Russia (CIS) Box Office for The Haunting of Sharon Tate (2019)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $14,460 | Details |
Worldwide Box Office | $19,712 | Details |
Home Market Performance | ||
North America DVD Sales | $51,835 | Details |
North America Blu-ray Sales | $9,156 | Details |
Total North America Video Sales | $60,991 | |
Further financial details... |
Synopsis
“The Haunting of Sharon Tate” reimagines the last days of Sharon Tate’s life before being tragically cut down at the age of 26 by Charles Manson’s family of followers. Sharon has just moved into the house where she and director Roman Polanski would start their family as Sharon is eight months pregnant with their first child. Sharon’s friends keep her company until Roman returns from Europe. What should be an enjoyable time turns sinister when a series of strange events occur—a creepy man named Charlie comes around looking for the previous owner of the house, strange hippie-girls pass the house as if stalking it, the family dog goes missing… Sharon starts having visions of her impending death and is unable to convince her friends that the visions are real until it’s too late for all of them. The Tate murders are infamous not only for their savagery, but marked the end of the “Summer of Love,” one of the most defining moments of the 1960s.
Metrics
Movie Details
Russia (CIS) Releases: | June 21st, 2019 (Wide) |
Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | R for strong bloody violence, terror, and some language. (Rating bulletin 2563 (Cert #52015), 1/30/2019) |
Running Time: | 94 minutes |
Keywords: | Mass Murderer, Set in California, 1960s, Early / Simultaneous Video-on-Demand release, Cults, Film Actor |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Saban Films, Voltage Pictures, Skyline Entertainment, ETA Films , Green Light Pictures, 1428 Films |
Production Countries: | United States |
Languages: | English |
Limited and VOD Releases: Only a Couple of This Week’s Films are Amazing
April 5th, 2019
If I were to use just one phrase to describe this week’s list, it would be “Good, but not great.” More than half of the films on this week’s list have reviews that are exactly that, merely good, but not good enough for limited release. Of the exceptions, Amazing Grace is the one I want to see the most.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 4/5/2019 | $0 | 1 | 0 | 0 | $0 | |
Portugal | 5/31/2019 | $2,323 | 13 | 13 | 21 | $5,252 | 6/11/2019 |
Russia (CIS) | 6/21/2019 | $8,088 | 138 | 138 | 184 | $14,460 | 10/19/2022 |
Worldwide Total | $19,712 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Hilary Duff | Sharon Tate |
Supporting Cast
Jonathan Bennett | |
Lydia Hearst | |
Pawel Szajda | |
Ryan Cargill | |
Ben Millish | Charles Manson |
Bella Popa | Sadie |
Fivel Stewart | Yellow |
Tyler Johnson | Tex Watson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Daniel Farrands | Director |
Daniel Farrands | Screenwriter |
Lucas Jarach | Producer |
Daniel Farrands | Producer |
Eric Brenner | Producer |
Jim Jacobsen | Executive Producer |
Hilary Duff | Executive Producer |
Jonathan Deckter | Executive Producer |
Jorge Garcia Castro | Executive Producer |
Charles Berg | Executive Producer |
William V. Bromley Jr | Executive Producer |
Shanan Becker | Executive Producer |
Jonathan Saba | Executive Producer |
Ness Saban | Executive Producer |
Carlo Rinaldi | Director of Photography |
Brenton Berna | Production Designer |
Susan Doepner-Senac | Costume Designer |
Donald Paul Pemrick | Casting Director |
Dean E. Fronk | Casting Director |
Dan Riddle | Editor |