Australia Box Office for Helmut Newton: The Bad and the Beautiful (2020)
Theatrical Performance (US$) | ||
Australia Box Office | $14,103 | Details |
Worldwide Box Office | $167,738 | Details |
Further financial details... |
Synopsis
One of the great masters of photography, Helmut Newton made a name for himself exploring the female form, and his cult status continues long after his tragic death in a Los Angeles car crash in 2004. Newton worked around the globe, from Singapore to Australia to Paris to Los Angeles, but Weimar Germany was the visual hallmark of his work. Newton’s unique and striking way of depicting women has always posed the question: did he empower his subjects or treat them as sexual objects?
Metrics
Movie Details
Australia Releases: | April 28th, 2022 (Limited) |
Video Release: | September 29th, 2020 by Kino Lorber |
Running Time: | 89 minutes |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Lupa Film, Monarda Arts, ZDF, 3Sat, Kino Lorber, Helmut Newton Stiftung, MK2 |
Production Countries: | Germany |
Languages: | English, French, German |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/04/29 | - | $3,191 | 8 | $399 | $4,143 | 1 | |
2022/05/06 | - | $2,189 | -31% | 8 | $274 | $8,296 | 2 |
2022/05/13 | - | $1,399 | -36% | 4 | $350 | $10,971 | 3 |
2022/05/20 | - | $790 | -44% | 3 | $263 | $12,136 | 4 |
2022/05/27 | - | $658 | -17% | 2 | $329 | $13,328 | 5 |
2022/06/10 | - | $203 | 1 | $203 | $14,017 | 7 | |
2022/06/17 | - | $66 | -67% | 1 | $66 | $13,783 | 8 |
2022/06/24 | - | $669 | +914% | 2 | $335 | $14,195 | 9 |
2022/10/14 | - | $55 | 1 | $55 | $13,611 | 25 | |
2022/10/21 | - | $80 | +45% | 1 | $80 | $14,103 | 26 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/28/2022 | $3,191 | 8 | 8 | 31 | $14,103 | 10/24/2022 |
Czech Republic | 9/18/2020 | $1,645 | 14 | 14 | 14 | $3,381 | 10/19/2022 |
Lithuania | 10/28/2020 | $28 | 1 | 1 | 3 | $3,617 | 5/19/2021 |
Netherlands | 9/11/2020 | $15,719 | 27 | 31 | 123 | $81,104 | 10/19/2022 |
New Zealand | 3/24/2022 | $3,216 | 17 | 17 | 55 | $10,277 | 8/15/2022 |
North America | 7/24/2020 | $0 | 0 | 0 | 0 | $0 | |
Poland | 11/13/2020 | $0 | 0 | 43 | 86 | $55,256 | 10/19/2022 |
Russia (CIS) | 7/27/2023 | $0 | 0 | 0 | 0 | $0 | |
Worldwide Total | $167,738 | 10/24/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Helmut Newton | Himself |
Interviewee(s)
June Newton | Herself |
Nadja Auermann | Herself |
Marianne Faithfull | Herself |
Sylvia Gobbel | Herself |
Grace Jones | Herself |
Charlotte Rampling | Herself |
Isabella Rossellini | Herself |
Claudia Schiffer | Herself |
Hanna Schygulla | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Gero Von Boehm | Director |
Gero Von Boehm | Screenwriter |
Pierre Nativel | Cinematographer |
Marcus Winterbauer | Cinematographer |
Alexander Hein | Cinematographer |
Sven Jakob-Engelmann | Cinematographer |
Elie Aufseesser | Sound Mixer |
Marco Zachalsky | Sound Mixer |
Moritz Springer | Sound Mixer |
Hardy Hergt | Sound Mixer |
Tom Weichenhain | Editor |
Felix Von Boehm | Producer |
Christine Rau | Production Manager |