South Korea Box Office for I Am Woman (2020)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $167,132 | Details |
| Worldwide Box Office | $439,684 | Details |
| Further financial details... | ||
Synopsis
The story of Helen Reddy, who in 1966 landed in New York with her three-year-old daughter, a suitcase, and $230 in her pocket. Within weeks she was broke. Within months she was in love. Within five years she was one of the biggest superstars of her time, and an icon of the 1970’s feminist movement, who wrote a song which galvanized a generation of women to fight for change.
Metrics
Movie Details
| South Korea Releases: | January 14th, 2021 (Wide) |
| Video Release: | September 11th, 2020 by Quiver |
| Running Time: | 116 minutes |
| Keywords: | Biography, Singers, Musicians |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Goalpost Pictures, Deep Blue Pacific, Screen Australia, Cowlick Entertainment, Create NSW, Goodship Women’s Fund, WestEnd Films |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/01/15 | 2 | $79,922 | 494 | $162 | $113,542 | 1 | |
| 2021/01/22 | 10 | $12,886 | -84% | 177 | $73 | $147,930 | 2 |
| 2021/01/29 | 9 | $16,949 | +32% | 22 | $770 | $167,132 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/5/2020 | $733 | 2 | 3 | 7 | $36,424 | 10/19/2022 |
| New Zealand | 11/5/2020 | $47,551 | 81 | 83 | 366 | $225,463 | 10/19/2022 |
| North America | 9/11/2020 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 10/16/2020 | $3,518 | 15 | 16 | 31 | $6,350 | 10/19/2022 |
| South Korea | 1/14/2021 | $79,922 | 494 | 494 | 693 | $167,132 | 2/3/2021 |
| Spain | 12/25/2020 | $5,095 | 36 | 36 | 36 | $565 | 1/5/2021 |
| United Kingdom | 10/9/2020 | $3,750 | 33 | 33 | 33 | $3,750 | 10/14/2020 |
| Worldwide Total | $439,684 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Tilda Cobham-Hervey | Helen Reddy |
Supporting Cast
| Danielle Macdonald | Lillian Roxon |
| Evan Peters | Jeff Wald |
| Matty Cardarople | Roy Meyer |
| Gus Murray | Paul Rankine |
| Dusty Sorg | Dany Cornelius |
| Molly Broadstock | Traci |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Unjoo Moon | Director |
| Emma Jensen | Screenwriter |
| Rosemary Blight | Producer |
| Unjoo Moon | Producer |
| Helen Reddy | Story inspired by the book “The Woman I Am” by |
| Maya Amsellem | Executive Producer |
| Sharon Harel | Executive Producer |
| Cass O’Connor | Executive Producer |
| Tracey Mair | Executive Producer |
| Marcus Bolton | Executive Producer |
| Kylie du Fresne | Executive Producer |
| Ben Grant | Executive Producer |
| Jordan Sommers | Co-Producer |
| Dion Beebe | Director of Photography |
| Dany Cooper | Editor |
| Michael Turner | Production Designer |
| Emily Seresin | Costume Designer |
| Rafael May | Composer |
| Bry Jones | Music Producer |
| Robert Mackenzie | Sound Designer |
| Nikki Barrett | Casting Director |