South Korea Box Office for 사울 레이터: 인 노 그레이트 허리 (2014)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $11,552 | Details |
| Worldwide Box Office | $23,685 | Details |
| Further financial details... | ||
Synopsis
Saul Leiter could have been lauded as the great pioneer of colour photography, but was never driven by the lure of success. Instead he preferred to drink coffee and photograph in his own way, amassing an archive of beautiful work that is now piled high in his New York apartment. In a funny, intimate and moving film, In No Great Hurry follows Saul as he deals with the triple burden of cleaning an apartment full of memories, becoming world famous in his 80's and fending off a pesky film maker.
Metrics
Movie Details
| South Korea Releases: | December 29th, 2021 (Wide), released as 사울 레이터: 인 노 그레이트 허리 |
| MPAA Rating: | Not Rated |
| Running Time: | 75 minutes |
| Keywords: | Biography, Photography, Jewish |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United Kingdom |
| Languages: | English |
Per Theater Chart: Holdovers Feeling Lonely
January 7th, 2014
It was a slow week for new releases as none topped $10,000 on the per theater chart. There were some holdovers that performed well, led by Lone Survivor, which pulled in an average of $42,429 in two theaters. This is compared to $45,436 during its opening weekend. Such a small decline is great news for its upcoming wide expansion. August: Osage County was next with an average of $27,983 in five theaters, which is 22% lower than its opening average of $35,860. Its running tally is already at nearly half a million and it has potential to expand, especially if it continues to do well during Awards Season. The final film in the $10,000 club was Her with an average of $15,378 in 47 theaters. It is already at nearly $3 million after three weeks of release and it expands wide this weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/12/31 | 18 | $3,057 | 14 | $218 | $5,363 | 1 | |
| 2022/01/07 | - | $2,072 | -32% | 12 | $173 | $9,261 | 2 |
| 2022/01/21 | - | $1,004 | 2 | $502 | $11,552 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 1/3/2014 | $6,100 | 1 | 4 | 1 | $12,133 | |
| South Korea | 12/29/2021 | $3,057 | 14 | 14 | 28 | $11,552 | 1/26/2022 |
| Worldwide Total | $23,685 | 1/26/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Saul Leiter | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tomas Leach | Director |
| Tomas Leach | Producer |
| Margit Erb | Producer |
| Kate Baird | Editor |
| Johnny Rayner | Editor |
| Mark Rustemier | Composer |
| Stephen Gatti | Colorist |
| Trine Pillay | Associate Producer |
| Charles Marshall | Associate Producer |