Portugal Box Office for In My Room: No Meu Quarto (2019)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $783 | Details |
| Worldwide Box Office | $783 | Details |
| Further financial details... | ||
Synopsis
Lost in life and beset by a recent passing, Armin has nowhere to go and just as much to show for himself. Fate (or something like it) intervenes when Armin awakes one morning and discovers that seemingly all of humanity has disappeared, leaving him to his limited devices and opening the door for self-discovery—but the gift of maximum freedom bears complications.
Metrics
Movie Details
| Portugal Releases: | March 1st, 2019 (Wide), released as In My Room: No Meu Quarto |
| Video Release: | May 26th, 2020 by Grasshopper Film |
| Running Time: | 120 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pandora Filmproduktion, Echo Films, Komplizen, Westdeutscher Rundfunk, Arte |
| Production Countries: | Germany, Italy |
| Languages: | English, German |
Limited and VOD Releases: Will Parasite Burrow Its Way into Audiences?
October 11th, 2019
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It is a shallow week for limited releases with more secondary VOD titles than ones that made it onto the main list. Of these, Dolemite is My Name has the best shot at a fast opening; however, it doesn’t have long before it comes out on VOD itself. This means Parasite could have the best long-term health in theaters.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/07/05 | 33 | $312 | 1 | $312 | $783 | 19 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 10/11/2019 | $0 | 1 | 0 | 0 | $0 | |
| Portugal | 3/1/2019 | $0 | 0 | 1 | 1 | $783 | 7/10/2019 |
| Worldwide Total | $783 | 7/10/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Hans Löw | Armin |
Supporting Cast
| Elena Radonicich | Kirsi |
| Michael Wittenborn | Father |
| Ruth Bickelhaupt | Grandmother |
| Emma Bading | Rosa |
| Katharina Linder | Lilo |
| Felix Knopp | Editor |
| Kathrin Resetarits | Tanja |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ulrich Kohler | Director |
| Ulrich Kohler | Screenwriter |
| Maren Ade | Producer |
| Christoph Friedel | Producer |
| Claudia Steffen | Producer |
| Maja Wieser Benedetti | Co-Producer |
| Andreas Pichler | Co-Producer |
| Katrin Schlosser | Co-Producer |
| Janine Jackowski | Co-Producer |
| Jonas Dornbach | Co-Producer |
| Patrick Orth | Cinematographer |
| Laura Lauzemis | Editor |
| Johannes Grehl | Sound Mixer |
| Andreas Hildebrandt | Sound Designer |
| Thomas Loeder | Visual Effects Supervisor |
| Fee Buck | Production Manager |
| Jochen Dehn | Production Designer |
| Silke Fischer | Production Designer |
| Matthias Lempert | Re-recording Mixer |
| Birgitt Kilian | Costume Designer |