Netherlands Box Office for A Hologram for the King (2016)
Theatrical Performance (US$) | ||
Netherlands Box Office | $266,287 | Details |
Worldwide Box Office | $11,846,010 | Details |
Home Market Performance | ||
North America DVD Sales | $1,315,084 | Details |
North America Blu-ray Sales | $288,235 | Details |
Total North America Video Sales | $1,603,319 | |
Further financial details... |
Synopsis
Cultures collide when an American businessman is sent to Saudi Arabia to close what he hopes will be the deal of a lifetime. Baffled by local customs and stymied by an opaque bureaucracy, he eventually finds his footing with the help of a wise-cracking taxi driver and a beautiful Saudi doctor.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Netherlands Releases: | June 16th, 2016 (Wide) |
Video Release: | August 9th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | R for some sexuality/nudity, language and brief drug use. (Rating bulletin 2418 (Cert #50361), 3/30/2016) |
Running Time: | 97 minutes |
Keywords: | Non-Chronological, Desert, Doctors, Culture Clash, Cross-Culture Romance, Comedy Drama, Dysfunctional Family, Romance, Divorcée Romance, Medical and Hospitals, Anxiety and Phobias |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lionsgate, Roadside Attractions, Saban Films, Playtone, X Filme Creative Pool, LLC Primeredian Entertainment, Vingt Deux Heures Vingt Deux, WS Filmproduktion, Silver Reel Entertainment, Fabrica de Cine, Lotus Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 9th, 2016
August 8th, 2016
It is a really slow week on the top with only a couple of main releases worth being a contender for Pick of the Week: Supergirl: Season 1 and Sweet Bean on DVD. The Nice Guys would also be a contender, but it is only coming out on Video on Demand this week and it is worth waiting for the Blu-ray Combo Pack. With only two real choices, Sweet Bean is my Pick of the Week.
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Theater Averages: Weiner Wins Weekend Race with $16,835
May 25th, 2016
Weiner earned first place on the theater average chart, which is terrible news for me, because there are so many immature puns that I want to be using right now. The film earned an average of $16,835 in five theaters, which is fantastic for a documentary. The Lobster was right behind with an average of $16,212 in 24 theaters during its second week of release. The film has already hit $1 million in total and has plenty of room to grow. Maggie's Plan was next with an average of $12,662 in five theaters. It has a shot at expanding significantly, but it likely won't expand truly wide. Love and Friendship remained in the $10,000 club with an average of $11,911. Its better than expected theatrical run appears to have pushed back its VOD release.
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Theater Averages: Civil War Sets Yearly Mark with $42,390
May 10th, 2016
Captain America: Civil War not only had the best theater average of the weekend, but it also had the best theater average for any film released in 2016. Its average of $42,390 was just ahead of Batman v Superman: Dawn of Justice, while Midnight Special remains the best average for a limited release this year. Other films in the $10,000 club this week include A Bigger Splash, which earned an average of $22,884 in five theaters over the weekend for an average of $27,697 from Wednesday through Sunday. Eva Hesse saw its average rise 8% to $13,816, but it did open on a Wednesday last week, so that likely depressed its weekend numbers last week. Dheepan just made it into the $10,000 club with an average of $10,125 in two theaters.
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Theater Averages: Fang has Teeth with $14,506
May 3rd, 2016
The Family Fang led the way on the theater average chart with $14,506 in one theater. This is the last time we will talk about this film's box office numbers, because it opens on VOD this Friday, thus ending its chances of box office success. Then again, clearly VOD is more important to a limited release than the theatrical box office is. The Man Who Knew Infinity was next with an average of $13,388 in six theaters. That's good, but likely not good enough to expand significantly. Eva Hesse was playing in just one theater earning $12,780 over the weekend and $17,912 from Wednesday through Sunday. The Jungle Book made the $10,000 club for the third weekend in a row with an average of $10,818.
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Theater Averages: The Jungle Book Meddles with the Limited Releases
April 26th, 2016
It wasn't a great week for new limited releases, which left a holdover / wide release on top of the theater average chart. The Jungle Book led the way with an average of $15,278. The only other film in the $10,000 was The Meddler, which opened with an average of $14,256 in four theaters.
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Weekend Wrap-Up: Jungle Sets 2016 Sophomore Record with $61.54 Million
April 26th, 2016
Both The Jungle Book and The Huntsman: Winter's War were a little weaker than predicted over the weekend. The Jungle Book was still able to earn the biggest sophomore weekend of 2016 at $61.54 million. For The Huntsman: Winter's War, it was a disappointing $19.45 million. Overall, the box office fell 28% to $128 million. However, this was still 32% more than the same weekend last year. Unfortunately, next weekend is going to be damn awful in the year-over-year comparison, because of a misalignment in the weekend. Year-to-date, 2016 has earned $3.37 million, putting it ahead of last year's pace by 8.5% or $260 million.
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Weekend Estimates: Jungle Book Brushes Off Huntsman
April 24th, 2016
What in theory should have been a battle at the box office has turned into a rout this weekend, with The Jungle Book set to earn $60 million, according to Disney’s Sunday morning estimate, and The Huntsman: Winter’s War limping into second place with $20.1 million, per Universal.
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Friday Estimates: Jungle Preys on the Huntsman with a $16.38 Million Friday
April 23rd, 2016
The Jungle Book remained the top draw on Friday with $16.38 million, which was more than twice as much as The Huntsman: Winter’s War opened with. With its reviews and family-friendly nature, Saturday will be even better for Jungle Book, and it should top $60 million over the weekend. That’s a great sophomore weekend, even if it is below our prediction of $65 million. It also won’t quite take the film past $200 million by the end of the weekend, but it will be close enough that Disney will be able to celebrate that milestone shortly.
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Limited and VOD Releases: Plenty of Tales that Need to be Told
April 22nd, 2016
There are several limited releases on this week's list, including three that have a shot at earning a spot in the top ten. However, the best-reviewed releases are among the smaller releases: Tale of Tales and The Meddler included. However, if you don't want to go out, Holidays is good bet on Video on Demand.
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Weekend Predictions: Will Jungle Leave Huntsman Out in the Cold?
April 21st, 2016
It's a bad week for new releases, as The Jungle Book is widely expected to dominate the box office. The only truly wide release is The Huntsman: Winter's War, but its reviews are simply terrible. There are also three films opening in select theaters and one of them should earn a spot in the top ten. They only need a little more than $1 million to do so. This weekend last year, the only true wide release was The Age of Adaline, which opened with $13 million on its way to becoming a midlevel hit. The Huntsman could double that opening, but it won't have the same legs.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/06/17 | 12 | $60,074 | 40 | $1,502 | $88,247 | 1 | |
2016/06/24 | 15 | $43,134 | -28% | 40 | $1,078 | $153,785 | 2 |
2016/07/01 | 15 | $34,980 | -19% | 42 | $833 | $209,921 | 3 |
2016/07/08 | 20 | $15,245 | -56% | 32 | $476 | $237,191 | 4 |
2016/07/15 | 20 | $13,159 | -14% | 28 | $470 | $263,923 | 5 |
2016/07/22 | 28 | $4,337 | -67% | 36 | $120 | $266,287 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/29/2016 | $14,734 | 6 | 6 | 11 | $22,406 | 8/8/2016 |
Brazil | 8/5/2016 | $95,662 | 0 | 0 | 0 | $22,056 | 11/16/2018 |
Czech Republic | 11/18/2016 | $11,230 | 47 | 47 | 47 | $11,268 | 12/31/2018 |
Italy | 6/15/2017 | $124,659 | 0 | 0 | 0 | $276,713 | 7/7/2017 |
Lithuania | 6/24/2016 | $6,642 | 79 | 79 | 103 | $30,109 | 8/9/2016 |
Mexico | 6/9/2016 | $311,304 | 0 | 0 | 0 | $580,855 | 6/21/2016 |
Netherlands | 6/16/2016 | $60,074 | 40 | 42 | 218 | $266,287 | 7/26/2016 |
North America | 4/22/2016 | $1,138,578 | 401 | 523 | 1,931 | $4,212,494 | 10/31/2017 |
Portugal | 5/5/2016 | $76,766 | 57 | 57 | 145 | $170,153 | 6/9/2016 |
Russia (CIS) | 5/13/2016 | $205,416 | 447 | 447 | 569 | $446,151 | 11/14/2018 |
Spain | 7/1/2016 | $250,976 | 166 | 166 | 439 | $621,842 | 11/17/2018 |
Turkey | 4/22/2016 | $49,482 | 86 | 86 | 161 | $367,446 | 2/26/2019 |
United Kingdom | 5/20/2016 | $549,723 | 374 | 374 | 775 | $1,065,877 | 8/3/2016 |
Rest of World | $3,752,353 | ||||||
Worldwide Total | $11,846,010 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Tom Hanks | Alan Clay |
Supporting Cast
Alexander Black | Yousef |
Sarita Choudhury | Zahra |
Sidse Babett Knudsen | Hanne |
Ben Whishaw | Dave |
Tom Skerritt | Ron |
David Menkin | Brad |
Tracey Fairaway | Kit |
Dhaffer L'Abidine | Hassan |
Jay Abdo | Dr. Hadad |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tom Tykwer | Director |
Tom Tykwer | Screenwriter |
Uwe Schott | Producer |
Arcadiy Golubovich | Producer |
Tim O'Hair | Producer |
Gary Goetzman | Producer |
Stefan Arndt | Producer |
Steven Shareshian | Executive Producer |
Gaston Pavlovich | Executive Producer |
Claudia Bluemhuber | Executive Producer |
Irene Gall | Executive Producer |
Gero Bauknecht | Executive Producer |
Jim Seibel | Executive Producer |
Bill Johnson | Executive Producer |
Shervin Pishevar | Executive Producer |
Matthew J. Malek* | Co-Executive Producer |
Leonard Glowinski | Co-Producer |
Dave Eggers | Based on the Novel By |
Miki Emmrich | Production Manager |
Marcus Loges | Line Producer |
Michelle Guish | Casting Director |
Gaby Kester | Casting Director |
Avy Kaufman | Casting Director |
Roland Winke | Sound Mixer |
Matthias Lempert | Re-recording Mixer |
Frank Kruse | Supervising Sound Editor |
Frank Griebe | Director of Photography |
Uli Hanisch | Production Designer |
Alexander Berner | Editor |
Daniel Parker | Make-up and Hair Designer |
Heike Merker | Make-up and Hair Designer |
Pierre-Yves Gayraud | Costume Designer |
Robert Pinnow | Visual Effects Supervisor |
Dominik Trimborn | Visual Effects Supervisor |
Johnny Klimek | Composer |
Tom Tykwer | Composer |