Lebanon Box Office for Hotel Artemis (2018)
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| Theatrical Performance (US$) | ||
| Lebanon Box Office | $9,874 | Details |
| Worldwide Box Office | $13,316,627 | Details |
| Home Market Performance | ||
| North America DVD Sales | $645,452 | Details |
| North America Blu-ray Sales | $664,967 | Details |
| Total North America Video Sales | $1,310,419 | |
| Further financial details... | ||
Synopsis
Set in riot-torn, near-future Los Angeles, The Nurse runs a secret, members-only hospital for criminals.
Metrics
Movie Details
| Production Budget: | $15,000,000 |
| Lebanon Releases: | June 14th, 2018 (Wide) |
| Video Release: | August 21st, 2018 by Global Road Entertainment |
| MPAA Rating: | R for violence and language throughout, some sexual references, and brief drug use. (Rating bulletin 2528 (Cert #51187), 5/23/2018) |
| Running Time: | 97 minutes |
| Keywords: | Near Future, Gangs, Doctors, Medical and Hospitals, Set in Los Angeles, 2020s, Siege, Bank Robbery, Unnamed Character, Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Ink Factory, Global Road Entertainment, 127 Wall, Marc Platt Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for October 9th, 2018
October 9th, 2018
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It’s not a bad week on the home market. The two biggest releases, Hotel Transylvania 3: Summer Vacation and Skyscraper, are both worth checking out, but not close to being Pick of the Week contenders. As for the best of the best, Eighth Grade is really the only choice, while Thelma Todd & Zasu Pitts: The Hal Roach Collection was the runner up. Killing Eve: Season One and Recovery of an MMO Junkie: The Complete Series could have been contenders, if they had significant extras.
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Home Market Releases for August 21st, 2018
August 20th, 2018
It’s a good week on the home market as we not only have a monster hit that is worth being a Pick of the Week contender, Deadpool 2, we have a wide selection of other contenders. This includes a limited release, First Reformed; an Anime title,Sakura Quest: Part Two; as well as a TV on DVD release, Ash vs. Evil Dead: Season Three. In the end, I went with Ash vs. Evil Dead: Season Three, but it was a close race.
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Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It
June 18th, 2018
Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record.
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Weekend Wrap-Up: Ocean’s 8 has Franchise Best Opening with $41.61 million
June 12th, 2018
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The weekend was very kind to Ocean’s 8, as it opened with $41.61 million. This is not only the top result this weekend, it is the best opening weekend in the franchise. Hereditary also opened on the high end of expectations, leaving just Hotel Artemis as the only disappointment of the weekend. Overall, the box office rose 13% from last weekend to $120 million. More importantly, this was 17% lower than the same weekend last year. That said, it could have been worse and 2018 still has a 5.1% / $250 million lead over 2017 at $5.11 billion to $4.86 billion.
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Weekend Estimates: Ocean’s 8 Tops Chart, Franchise
June 10th, 2018
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Ocean’s 8 matched expectations with $41.5 million over the weekend. If it can maintain this figure, then it will open in the $10,000 club, while even if its final numbers slips a little, it still would be on pace for $100 million domestically. Its reviews have settled to 67% positive, and it managed an acceptable B plus from CinemaScore, so its legs should be average. Fortunately, with a start like this, it only needs average legs to break even early in its home market run.
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Friday Estimates: Ocean’s 8 Opens With $15 million, Fallen Kingdom Will Steal its Thunder
June 9th, 2018
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Two of the three new releases opened well on Friday. Ocean’s 8 open with $15.8 million, putting it on pace for an opening weekend of $42 million. This is the best opening in the franchise. It is also the cheapest installment in the franchise with a $70 million production budget, so it won’t need amazing legs to break even during its initial push into the home market. Its reviews are 69% positive, while it earned a B plus from CinemaScore. Neither of those results are particularly good, but they are no reason to panic either. Unfortunately, it won’t have the same legs as its predecessors, as the market has changed in the past decade. Furthermore, films with predominately female casts don’t do as well internationally, so the film will rely a little more on its domestic numbers to break even. That said, Warner Bros. should be happy with this result.
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Thursday Night Previews: Ocean’s Splits $4 million Opening
June 8th, 2018
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Ocean’s 8 opened with $4 million during its previews. By comparison, the most recent gender-bent remake, Ghostbusters, earned $3.4 million during its previews on its way to a $46.02 million opening weekend. The two films also have very similar reviews, so they could have similar legs. However, we have seen a number of films over-perform during previews only to come back down to earth over the weekend, so I’m not willing to change our $40 million prediction, at least not yet.
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Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot
June 7th, 2018
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Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better.
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2018 Preview: June
June 1st, 2018
This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017.
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Hotel Artemis Trailer
May 30th, 2018
Thriller starring Jodie Foster opens June 8 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/06/15 | - | $9,950 | 0 | $9,950 | 1 | ||
| 2018/06/22 | - | $6,816 | -31% | 8 | $852 | $9,874 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/13/2018 | $23,222 | 40 | 40 | 40 | $29,401 | 1/1/2019 |
| Austria | 7/27/2018 | $0 | 0 | 11 | 13 | $48,356 | 9/14/2018 |
| Bahrain | 6/14/2018 | $22,491 | 6 | 6 | 9 | $92,840 | 1/1/2019 |
| Belgium | 7/25/2018 | $0 | 0 | 11 | 13 | $98,862 | 9/14/2018 |
| Bolivia | 11/29/2018 | $0 | 0 | 6 | 6 | $12,019 | 12/14/2018 |
| Brazil | 9/13/2018 | $62,736 | 54 | 54 | 54 | $107,530 | 10/20/2018 |
| Chile | 9/20/2018 | $0 | 0 | 0 | 0 | $15,170 | 1/1/2019 |
| Colombia | 9/13/2018 | $19,860 | 22 | 22 | 22 | $19,860 | 1/1/2019 |
| Costa Rica | 10/4/2018 | $0 | 0 | 1 | 1 | $10,186 | 1/1/2019 |
| Cyprus | 6/28/2018 | $5,850 | 0 | 0 | 0 | $5,850 | 7/6/2018 |
| Czech Republic | 7/27/2018 | $16,114 | 73 | 73 | 98 | $31,260 | 1/1/2019 |
| Denmark | 7/26/2018 | $0 | 0 | 0 | 0 | $40,544 | 9/14/2018 |
| Dominican Republic | 9/27/2018 | $0 | 0 | 2 | 2 | $2,349 | 1/1/2019 |
| Ecuador | 8/31/2018 | $43,218 | 28 | 28 | 55 | $109,291 | 1/1/2019 |
| Egypt | 6/13/2018 | $13,956 | 0 | 0 | 0 | $13,956 | 1/1/2019 |
| Estonia | 6/8/2018 | $3,458 | 8 | 8 | 15 | $8,074 | 6/28/2018 |
| Finland | 7/27/2018 | $0 | 0 | 5 | 5 | $35,025 | 9/14/2018 |
| France | 7/27/2018 | $314,593 | 0 | 57 | 80 | $629,607 | 9/14/2018 |
| Germany | 7/27/2018 | $114,354 | 0 | 21 | 21 | $207,433 | 8/31/2018 |
| Greece | 6/14/2018 | $14,196 | 33 | 33 | 50 | $27,134 | 7/6/2018 |
| Hong Kong | 6/21/2018 | $207,477 | 38 | 38 | 72 | $414,493 | 7/6/2018 |
| India | 7/13/2018 | $4,097 | 0 | 0 | 0 | $10,280 | 9/20/2018 |
| Indonesia | 6/15/2018 | $143,902 | 0 | 0 | 0 | $143,902 | 12/6/2018 |
| Iraq | 6/14/2018 | $3,021 | 7 | 7 | 14 | $4,374 | 1/1/2019 |
| Israel | 6/7/2018 | $36,272 | 20 | 20 | 61 | $83,293 | 1/1/2019 |
| Italy | 8/1/2019 | $270,289 | 0 | 4 | 4 | $557,828 | 10/19/2022 |
| Jordan | 6/14/2018 | $8,720 | 5 | 5 | 6 | $18,050 | 1/1/2019 |
| Kuwait | 6/14/2018 | $19,198 | 2 | 2 | 3 | $63,550 | 1/1/2019 |
| Latvia | 6/15/2018 | $1,451 | 4 | 4 | 7 | $4,159 | 1/1/2019 |
| Lebanon | 6/14/2018 | $9,950 | 0 | 8 | 8 | $9,874 | 1/1/2019 |
| Lithuania | 6/15/2018 | $3,951 | 75 | 75 | 79 | $8,212 | 6/26/2018 |
| Malaysia | 7/26/2018 | $0 | 0 | 0 | 0 | $31,426 | 9/20/2018 |
| Mexico | 9/28/2018 | $150,591 | 0 | 3 | 3 | $293,543 | 10/20/2018 |
| Mongolia | 6/22/2018 | $7,055 | 0 | 0 | 0 | $7,055 | 1/1/2019 |
| Netherlands | 6/29/2018 | $67,368 | 74 | 295 | 459 | $279,320 | 8/25/2018 |
| North America | 6/8/2018 | $3,232,790 | 2,407 | 2,407 | 4,982 | $6,708,137 | |
| Norway | 7/27/2018 | $0 | 0 | 1 | 1 | $48,126 | 9/14/2018 |
| Oman | 6/14/2018 | $4,328 | 3 | 3 | 4 | $9,990 | 1/1/2019 |
| Paraguay | 9/27/2018 | $0 | 0 | 0 | 0 | $4,303 | 1/1/2019 |
| Peru | 10/4/2018 | $0 | 0 | 1 | 1 | $56,947 | 1/1/2019 |
| Philippines | 6/20/2018 | $84,073 | 147 | 147 | 147 | $151,331 | 1/1/2019 |
| Portugal | 7/6/2018 | $23,615 | 36 | 38 | 77 | $76,657 | 9/14/2018 |
| Qatar | 6/14/2018 | $4,022 | 8 | 8 | 9 | $20,327 | 1/1/2019 |
| Russia (CIS) | 8/23/2018 | $243,483 | 794 | 800 | 1595 | $505,709 | 1/8/2019 |
| Singapore | 6/28/2018 | $75,918 | 29 | 29 | 29 | $75,918 | 7/6/2018 |
| Slovakia | 7/27/2018 | $6,291 | 45 | 45 | 45 | $6,291 | 9/7/2018 |
| South Africa | 8/3/2018 | $0 | 0 | 10 | 10 | $60,101 | 9/14/2018 |
| South Korea | 7/12/2018 | $0 | 0 | 448 | 479 | $580,893 | 9/7/2018 |
| Sweden | 7/20/2018 | $0 | 0 | 0 | 0 | $32,934 | 9/14/2018 |
| Switzerland (French Speaking) | 7/25/2018 | $0 | 0 | 0 | 0 | $40,126 | 9/14/2018 |
| Switzerland (German Speaking) | 8/23/2018 | $41,598 | 34 | 34 | 60 | $69,405 | 9/20/2018 |
| Thailand | 6/14/2018 | $54,230 | 90 | 90 | 113 | $91,944 | 7/6/2018 |
| Turkey | 7/13/2018 | $0 | 0 | 0 | 0 | $0 | |
| Ukraine | 8/23/2018 | $33,566 | 0 | 0 | 0 | $92,329 | 1/1/2019 |
| United Arab Emirates | 6/14/2018 | $41,893 | 29 | 29 | 36 | $90,038 | 1/1/2019 |
| United Kingdom | 7/20/2018 | $468,539 | 312 | 312 | 662 | $949,067 | 9/14/2018 |
| Venezuela | 9/14/2018 | $129 | 23 | 23 | 23 | $464 | 10/22/2018 |
| Vietnam | 6/15/2018 | $127,025 | 0 | 0 | 0 | $171,484 | 1/1/2019 |
| Worldwide Total | $13,316,627 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Jodie Foster | The Nurse |
| Sterling K. Brown | Waikiki |
| Sofia Boutella | Nice |
| Jeff Goldblum | Niagara |
| Brian Tyree Henry | Honolulu |
| Jenny Slate | Morgan |
| Zachary Quinto | Crosby Franklin |
| Charlie Day | Acapulco |
| Dave Bautista | Everest |
Supporting Cast
| Kenneth Choi | Buke |
| Josh Tillman | P-22 |
| Evan Jones | Trojan Nash |
| Nathan Davis | Rocco |
| Ramses Jimenez | Tariq |
| Angela Sprinkle | Union Califia Hologram |
| Lloyd Sherr | KT-Eye News Anchor |
| Baldeep Singh | Union Califia Bank Manager |
| Brandon Morales | Malibu Mob Diamond Courier |
| Tanner Gill | Proshield Riot Wall OP |
| Bruce Concepcion | Proshield Team Leader |
| Travis Parker | Proshield Cop #1 |
| Antal Kalik | Proshield Cop #2 |
| Lauren Sivan | Gatepost Network News Reporter |
| Sarah Shankman | Detroit Waste Disposal Operator |
| Mark Kubr | Mike The Wolfking’s Enforcer |
| Kate Higgins | Choppr Liason |
| Elizabeth Laime | Anxiety Tape Guru |
| Mason Shea Joyce | Young Beau |
| James Rackstraw | Dead Beau |
| Matthew Morgan | Dennis The Wolfking’s Chauffeur |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Drew Pearce | Director |
| Drew Pearce | Screenwriter |
| Marc Platt | Producer |
| Adam Siegel | Producer |
| Stephen Cornwell | Producer |
| Simon Cornwell | Producer |
| Drew Pearce | Executive Producer |
| Jeffrey Stott | Executive Producer |
| Joe Tsai | Executive Producer |
| Arthur Wang | Executive Producer |
| Yogita Puri | Co-Executive Producer |
| Ian Spence | Co-Executive Producer |
| Chung-Hoon Chung | Cinematographer |
| Ramsey Avery | Production Designer |
| Paul Zucker | Editor |
| Gardner Gould | Editor |
| Lisa Nora Lovaas | Costume Designer |
| Cliff Martinez | Composer |
| Brian McNelis | Music Supervisor |
| Eric Craig | Music Supervisor |
| Wylie Stateman | Sound Designer |
| Harry Cohen | Sound Designer |
| Tiffany Little Canfield | Casting Director |
| Jeffrey Stott | Unit Production Manager |
| Alex Gayner | First Assistant Director |
| Christophe Le Chanu | Second Assistant Director |
| Wade Allen | Stunt Coordinator |
| Alice S. Kim | Production Supervisor |
| Bill Wohlken | Post-Production Supervisor |
| Ian Fisher | Associate Producer |
| Jon Carlos | Art Director |
| Samantha Avila | Art Director |
| Dan Jennings | Set Designer |
| Rosemary Brandenberg | Set Decorator |
| Renetta G. Amador | Script Supervisor |
| Michael Costello | First Assistant Editor |
| Lillian Dawson Bain | First Assistant Editor |
| Jaclyn Tamizato | Costume Supervisor |
| Aurora Bergere | Make up |
| Molly Tissavary | Make up |
| Darlene Brumfield | Hairstylist |
| Shawn Holden | Sound Mixer |
| Zach Goheen | Supervising Sound Editor |
| Hector Gika | Sound Editor |
| Eric Hoehn | Re-recording Mixer |
| James Lorimer | Special Effects Coordinator |
| Michael Burmeister | Location Manager |
| Sean Cushing | Visual Effects Executive Producer |
| Donna Cullen | Visual Effects Producer |
| Mary Parker | Music Editor |
| Mark Jan Wlodarkiewicz | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.