Portugal Box Office for Uma Réstia de Esperança (2019)
.jpg)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $14,271 | Details |
| Worldwide Box Office | $1,398,065 | Details |
| Home Market Performance | ||
| North America DVD Sales | $9,232 | Details |
| North America Blu-ray Sales | $1,800 | Details |
| Total North America Video Sales | $11,032 | |
| Further financial details... | ||
Synopsis
Grace and Edward, married for 29 years, live in a small seaside town near a cove under the cliffs called Hope Gap. When their son Jamie comes to visit for the weekend, Edward informs him that he plans to leave Grace,that same day. HOPE GAP tracks the unravelling of three lives, through stages of shock, disbelief and anger, to a resolution of sorts. There are no villains; only good people who’ve lived too long with old mistakes and are now paying the price.There are no easy answers, and no simple paths to redemption. A husband, a wife,a son are forced to face hard truths, and out of those truths to fashion new lives.
Metrics
Movie Details
| Portugal Releases: | March 17th, 2022 (Wide), released as Uma Réstia de Esperança |
| Video Release: | July 7th, 2020 by Screen Media Video |
| MPAA Rating: | PG-13 for some thematic elements and brief strong language. (Rating bulletin 2605 (Cert #52481), 11/20/2019) |
| Running Time: | 101 minutes |
| Keywords: | Messy Divorce, Teachers |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Origin Pictures Productions, Screen Yorkshire, Sampsonic Media, Lipsync Productions, Roadside Attractions, Screen Media Films, Creative Media Investments |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
VOD Releases: There’s a Large Gap Between Quality and Quantity
July 8th, 2020
(2018)-1-News.jpg)
There are a ton of new releases on VOD this week. Unfortunately, most are rather weak and almost none are going to find a significant audience. The War of the Worlds is the best release, but the Criterion Collection Blu-ray is the better deal. On the other hand, Sometimes Always Never is perfect for VOD, but you have to wait until Friday to get it.
More...
New on Disc: Trolls Tower Above the Competition
July 7th, 2020
Trolls World Tour is coming out on physical media this week, on all four major formats: DVD, Blu-ray, 3D, and 4K Ultra HD. However, while it is easily the biggest release of the week, it isn’t the best. There are two contenders for Pick of the Week, Murdoch Mysteries: Season 13 and The War of the Worlds: Criterion Collection. The War of the Worlds is the Pick of the Week, but Murdoch Mysteries does get the rarely-awarded Puck of the Week, for Best Canadian Release.
More...
Theater Averages: First Cow Comes Home
March 12th, 2020
First Cow was one of two films in the $10,000 club earning an average of $20,331 in four theaters. The Booksellers was the only other member of the $10,000 club opening with $15,794 in its lone theater.
More...
Limited and VOD Releases: Bitter Pill to Swallow
March 6th, 2020
There are way too many limited releases and I fear this will hurt the box office chances of any film coming out this week. This is too bad, as there are several that deserve to find an audience, including Bacurau, Extra Ordinary, First Cow, Go Back to China, and so many more. It’s going to be tough when none of the films open in the $10,000 club.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/03/18 | 17 | $5,881 | 21 | $280 | $5,881 | 1 | |
| 2022/03/25 | - | $2,714 | -54% | 15 | $181 | $11,720 | 2 |
| 2022/04/01 | - | $773 | -72% | 2 | $387 | $14,271 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/29/2019 | $2,020 | 8 | 167 | 753 | $349,460 | 3/8/2021 |
| Germany | 12/10/2020 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 10/3/2019 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 8/14/2020 | $37,450 | 77 | 78 | 296 | $224,145 | 10/19/2022 |
| New Zealand | 9/24/2020 | $39,212 | 74 | 74 | 329 | $170,364 | 10/19/2022 |
| North America | 3/6/2020 | $30,978 | 18 | 132 | 150 | $104,732 | |
| Poland | 6/5/2020 | $0 | 0 | 4 | 4 | $8,931 | 10/19/2022 |
| Portugal | 3/17/2022 | $5,881 | 21 | 21 | 38 | $14,271 | 4/5/2022 |
| South Korea | 2/24/2022 | $18,496 | 38 | 43 | 186 | $104,603 | 8/10/2022 |
| Spain | 10/23/2020 | $58,768 | 95 | 95 | 243 | $160,792 | 12/3/2020 |
| United Kingdom | 8/28/2020 | $97,077 | 38 | 64 | 230 | $260,767 | 12/16/2020 |
| Worldwide Total | $1,398,065 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Annette Bening | Grace |
| Bill Nighy | Edward |
Supporting Cast
| Josh O’Connor | Jamie |
| Aiysha Hart | Jess |
| Ryan McKen | Dev |
| Sally Rogers | Angela |
| Steven Pacey | Peter Widdecombe |
| Nicholas Burns | Gary |
| Joe Citro | Young Jamie |
| Derren Litten | Friendline Man |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| William Nicholson | Director |
| William Nicholson | Screenwriter |
| David M. Thompson | Producer |
| Sarada McDermott | Producer |
| Joanie Blaikie | Co-Producer |
| Hugo Heppell | Executive Producer |
| Nicolas D. Sampson | Executive Producer |
| Arno Hazebroek | Executive Producer |
| Gavin Poolman | Executive Producer |
| Alex Tate | Executive Producer |
| Peter Gould | Executive Producer |
| Christos Michaels | Executive Producer |
| Norman Merry | Executive Producer |
| Peter Hampden | Executive Producer |
| Anna Valdez Hanks | Director of Photography |
| Pia Di Ciaula | Editor |
| Simon Rogers | Production Designer |
| Alex Heffes | Composer |
| Gary Davy | Casting Director |
| Suzanne Cave | Costume Designer |