Italy Box Office for La Prescelta (2024)
Theatrical Performance (US$) | ||
Italy Box Office | $825,818 | Details |
Worldwide Box Office | $25,046,900 | Details |
Further financial details... |
Synopsis
Cecilia is an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside. Cecilia’s warm welcome quickly devolves into a nightmare as it becomes clear her new home harbors a sinister secret and unspeakable horrors.
Metrics
Movie Details
Italy Releases: | July 11th, 2024 (Limited), released as La Prescelta |
Video Release: | April 16th, 2024 by Neon |
MPAA Rating: | R for strong and bloody violent content, grisly images, nudity and some language. |
Running Time: | 89 minutes |
Keywords: | Filmed in Rome, Italy, Psychological Horror, Monks and Nuns, Religious, Christians |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Needle Eye, Catapult Entertainment Group |
Production Countries: | Italy, United States |
Languages: | English |
Weekend predictions: Ghostbusters looking to scare up $40 million on debut
March 22nd, 2024
Ghostbusters: Frozen Empire will top the box office chart this weekend fairly comfortably, knocking Kung Fu Panda 4 into second or third place, depending on how it holds on compared to Dune: Part Two. After a long dry spell, this could be the first weekend since August 4 last year to have three films earn over $20 million.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2024/07/12 | 2 | $254,555 | 0 | $254,555 | 1 | ||
2024/07/19 | 3 | $162,042 | -36% | 0 | $579,133 | 2 | |
2024/07/26 | 4 | $56,102 | -65% | 0 | $707,037 | 3 | |
2024/08/02 | 8 | $40,959 | -27% | 0 | $789,537 | 4 | |
2024/08/09 | 12 | $16,122 | -61% | 0 | $825,818 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/21/2024 | $198,007 | 197 | 197 | 554 | $744,860 | 5/14/2024 |
Brazil | 5/30/2024 | $0 | 0 | 0 | 0 | $0 | |
Colombia | 7/11/2024 | $0 | 0 | 0 | 0 | $0 | |
Croatia | 4/25/2024 | $0 | 0 | 23 | 71 | $58,967 | 6/7/2024 |
Czech Republic | 3/21/2024 | $42,333 | 69 | 69 | 140 | $104,310 | 4/9/2024 |
Finland | 5/3/2024 | $24,410 | 51 | 51 | 152 | $97,198 | 5/31/2024 |
France | 3/20/2024 | $0 | 0 | 0 | 0 | $0 | |
Germany | 4/4/2024 | $0 | 0 | 0 | 0 | $0 | |
Greece | 3/21/2024 | $0 | 0 | 0 | 0 | $0 | |
Italy | 7/11/2024 | $254,555 | 0 | 0 | 0 | $825,818 | 8/12/2024 |
Mexico | 5/30/2024 | $1,688,831 | 0 | 0 | 0 | $3,121,630 | 6/24/2024 |
Netherlands | 4/4/2024 | $77,600 | 62 | 62 | 170 | $204,390 | 4/22/2024 |
New Zealand | 3/21/2024 | $24,536 | 56 | 56 | 117 | $62,100 | 4/22/2024 |
North America | 3/22/2024 | $5,338,921 | 2,354 | 2,362 | 7,277 | $15,671,306 | |
Portugal | 3/28/2024 | $87,036 | 33 | 33 | 140 | $299,529 | 5/14/2024 |
Romania | 3/22/2024 | $62,492 | 80 | 80 | 205 | $173,250 | 5/15/2024 |
Russia (CIS) | 3/21/2024 | $139,327 | 802 | 802 | 1405 | $303,942 | 4/3/2024 |
Slovakia | 3/21/2024 | $21,242 | 55 | 55 | 108 | $59,180 | 4/9/2024 |
South Korea | 7/17/2024 | $55,228 | 189 | 189 | 189 | $95,694 | 7/24/2024 |
Spain | 5/1/2024 | $307,239 | 281 | 281 | 788 | $985,761 | 5/30/2024 |
Turkey | 4/26/2024 | $44,260 | 129 | 129 | 217 | $131,353 | 5/23/2024 |
United Kingdom | 3/22/2024 | $658,580 | 511 | 511 | 1267 | $2,107,612 | 4/23/2024 |
Worldwide Total | $25,046,900 | 8/12/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sydney Sweeney | Cecilia |
Supporting Cast
Simona Tabasco | Sister Mary |
Álvaro Morte | Father Sal Tedeschi |
Benedetta Porcaroli | Sister Gwen |
Giorgio Colangeli | Cardinal Franco Merola |
Dora Romano | Mother Superior |
Giulia Heathfield Di Renzi | Sister Isabelle |
Giampiero Judica | Doctor Gallo |
Betti Pedrazzi | Sister Francesca |
Giuseppelo Piccolo | Deacon Enzo |
Cristina Chinaglia | Sister Friede |
Niccolo Senni | Customs Official |
Isabel Desantis | Young Cecilia |
Viviane Florentine Nicolai | Sister Sally |
Marisa Regina | Sister Joan |
Laura Camassa | Young Novice |
Cinzia Fantauzzi | Red Veiled Nun |
Tiziano Ferracci | Weary Customs Official |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Mohan | Director |
Andrew Lobel | Screenwriter |
David Bernad | Producer |
Sydney Sweeney | Producer |
Jonathan Davino | Producer |
Michael Heimler | Producer |
Teddy Schwarzman | Producer |
John Friedberg | Executive Producer |
Christopher Casanova | Executive Producer |
Will Greenfield | Executive Producer |
Adam Reamer | Production Designer |
Christian Masini | Editor |
Will Bates | Composer |
Elisha Christian | Director of Photography |
Francesca Maria Brunori | Costume Designer |
Willa Yudell | Music Supervisor |
Mikki Itzigsohn | Music Supervisor |
Will Greenfield | Unit Production Manager |
Sally Suebeisel-Lander | First Assistant Director |
Alessandro Specchio | Second Assistant Director |
Sara Fathi | Thirs Assistant Director |
Gabriela Leibowitz | Co-Producer |
Ben Shafer | Co-Producer |
Gianluca Mizzi | Supervising Producer |
Philip Rogosky | Supervising Producer |
Alessandro Novelli | Stunt Coordinator |
Francesco Vedovati | Casting Director |
Barbara Giordani | Casting Director |
Matteo Vallecoccia | Line Producer |
Sabrina Manna | Production Manager |
Fabio Dilorenzo | Unit Production Manager |
Alberto Gavini | Location Manager |
Francesco Scandale | Art Director |
Veronica Lopez | Set Decorator |
Valentina Scuro | Script Supervisor |
Flavia Figa Talamanca | Costume Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.