cash. He traded on mob connections to become the confidant to scores of the international underworld, and the bankers who enabled them. Laying his life on the line, he infiltrated the globe’s largest cartels and discovered just how deep into society their influence extended. Their arrests would lead to the collapse of the Bank of Credit and Commerce International, and shake the underground economy to its core.
Metrics
Movie Details
Production Budget: | $47,500,000 |
United Kingdom Releases: | September 16th, 2016 (Wide) |
Video Release: | October 11th, 2016 by Broad Green |
MPAA Rating: | R for strong violence, language throughout, some sexual content and drug material. (Rating bulletin 2430 (Cert #52261), 6/22/2016) |
Running Time: | 127 minutes |
Keywords: | 1980s, Narcotics, Smuggler, Organized Crime, Drug Cartels, Undercover, Crime Thriller |
Source: | Based on Factual Book/Article |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Bank Leumi, Lipsync Productions, Good Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for October 11th, 2016
October 11th, 2016
Ghostbusters is the biggest release of the week and the best first run release. Combined with its fully-loaded Blu-ray (extended edition), it is a Pick of the Week contender. There’s not much competition. The main competition is a new Collector's Edition Blu-ray for The Thing, but this is at least a double-dip, which hurts its value. There are a couple of smaller releases as well. In the end it was a literal coin toss to decide the Pick of the Week and Ghostbusters won.
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Weekend Estimates: Pets Keep Trophy with $50 Million to Ghostbusters’ $46 Million
July 17th, 2016
After a huge amount of speculation on how it would perform at the box office, Ghostbusters is coming in right in the middle of (a very wide range of) expectations. Sony is projecting a $46 million debut for the supernatural comedy, which is far from the disaster many had feared, but some way short of the top tier. It’s also not enough for first place, even though The Secret Life of Pets will be down 52% in its second weekend.
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Friday Estimates: Ghosts Have Lively Debut with $17.2 million
July 16th, 2016
Ghostbusters topped the box office chart on Friday with $17.2 million. This is the best opening day for the director, Paul Feig, topping his previous champ, The Heat by 25%. If this film has the same internal multiplier as The Heat, then it will earn $49 million over the weekend. This seems a little high, but not out of the question. Ghostbusters’ reviews are better than The Heat’s reviews were, although both films earned B+ from CinemaScore surveys. On the other hand, Ghostbusters is a remake, so that tends to make the movie more front-loaded. Look for an opening weekend of $45 million. This is right on the edge between financial success and failure. The film will need help internationally in order to break even, but it is way too soon to know if that will happen.
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Weekend Predictions: Will the New Releases get Busted?
July 14th, 2016
This weekend is rather sparse when it comes to wide releases. Ghostbusters opens this weekend and its buzz and reviews are better than expected and it could be a huge hit. On the other hand, The Secret Life of Pets opened with more than $100 million last weekend and unless it falls more than 50% this weekend, it will remain in first place. That doesn’t feel likely at this point. On the other hand, The Infiltrator opened on Wednesday, but in less than 2,000 theaters. Its reviews are barely in the overall positive range, so it likely won’t be a major factor over the weekend. This weekend last year, Ant-Man opened in first place, pushing Minions into second place. Meanwhile, Trainwreck was a solid midlevel hit. I just don’t see 2016 being able to top that depth.
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Contest: Green With Envy
July 8th, 2016
It is an easy week to pick the target film for the Box Office Prediction Contest. I’m not 100% sure The Infiltrator is opening truly wide, plus it is a Wednesday release. On the other hand, if Fandango is correct, Ghostbusters will be the biggest comedy of the summer and if early tracking is correct, it will have the best non-family film opening since X-Men: Apocalypse. Regardless if they are correct, Ghostbusters is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Ghostbusters.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Green Room on Blu-ray, plus an additional previously reviewed movie. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize, consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize, consisting of two previously reviewed DVDs or Blu-rays.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: July
July 1st, 2016
It's July 1st, which is Canada Day. To celebrate, I wanted to give a gift to my American readers down south, so here's a bunch of "u"s. U, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u. Now you can spell words like "colour" and "neighbour" correctly. As for the July preview... June wasn't a good month, despite Finding Dory being on pace to become the biggest hit of the year so far. Most other films failed to match expectations and as a result, 2016's lead over 2015 has nearly evaporated. In fact, ticket sales are below last year's pace. So how does July look in comparison? Well, last July, there were five films that earned more than $100 million, led by Minions, which earned more than $300 million. This July, there are five films that should earn more than $100 million, led by The Secret Life of Pets, which should earned around $250 million. I don't think July 2016 will live up to July 2015, but it should be close. Maybe if one of the expected midlevel hits is a surprise $100 million hit, or if two more of the $100 million hits crack $200 million, then the month will look great. Or one of the expected $100 million hits could flop and 2016 will actually fall behind 2015, even without taking into account ticket price inflation.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/09/16 | 9 | $484,931 | 264 | $1,837 | $484,931 | 1 | |
2016/09/23 | 11 | $239,324 | -51% | 236 | $1,014 | $1,069,994 | 2 |
2016/09/30 | 19 | $72,971 | -70% | 143 | $510 | $1,289,647 | 3 |
2016/10/07 | - | $24,876 | -66% | 74 | $336 | $1,292,547 | 4 |
2016/10/14 | - | $7,490 | -70% | 31 | $242 | $1,288,161 | 5 |
2016/10/21 | - | $7,357 | -2% | 6 | $1,226 | $1,306,389 | 6 |
2016/10/28 | - | $5,947 | -19% | 3 | $1,982 | $1,311,916 | 7 |
2016/11/04 | - | $1,527 | -74% | 1 | $1,527 | $1,358,505 | 8 |
2016/11/11 | - | $162 | -89% | 1 | $162 | $1,357,083 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/16/2016 | $103,981 | 53 | 53 | 81 | $202,905 | 11/30/2018 |
Australia | 9/2/2016 | $36,569 | 10 | 10 | 30 | $84,482 | 9/19/2016 |
Brazil | 9/16/2016 | $151,432 | 0 | 0 | 0 | $151,432 | 11/16/2018 |
Bulgaria | 11/18/2016 | $11,477 | 0 | 0 | 0 | $37,243 | 2/26/2019 |
France | 9/9/2016 | $521,225 | 0 | 0 | 0 | $1,658,399 | 8/17/2018 |
Mexico | 10/21/2016 | $211,049 | 0 | 0 | 0 | $363,720 | 4/23/2018 |
Netherlands | 9/15/2016 | $99,122 | 32 | 34 | 135 | $413,628 | 10/18/2016 |
North America | 7/13/2016 | $5,303,775 | 1,601 | 1,601 | 4,205 | $15,436,808 | 10/22/2020 |
Portugal | 12/16/2016 | $20,690 | 19 | 19 | 48 | $53,248 | 1/13/2017 |
Russia (CIS) | 8/12/2016 | $339,026 | 402 | 402 | 845 | $678,075 | 12/31/2018 |
South Korea | 9/28/2016 | $0 | 0 | 128 | 128 | $50,597 | 10/27/2016 |
Spain | 12/16/2016 | $76,071 | 60 | 60 | 155 | $230,484 | 1/17/2017 |
United Kingdom | 9/16/2016 | $484,931 | 264 | 264 | 759 | $1,357,083 | 11/16/2016 |
Rest of World | $1,434,033 | ||||||
Worldwide Total | $22,152,137 | 10/22/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Bryan Cranston | Robert Mazur/Bob Musella |
Supporting Cast
Leanne Best | Bowling Alley Waitress |
Daniel Mays | Frankie |
Tom Vaughan-Lawlor | Steve Cook |
Niall Hayes | Scott Mazur |
Lara Decaro | Andrea Mazur |
Juliet Aubrey | Evelyn Mazur |
Olympia Dukakis | Aunt Vicky |
Amy Ryan | Bonni Tischler |
John Leguizamo | Emir Abreu |
Joseph Gilgun | Dominic |
Jason Isaacs | Mark Jackowski |
Richard Katz | Attorney |
Fred Furman | Federal Court Judge |
Juan Cely | The Informant |
David Horovitch | Saul Mineroff |
Mark Holden | Eric Wellman |
Ruben Ochandiano | Gonzalo Mora Jr |
Simon Andreu | Gonzalo Mora Sr. |
Christian Contreras | Lee Palmer |
Jessica L. Fuerst | Miss Wilson |
Samya Boulahri | Dancer 1 (Cafe de la Musica) |
Jasmine Jardot | Dancer 2 (Cafe de la Musica) |
Paul Brightwell | Mr. X |
Yul Vazquez | Javier Ospina |
Xarah Xavier | Lau |
Diane Kruger | Kathy Ertz |
Stephanie Callahan | Ocean Bird Airlines Receptionist |
Art Malik | Akbar Bilgrami |
Said Taghmaoui | Amjad Awan |
Tim Dutton | Ian Howard |
Stewart O'Reilly | Cake Waiter |
Ekaterina Zalitko | Lola — Emir Lap Dancer |
Ashley Bannerman | Laura Sherman |
Michael Pare | Barry Seal |
Carsten Hayes | Rudy Ambrecht |
Miguel Ruiz | Santerian Priest |
Ronald Fox | Businessman/Joshua Baron |
Andy Beckwith | Joe |
Benjamin Bratt | Roberto Alcaino |
Elena Anaya | Gloria Alcaino |
Jordan Loughran | Bianca Alcaino |
Matt Stirling* | Mora's Henchman |
Nabil Massad | Nazir Chinoy |
Cesare Taurasi | Gerardo Moncada |
Rez Kabir | Agha Hasan Abedi |
Dinita Gohil | Farhana Awan |
Mitch Mullen | William von Raab |
Nathan Morse | Wedding Priest |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brad Furman | Director |
Ellen Brown Furman* | Screenwriter |
Robert Mazur | Based on the autobiography by |
Miriam Segal | Producer |
Brad Furman | Producer |
Don Sikorski | Producer |
Paul Brennan | Producer |
Martin Rushton Turner | Executive Producer |
Camela Galano | Executive Producer |
Peter Hampden | Executive Producer |
Norman Merry | Executive Producer |
Kate Fasulo | Executive Producer |
Jill Morris | Executive Producer |
Scott LaStaiti | Executive Producer |
Bryan Cranston | Executive Producer |
Robert Mazur | Executive Producer |
Crispian Sallis | Production Designer |
David Rosenbloom | Editor |
Luis Carballer | Editor |
Jeff McEvoy | Editor |
Chris Hajian | Composer |
Joshua Reis | Director of Photography |
Paula Turnbull | Co-Producer |
Nicole Boccumini | Co-Producer |
Jess Fuerst* | Co-Producer |
Matt Ruskin | Co-Producer |
Dinah Collin | Costume Designer |
Sharon Martin | Make-up and Hair Designer |
Gail Stevens | Casting Director |
Jeanne McCarthy | Casting Director |
Robert How | Line Producer |
Tim Wellspring | Unit Production Manager |
Dominic Fysh | First Assistant Director |
Emma Stokes | Second Assistant Director |
Rebecca Farhall | Additional Casting-Casting Associate |
Karen Wakefield | Art Director |
Robert Sharman | Sound Mixer |
Paul Cotterell | Re-recording Mixer |
Paul Carter | Re-recording Mixer |
Tim Wooster | Script Supervisor |
Mark Holt | Special Effects |
Annie Crawford | Costume Supervisor |
Steve Mortimore | Supervising Location Manager |
Rowley Irlam | Stunt Coordinator |
Seth Harris | Music Supervisor |
Brad Furman | Music Supervisor |
Cathy Cosgrove | Set Decorator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.