Italy Box Office for Le Ereditiere (2018)
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| Theatrical Performance (US$) | ||
| Italy Box Office | $55,418 | Details |
| Worldwide Box Office | $640,392 | Details |
| Further financial details... | ||
Synopsis
Chela and Chiquita, both descended from wealthy families in Asunción, Paraguay, have been together for over 30 years. But recently their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection. Chela finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution.
Metrics
Movie Details
| Italy Releases: | October 18th, 2018 (Wide), released as Le Ereditiere |
| Video Release: | July 2nd, 2019 by Distrib Films |
| MPAA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Keywords: | Money Troubles, Taxi Driver, Prison, LGBTQ+, Riches to Rags |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | La Babosa Cine, Pandora Filmproduktion, Mutante Cine, Esquina Filmes, Norsk Filmproduktion, La Fabrica Nocturna Productions, Ancine, Film- und Medienstiftung NRW, Fondec, Icau, Ibermedia, Sorfond, Torino Film Lab, World Cinema Fund |
| Production Countries: | Brazil, France, Germany, Norway, Paraguay, Uruguay |
| Languages: | Guarani, Spanish |
Theater Averages: History is Being Written
January 24th, 2019
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Who Will Write Our History topped the theater average chart with $13,390 in its lone theater. One could also argue Dragon Ball Super: Broly was the true leader on this chart. Because the film played in a different number of theaters each day over the weekend, it is hard to come up with a real theater average for the weekend. Taking the average of the daily averages gets us $13,643, which would be number one of the weekend. Using the maximum theater count still gets us an average of $7,870, which is still amazing. The only other film in the $10,000 club was the overall box office leader, Glass, with an average of $10,500.
More...
Limited and VOD Releases: Growing Up is not Required
January 18th, 2019
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It is still the worst time of the year for limited releases. Dragon Ball Super: Broly will undoubtedly be the biggest hit of the weekend, but films like Adult Life Skills should find an audience on the home market.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/10/19 | 19 | $55,418 | 0 | $55,418 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/14/2018 | $7,185 | 14 | 14 | 14 | $13,364 | 4/19/2019 |
| Australia | 5/24/2019 | $53,732 | 20 | 20 | 89 | $187,491 | 7/2/2019 |
| France | 11/30/2018 | $50,604 | 32 | 32 | 32 | $50,604 | 12/6/2018 |
| Italy | 10/18/2018 | $55,418 | 0 | 0 | 0 | $55,418 | 10/22/2018 |
| North America | 1/16/2019 | $11,304 | 2 | 12 | 42 | $78,473 | |
| Portugal | 3/8/2019 | $0 | 0 | 3 | 8 | $6,657 | 10/19/2022 |
| Spain | 3/8/2019 | $49,012 | 30 | 41 | 132 | $198,577 | 4/5/2019 |
| Turkey | 10/12/2018 | $1,739 | 0 | 12 | 12 | $6,193 | 2/26/2019 |
| United Kingdom | 8/10/2018 | $43,615 | 24 | 24 | 24 | $43,615 | 8/16/2018 |
| Worldwide Total | $640,392 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Ana Brun | Chela |
Supporting Cast
| Margarita Irún | Chiquita |
| Ana Ivanova | Angy |
| María Martins | Pituca |
| Yverá Zayas | Singer |
| Alicia Guerra | Carmela |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Marcelo Martinessi | Director |
| Marcelo Martinessi | Screenwriter |
| Sebastian Peña Escobar | Producer |
| Marcelo Martinessi | Producer |
| Christoph Friedel | Co-Producer |
| Claudia Steffen | Co-Producer |
| Agustina Chiarino Voulminot | Co-Producer |
| Fernando Epstein | Co-Producer |
| Julia Murat | Co-Producer |
| Hilde Berg | Co-Producer |
| Xavier Rocher | Co-Producer |
| Marina Perales Marhuenda | Co-Producer |
| Luis Armando Artega | Director of Photography |
| Fernando Epstein | Editor |
| Carlo Spatuzza | Art Director |
| Daniel Turini | Sound Designer |
| Fernando Henna | Sound Designer |
| Rafael Alvarez | Sound Designer |
| Ariel Henrique | Sound Mixer |