South Korea Box Office for Der Hauptmann (2018)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $21,478 | Details |
| Worldwide Box Office | $426,081 | Details |
| Home Market Performance | ||
| North America DVD Sales | $107,830 | Details |
| North America Blu-ray Sales | $101,522 | Details |
| Total North America Video Sales | $209,352 | |
| Further financial details... | ||
Synopsis
The true story of a German army deserter after he finds an abandoned Nazi captain’s uniform in the final weeks of World War II. Emboldened by the authority the uniform grants him, he amasses a band of stragglers who cede to his command despite the suspicions of some. Citing direct orders from the Fuhrer himself, he soon takes command of a camp holding German soldiers accused of desertion and begins to dispense harsh justice.
Metrics
Movie Details
| South Korea Releases: | April 25th, 2019 (Wide) |
| Video Release: | December 18th, 2018 by Music Box Films Video |
| MPAA Rating: | Not Rated |
| Running Time: | 118 minutes |
| Keywords: | Set in Germany, World War II, AWOL, False Identity, Nazis, POW, Retro Black and White |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Filmgalerie 451, Alfama Films, Opus Film, Facing East Entertainment, Worst Case Entertainment, hands-on producers, Maria Films, Eurimages, Deutscher Filmfoerderfonds, Mitteldeutsche Medienfoerderung, Filmforderungsanstalt, Die Beaufragte Der Bundesregierung fur Kultur und Medien, Filmforderung Baden-Wurttemberg, Deutsch-Polnischer Filmfonds, Polish Film Institute, Canal Plus, Cine Plus, Sofitvcine 4, Cofinova 14 |
| Production Countries: | France, Germany, Poland |
| Languages: | German |
Home Market Releases for January 8th, 2019
January 9th, 2019
We are still in that awkward time on the home market we have to deal with every year. It is too late for the summer blockbusters to come out on DVD / Blu-ray, but too soon for the fall hits or Oscar contenders. This means there’s very little in the way of contenders for Pick of the Week with only one release worth considering, a Canadian show, Frankie Drake Mysteries: Season 1. This does mean I get to give out a Puck of the Week, for best Canadian release.
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Theater Averages: Documentaries Remain in Fashion
August 2nd, 2018
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Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.
Limited and VOD Releases: Will Any Release Solve the Box Office Puzzle?
July 27th, 2018
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We are entering the dog days of summer, which means there are not a lot of limited releases. It’s too late to get a boost from summer vacations while trying to expand, but it is way too early for Awards Season buzz. There are some films that could find smaller audiences in theaters, like Scarred Hearts or Puzzle, but I don’t expect any of them to earn any real measure of mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/04/26 | 22 | $6,745 | 21 | $321 | $9,713 | 1 | |
| 2019/05/03 | - | $2,891 | -57% | 11 | $263 | $17,441 | 2 |
| 2019/05/10 | - | $1,390 | -52% | 7 | $199 | $21,478 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Netherlands | 4/20/2018 | $15,146 | 26 | 28 | 79 | $112,263 | 5/7/2018 |
| North America | 7/27/2018 | $7,568 | 1 | 10 | 46 | $109,226 | |
| Portugal | 3/23/2018 | $5,967 | 4 | 7 | 17 | $28,737 | 4/23/2018 |
| South Korea | 4/25/2019 | $6,745 | 21 | 21 | 39 | $21,478 | 5/16/2019 |
| Spain | 9/21/2018 | $49,424 | 37 | 37 | 37 | $49,424 | 9/28/2018 |
| United Kingdom | 9/21/2018 | $1,449 | 1 | 24 | 25 | $104,953 | 10/9/2019 |
| Worldwide Total | $426,081 | 10/9/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Max Hubacher | Willi Herold |
Supporting Cast
| Milan Peschel | Freytag |
| Frederick Lau | Kipinski |
| Alexander Fehling | Junker |
| Bernd Hölscher | Schütte |
| Waldemar Kobus | Hansen |
| Britta Hammelstein | Gerda Schütte |
| Sascha Alexander Gersak | Sichner |
| Samuel Finzi | Roger Kuckelsberg |
| Wolfram Koch | Schneider |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Robert Schwentke | Director |
| Frieder Schlaich | Producer |
| Irene von Alberti | Producer |
| Paulo Branco | Co-Producer |
| Piotr Dzięcio | Co-Producer |
| Ewa Puszcynka | Co-Producer |
| Philip Lee | Executive Producer |
| Markus Barmettler | Executive Producer |
| Marcel Greive | Executive Producer |
| Kay Niessen | Executive Producer |
| Daniel Hetzer | Executive Producer |
| Florian Ballhaus | Director of Photography |
| Harald Turzer | Production Designer |
| Magdalena J. Rutkiewicz-Luterek | Costume Designer |
| Michal Czarnecki | Editor |
| Martin Todsharow | Composer |
| Anja Dihrberg | Casting Director |