Portugal Box Office for Desejo Inconcebível (2017)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $41,529 | Details |
| Worldwide Box Office | $116,099 | Details |
| Further financial details... | ||
Synopsis
A mysterious young woman, Katie, and her daughter move to a new town to escape her past and quickly befriends Angela Morgan, a mother of one who longs for a bigger family. As their lives become intricately entwined, Angela and her husband, Brian, invite Katie to live in their guest-house to serve as their nanny. Over time, the blossoming friendship between the two women spirals into a dangerous obsession as Katie becomes overly attached to the Morgans’ daughter. Enduring lies and manipulations, Angela and Brian realize that sweet Katie is actually trying to destroy their family from within.
Metrics
Movie Details
| Portugal Releases: | May 18th, 2018 (Wide), released as Desejo Inconcebível |
| Video Release: | June 30th, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | R for some violence, sexuality, nudity and language. (Rating bulletin 2468 (Cert #50949), 3/22/2017) |
| Running Time: | 105 minutes |
| Keywords: | Early / Simultaneous Video-on-Demand release, Unconventional Pregnancies, Domestic Abuse, Voyeurism, Obsession |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, Emmett/Furla Films, Baker Entertainment Group, Highowth Films Limited |
| Production Countries: | Canada |
| Languages: | English |
Home Market Releases for August 29th, 2017
August 29th, 2017
It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got.
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Limited and VOD Releases: Hours of Entertainment
June 30th, 2017
It is not a great week for limited releases, as there are none that are expected to earn any measure of mainstream success. Okja is earning the loudest buzz, but it is playing on Netflix, so its box office chances are close to zero. The Little Hours has the best cast and its reviews are over 80% positive, but black comedies rarely do well in theaters. Finally, The B-Side is earning some of the best reviews, but documentaries rarely escape the art house circuit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/05/18 | 7 | $12,957 | 24 | $540 | $12,957 | 1 | |
| 2018/05/25 | 8 | $11,786 | -9% | 24 | $491 | $31,244 | 2 |
| 2018/06/01 | 18 | $4,916 | -58% | 11 | $447 | $41,529 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 6/30/2017 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 5/18/2018 | $12,957 | 24 | 24 | 59 | $41,529 | 6/6/2018 |
| Turkey | 6/30/2017 | $29,202 | 75 | 75 | 123 | $74,570 | 2/26/2019 |
| Worldwide Total | $116,099 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Gina Gershon | Angela Morgan |
| Faye Dunaway | Donna Morgan |
| Nicolas Cage | Brian Morgan |
| Nicky Whelan | Katie Wells/Tara |
Supporting Cast
| Natalie Eva Marie | Linda |
| Sienna Soho Baker | Maddie |
| Harlow Bottarini | Cora |
| Jonathan Baker | Barry |
| James Van Patten | Dr. Weisman |
| Ele Bardha | Jake |
| Hunter Bodine | Dr. Holland |
| Leanna Huebner | Mother |
| Corrie Danieley | Monica Wheeler |
| Burgess Byrd | Nurse |
| Tess Talbot | Mrs. Reynolds |
| Tyler J. Olson | Anesthesiologist |
| Pernille Trojgaard | Nurse #2 |
| Nicholas Lynch | Nick |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jonathan Baker | Director |
| Chloe King | Screenwriter |
| Randall Emmett | Producer |
| George Furla | Producer |
| Jonathan Baker | Producer |
| Mark Stewart | Producer |
| Hilary Shor | Producer |
| Henry Winterstern | Executive Producer |
| Arianne Fraser | Executive Producer |
| Delphine Perrier | Executive Producer |
| Ted Fox | Executive Producer |
| Wayne Marc Godfrey | Executive Producer |
| Robert Jones | Executive Producer |
| Barry Brooker | Executive Producer |
| Stan Wertlieb | Executive Producer |
| Steven Saxton | Executive Producer |
| Vance Owen | Executive Producer |
| Michael Burns | Executive Producer |
| Daniel Herther | Executive Producer |
| Jenny Ljungberg | Executive Producer |
| Kevin Koloff | Executive Producer |
| Ryan Black | Co-Executive Producer |
| Tim Sullivan | Co-Producer |
| Anthony Callie | Co-Producer |
| Scott Putman | Line Producer |
| Brandon Cox | Director of Photography |
| Niko Vilaivongs | Production Designer |
| Richard Byard | Editor |
| Bonnie Stauch | Costume Designer |
| Ashley Waldron | Music Supervisor |
| Michelle Lang | Casting Director |
| Ian Navran | Unit Production Manager |
| Craig Borden | First Assistant Director |
| Aaron Walters | Second Assistant Director |
| Ele Bardha | Stunt Coordinator |
| Arnaud Lannic | Associate Producer |
| Christophe Lannic | Associate Producer |
| Michael J Urann | Post-Production Supervisor |
| Beau J Genot | Post-Production Supervisor |
| Patti Perret | Still Photographer |
| Nick Dirosa | Script Supervisor |
| Devin Golub | Sound Mixer |
| Matthew T. Stratton | Special Effects Coordinator |
| Aaron Bautista | Art Director |
| Rachel Lowery | Set Decorator |
| Hannah Gates | Costume Supervisor |
| Karri Farris | Make up |
| Alan Tuskes | Make-up and Prosthetic Effects Designer |
| Scott Reeder | Hairstylist |
| Samantha Maloney | Hairstylist |
| Nick Deroo | Location Manager |
| Liam Johnson | Assistant Editor |
| Alex Oppenheimer | Assistant Editor |
| Trevor Gates | Supervising Sound Designer |
| Chris David | Re-recording Mixer |
| Jason Dotts | Dialogue/ADR Editor |
| Paul Knox | Sound Effects Editor |
| Jesus Lopez | Foley Mixer |
| Chris Tergesen | Music Editor |
| Marcel Da Costa | Visual Effects Supervisor |
| Len Hartman | Visual Effects Producer |
| Will Borza | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.