Australia Box Office for Hubble 3D (2010)
Theatrical Performance (US$) | ||
Australia Box Office | $2,048,018 | Details |
Worldwide Box Office | $68,448,481 | Details |
Further financial details... |
Synopsis
In May 2009, NASA astronauts embark on a mission to perform maintenance and repairs to the Hubble Space Telescope. As they go about their tasks, danger and beauty are never far away. The nature of space indicates that even the simplest routine can go fatally awry, while amazing photographs taken by the telescope celebrate the wonder of Earth’s celestial surroundings.
Metrics
Movie Details
Australia Releases: | May 13th, 2010 (Wide) |
Video Release: | May 31st, 2011 by IMAX Video |
MPAA Rating: | G (Rating bulletin 2108 (Cert #45956), 2/17/2010) |
Running Time: | 44 minutes |
Keywords: | 3-D, Space Program, Edutainment, IMAX: DMR, 3-D - Shot in 3-D, Voiceover/Narration, Academic Documentary |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Warner Bros., IMAX Corporation |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for March 29th, 2011
March 30th, 2011
It's a very busy week for DVD and Blu-ray releases with several top-tier releases, as well as plenty of interesting catalog titles. Paradoxically, this week's list could be rather short, as I've previously reviewed most of the major releases, while I'm still waiting on about half of the catalog titles to show up. So this week's list is mostly just links to the reviews already done and notices of what reviews to look forward to if / when late screeners arrive. In the meantime, the best of the best is a three-horse race between Tangled, Black Swan, and Mad Men: Season Four. All three are absolutely worth picking up, but for Pick of the Week I'm going with the Mad Men: Season Four on Blu-ray.
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Weekend Estimates: Fifth Time's the Charm for Dragon
April 25th, 2010
In another sign of the dominance of 3D at the box office right now, How to Train Your Dragon enjoyed another strong performance and returned to the top of the box office chart this weekend, according to studio estimates released on Sunday.
With a drop of just 23% from last weekend, Dragon now stands at $178 million, and it's likely to grow that number considerably between now and the release of Shrek Forever After on May 21.
The Back-up Plan, meanwhile, posted a somewhat disappointing $12.25 million.
That's considerably better than CBS Films' previous release, Extraordinary Measures, but decidedly middle-of-the-pack compared to Jennfier Lopez' other opening weekends.
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Lots of Green for Greenberg on the Per Theater Chart
March 23rd, 2010
Greenberg easily led the way on the per theater chart with an average of $39,384 in three theaters. This was more than twice as much as the second place movie, City Island, which averaged $16,001 in two theaters. Hubble 3D was the last film in the $10,000 club with an average of $10,536 per theater, while The Girl with the Dragon Tattoo just missed that mark with an average of $9,868.
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Weekend Estimates: Alice Makes it Three in a Row
March 21st, 2010
Alice in Wonderland is enjoying a third straight win on the box office charts this weekend, according to studio estimates released on Sunday.
With another $34.5 million or so in the bank, Alice will have rung up over $265 million by the end of the day.
After Avatar's domination at the beginning of the year, 2010 is really shaping up to be the year of 3D movies.
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Runaway Limited Releases
March 19th, 2010
A large list of limited releases this week, including a few that are opening large for a limited release. The Runaways is the biggest limited release of the week, perhaps too big, but The Girl with the Dragon Tattoo is earning the best reviews.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/08/29 | - | $2,276 | 2 | $1,138 | $2,233,108 | 225 | |
2014/09/05 | - | $1,900 | -17% | 1 | $1,900 | $2,244,707 | 226 |
2014/09/12 | - | $2,543 | +34% | 1 | $2,543 | $2,168,656 | 227 |
2014/10/31 | 29 | $2,598 | 1 | $2,598 | $2,116,582 | 234 | |
2014/11/14 | 11 | $2,404 | 2 | $1,202 | $2,108,176 | 236 | |
2015/03/20 | 55 | $1,968 | 1 | $1,968 | $1,882,899 | 254 | |
2015/04/24 | 55 | $1,437 | 1 | $1,437 | $1,903,858 | 259 | |
2015/05/08 | - | $1,052 | 1 | $1,052 | $1,928,219 | 261 | |
2015/08/14 | 73 | $974 | 1 | $974 | $1,808,710 | 275 | |
2015/08/21 | 62 | $1,458 | +50% | 2 | $729 | $1,802,066 | 276 |
2015/09/18 | 53 | $2,005 | 2 | $1,003 | $1,775,647 | 280 | |
2015/10/09 | 82 | $399 | 1 | $399 | $1,801,459 | 283 | |
2015/10/30 | 62 | $1,202 | 1 | $1,202 | $1,757,471 | 286 | |
2015/11/13 | 54 | $1,807 | 1 | $1,807 | $1,757,608 | 288 | |
2015/11/20 | 53 | $1,789 | -1% | 1 | $1,789 | $1,789,039 | 289 |
2015/11/27 | 51 | $1,792 | n/c | 1 | $1,792 | $1,781,781 | 290 |
2015/12/04 | 59 | $1,198 | -33% | 1 | $1,198 | $1,823,566 | 291 |
2016/01/29 | 47 | $1,097 | 1 | $1,097 | $1,764,919 | 299 | |
2016/03/04 | 62 | $951 | 1 | $951 | $1,856,378 | 304 | |
2016/04/08 | 50 | $2,081 | 1 | $2,081 | $1,893,229 | 309 | |
2016/05/06 | 70 | $217 | 1 | $217 | $1,845,373 | 313 | |
2016/07/01 | 50 | $1,550 | 1 | $1,550 | $1,888,112 | 321 | |
2016/07/22 | 52 | $1,661 | 1 | $1,661 | $1,883,838 | 324 | |
2016/08/12 | - | $1,379 | 1 | $1,379 | $1,944,949 | 327 | |
2016/08/19 | - | $1,159 | -16% | 2 | $580 | $1,935,016 | 328 |
2016/09/09 | - | $2,047 | 2 | $1,024 | $1,924,612 | 331 | |
2016/09/16 | - | $1,210 | -41% | 1 | $1,210 | $1,911,559 | 332 |
2016/10/07 | - | $499 | 1 | $499 | $1,929,893 | 335 | |
2016/11/18 | - | $965 | 1 | $965 | $1,878,663 | 341 | |
2017/10/20 | - | $2,292 | 1 | $2,292 | $2,005,635 | 389 | |
2017/10/27 | - | $889 | -61% | 1 | $889 | $1,967,767 | 390 |
2017/11/03 | - | $1,556 | +75% | 1 | $1,556 | $1,966,764 | 391 |
2017/11/17 | - | $1,008 | 1 | $1,008 | $1,946,603 | 393 | |
2017/11/24 | - | $1,479 | +47% | 1 | $1,479 | $1,962,469 | 394 |
2017/12/01 | - | $1,950 | +32% | 1 | $1,950 | $1,966,421 | 395 |
2017/12/08 | - | $1,440 | -26% | 1 | $1,440 | $1,936,953 | 396 |
2018/07/20 | - | $1,175 | 1 | $1,175 | $1,922,527 | 428 | |
2018/08/17 | - | $510 | 1 | $510 | $1,891,267 | 432 | |
2018/08/31 | - | $793 | 1 | $793 | $1,868,664 | 434 | |
2018/09/14 | - | $920 | 1 | $920 | $1,867,425 | 436 | |
2018/09/21 | - | $1,443 | +57% | 1 | $1,443 | $1,895,076 | 437 |
2018/09/28 | - | $693 | -52% | 1 | $693 | $1,885,550 | 438 |
2018/10/12 | - | $1,248 | 1 | $1,248 | $1,855,491 | 440 | |
2018/10/19 | - | $2,083 | +67% | 1 | $2,083 | $1,862,995 | 441 |
2018/11/09 | - | $863 | 1 | $863 | $1,889,134 | 444 | |
2019/06/14 | - | $722 | 1 | $722 | $1,802,650 | 475 | |
2019/08/23 | - | $495 | 1 | $495 | $1,771,128 | 485 | |
2019/10/11 | - | $778 | 1 | $778 | $1,788,271 | 492 | |
2019/10/18 | - | $1,262 | +62% | 1 | $1,262 | $1,800,552 | 493 |
2019/11/22 | - | $760 | 1 | $760 | $1,789,011 | 498 | |
2021/04/30 | - | $766 | 1 | $766 | $2,040,626 | 573 | |
2021/05/07 | - | $678 | -11% | 1 | $678 | $2,079,802 | 574 |
2021/05/14 | - | $1,379 | +103% | 1 | $1,379 | $2,058,942 | 575 |
2021/05/21 | - | $597 | -57% | 1 | $597 | $2,048,018 | 576 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/13/2010 | $0 | 0 | 2 | 60 | $2,048,018 | 5/25/2021 |
Brazil | 9/30/2011 | $0 | 0 | 2 | 8 | $147,931 | 12/11/2015 |
Malaysia | 8/27/2015 | $0 | 0 | 1 | 2 | $305 | 10/20/2015 |
New Zealand | 8/29/2019 | $428 | 2 | 2 | 2 | $428 | 9/5/2019 |
North America | 3/19/2010 | $413,477 | 39 | 151 | 6,067 | $52,753,175 | 12/3/2014 |
Rest of World | $13,498,624 | ||||||
Worldwide Total | $68,448,481 | 5/25/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Narrator(s)
Leonardo DiCaprio | Narrator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Toni Myers | Director |
Toni Myers | Producer |
Graeme Ferguson | Executive Producer |
Judy Carroll | Associate Producer |
Maribeth Solomon | Composer |
Micky Erbe | Composer |
James Neihouse | Director of Photography |
Bret Culp | Visual Effects Supervisor |
Toni Myers | Editor |
Greg Smith | Sound Mixer |
Cory Mandel | Re-recording Mixer |
Paul Shubat | Re-recording Mixer |
Ed Douglas | Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.