Mexico Box Office for El Intruso (2016)
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| Theatrical Performance (US$) | ||
| Mexico Box Office | $207,487 | Details |
| Worldwide Box Office | $1,718,502 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Mexico Releases: | January 13th, 2017 (Wide), released as El Intruso |
| Video Release: | September 20th, 2016 by RLJ |
| MPAA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Keywords: | Early / Simultaneous Video-on-Demand release, Stalker, Loss of Privacy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, Ireland, United States |
| Languages: | English |
Home Market Releases for November 22nd, 2016
November 21st, 2016
This is the Tuesday before Black Friday / Cyber Monday. It is the last chance for a home market release to come out before one of the most important shopping weekends of the year. However, it also means the new releases coming out have to compete with massive sales and they will tend to get lost in the crowd. Overall, this is a negative for the new releases, which explains why there are not many big titles. The biggest release of the week is Kubo and the Two Strings, which is also one of the best. If you don’t have any of the Laika films, then the Box Set is easily worth picking up. However, I’m giving the Pick of the Week title to Mystery Science Theater 3000: XXXVII, because I’m a huge fanboy.
Limited and VOD Releases: Dirty 30 is Apt Description
September 23rd, 2016
Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week.
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Home Market Releases for September 20th, 2016
September 20th, 2016
It is not a great week on the home market, as the biggest release is Beauty and the Beast: 25th Anniversary. I’m still waiting for the screener, but I fear there will be less extras this time around. Modern Family: Season Seven was also a contender for Pick of the Week, but the light extras prevents it from earning that title. That leaves Labyrinth: 30th Anniversary Edition as the best of the week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/01/13 | 9 | $207,487 | 0 | $207,487 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 11/11/2016 | $214,348 | 256 | 256 | 368 | $493,330 | 11/16/2018 |
| Bulgaria | 9/9/2016 | $7,730 | 0 | 0 | 0 | $23,931 | 2/26/2019 |
| China | 12/24/2016 | $550,000 | 6147 | 6147 | 6147 | $868,323 | 8/27/2018 |
| Mexico | 1/13/2017 | $207,487 | 0 | 0 | 0 | $207,487 | 1/18/2017 |
| North America | 9/23/2016 | $0 | 0 | 0 | 0 | $0 | |
| Russia (CIS) | 9/23/2016 | $83,838 | 270 | 270 | 499 | $123,154 | 11/14/2018 |
| Slovenia | 10/7/2016 | $1,514 | 3 | 3 | 6 | $2,277 | 11/7/2016 |
| Worldwide Total | $1,718,502 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| John Moore | Director |