Japan Box Office for Haunted Mansion (ホーンテッドマンション) (2023)
.jpg)
| Theatrical Performance (US$) | ||
| Japan Box Office | $14,788,770 | Details |
| Worldwide Box Office | $114,797,989 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $157,750,000 |
| Japan Releases: | September 1st, 2023 (Wide), released as Haunted Mansion (ホーンテッドマンション) |
| Video Release: | October 3rd, 2023 by Walt Disney Home Entertainment |
| MPAA Rating: | PG-13 some thematic elements and scary action. (Rating bulletin 2780 (cert #54404), 4/26/2023) |
| Running Time: | 123 minutes |
| Keywords: | Family Adventure, Reboot, Development Hell, Horror Comedy |
| Source: | Based on Theme Park Ride |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Walt Disney Pictures, Rideback |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Barbie shooting for $80-million-plus second weekend
July 28th, 2023
-4-News.jpg)
All eyes remain on Barbie this weekend as it attempts to follow up its opening weekend, the 20th-best of all time, with something in the top 20 second weekends of all time. Based on how it’s been doing during the week, that seems like a good bet. It’ll have a bit of competition from Haunted Mansion this time around though, and perhaps more people will choose to watch Barbie or Oppenheimer this weekend, rather than both together. Even at the low end though, we’re still looking ahead to a very good weekend in theaters.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/09/01 | - | $3,185,758 | 0 | $3,648,884 | 1 | ||
| 2023/09/08 | - | $2,062,850 | -35% | 0 | $6,814,957 | 2 | |
| 2023/09/15 | - | $1,388,320 | -33% | 0 | $9,254,868 | 3 | |
| 2023/09/22 | - | $1,042,593 | -25% | 0 | $11,476,314 | 4 | |
| 2023/09/29 | - | $645,198 | -38% | 0 | $12,507,752 | 5 | |
| 2023/10/06 | - | $600,130 | -7% | 0 | $13,441,959 | 6 | |
| 2023/10/13 | - | $349,211 | -42% | 0 | $14,156,863 | 7 | |
| 2023/10/20 | - | $161,473 | -54% | 0 | $14,475,471 | 8 | |
| 2023/10/27 | - | $103,564 | -36% | 0 | $14,652,220 | 9 | |
| 2023/11/03 | - | $43,673 | -58% | 0 | $14,751,885 | 10 | |
| 2023/11/10 | - | $10,654 | -76% | 0 | $14,773,874 | 11 | |
| 2023/11/17 | - | $9,157 | -14% | 0 | $14,788,770 | 12 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 7/27/2023 | $0 | 0 | 0 | 0 | $607,288 | 10/23/2023 |
| Australia | 8/31/2023 | $419,564 | 332 | 332 | 1365 | $1,349,457 | 1/8/2024 |
| Austria | 7/27/2023 | $0 | 0 | 0 | 0 | $325,111 | 10/16/2023 |
| Belgium | 7/26/2023 | $0 | 0 | 0 | 0 | $502,315 | 11/13/2023 |
| Brazil | 7/27/2023 | $278,536 | 0 | 0 | 0 | $463,954 | 10/23/2023 |
| Chile | 7/27/2023 | $0 | 0 | 0 | 0 | $127,983 | 8/14/2023 |
| Colombia | 7/27/2023 | $0 | 0 | 0 | 0 | $370,068 | 9/5/2023 |
| Croatia | 7/27/2023 | $20,963 | 36 | 36 | 105 | $51,339 | 9/4/2023 |
| Czech Republic | 7/27/2023 | $89,794 | 137 | 137 | 190 | $170,486 | 8/8/2023 |
| Denmark | 8/10/2023 | $27,838 | 0 | 0 | 0 | $42,844 | 11/13/2023 |
| Finland | 8/11/2023 | $32,128 | 58 | 58 | 139 | $94,341 | 10/16/2023 |
| France | 7/26/2023 | $1,795,166 | 0 | 0 | 0 | $6,276,772 | 11/20/2023 |
| Germany | 7/27/2023 | $706,431 | 0 | 0 | 0 | $1,729,698 | 11/20/2023 |
| Hong Kong | 8/3/2023 | $231,800 | 0 | 0 | 0 | $440,872 | 9/25/2023 |
| India | 7/28/2023 | $0 | 0 | 0 | 0 | $68,937 | 8/7/2023 |
| Indonesia | 7/26/2023 | $0 | 0 | 0 | 0 | $223,316 | 9/5/2023 |
| Italy | 7/28/2023 | $0 | 0 | 0 | 0 | $2,913,072 | 11/13/2023 |
| Japan | 9/1/2023 | $3,185,758 | 0 | 0 | 0 | $14,788,770 | 11/20/2023 |
| Malaysia | 7/27/2023 | $0 | 0 | 0 | 0 | $247,364 | 8/28/2023 |
| Mexico | 7/27/2023 | $1,278,243 | 0 | 0 | 0 | $2,812,127 | 10/2/2023 |
| Netherlands | 7/26/2023 | $279,530 | 91 | 91 | 474 | $1,119,560 | 10/30/2023 |
| New Zealand | 8/31/2023 | $63,907 | 89 | 90 | 395 | $194,836 | 10/24/2023 |
| North America | 7/28/2023 | $24,082,475 | 3,740 | 3,740 | 18,115 | $67,653,287 | |
| Norway | 8/11/2023 | $26,123 | 0 | 0 | 0 | $68,988 | 11/6/2023 |
| Philippines | 7/26/2023 | $0 | 0 | 0 | 0 | $436,024 | 8/21/2023 |
| Poland | 7/28/2023 | $0 | 0 | 0 | 0 | $493,073 | 10/30/2023 |
| Portugal | 7/27/2023 | $54,213 | 54 | 54 | 98 | $132,407 | 8/22/2023 |
| Romania | 7/28/2023 | $82,019 | 128 | 128 | 361 | $282,778 | 9/27/2023 |
| Russia (CIS) | 7/27/2023 | $0 | 0 | 0 | 0 | $0 | |
| Singapore | 8/9/2023 | $85,596 | 0 | 0 | 0 | $219,619 | 9/25/2023 |
| Slovakia | 7/27/2023 | $39,906 | 69 | 69 | 113 | $92,565 | 8/15/2023 |
| South Korea | 7/26/2023 | $40,103 | 160 | 160 | 180 | $89,409 | 8/9/2023 |
| Spain | 7/28/2023 | $440,808 | 326 | 326 | 856 | $1,560,260 | 10/23/2023 |
| Sweden | 8/11/2023 | $44,593 | 0 | 0 | 0 | $95,386 | 11/6/2023 |
| Switzerland | 7/26/2023 | $0 | 0 | 0 | 0 | $373,324 | 11/6/2023 |
| Taiwan | 8/10/2023 | $144,326 | 0 | 0 | 0 | $369,563 | 9/25/2023 |
| Thailand | 7/27/2023 | $0 | 0 | 0 | 0 | $332,120 | 8/28/2023 |
| Turkey | 8/11/2023 | $25,535 | 181 | 181 | 308 | $59,409 | 9/1/2023 |
| United Kingdom | 8/11/2023 | $1,256,771 | 535 | 564 | 2604 | $5,503,817 | 11/13/2023 |
| Rest of World | $2,115,450 | ||||||
| Worldwide Total | $114,797,989 | 1/8/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Lakeith Lee Stanfield | Ben Matthias |
| Tiffany Haddish | Harriet |
| Owen Wilson | Father Kent |
| Danny DeVito | Bruce Davis |
| Rosario Dawson | Gabbie |
Supporting Cast
| Dan Levy | Vic |
| Jamie Lee Curtis | Madame Leota |
| Jared Leto | Crump/Hatbox |
| Chase Dillon | Travis |
| J.R. Adduci | William Gracey |
| Creek Wilson | Mariner Ghost |
| Ben Bladon | Hatchet Ghost |
| Lindsay Lamb | The Bride |
| Charity Jordan | Alyssa |
| Fedor Steer | Ezra |
| Terence Rosemore | Phineas |
| Mike Benitez | Gus |
| Erik W. Coleman | Eleanor Gracey |
| Christopher Winchester | New Year’s Eve Bartender |
| Jo Koy | Daytime Bartender |
| Tony Paone | Drunk Man |
| Gralen Bryant Banks | Drunk Man |
| Julie Nalibov | 60 Year Old Woman |
| Kathi Callahan | Carol Tourist |
| Marilu Henner | Carol Tourist |
| Hector Machado | John |
| Steve Zissis | Roger |
| Andrew Morgado | TV Narrator |
| William Calvert | TV Narrator |
| Glendon Ray Hobgood | Ben’s Neighbor |
| Nico Gomez | Male Student |
| Lorenzo Beronilla | Hibachi Chef |
| Amy Parrish | Doctor |
| Kurt Yue | Police Officer |
| Hasan Minhaj | Sketch Artist |
| Rowan Joseph | Male Tour Guest |
| Alisa Harris | Female Tour Guest |
| Charles Black | Victor Guest |
| Chad Crumley | Duelist |
| Sebastien Soudais | Duelist |
| John Curran | Pickwick |
| Tracy Goode | Executioner |
| Bryan McClure | Headless Knight |
| Don Stallings | Venetian Guest |
| Ashley John | Lady Blue |
| Rick Andosca | Caretaker Ghost |
| Kat Montes | Diner Waitress |
| Cruz Abelita | Kid |
| Edward Zhu | Kid |
| Kamran Shaikh | Suited Man on Dynamite |
| Helene Henry | Ballerina |
| Jared Simon | Hatted Man in Quicksand |
| Joseph Miller | Quicksand Man |
| Ian Covell | Quicksand Man |
| Kay Galvin | Elderly Woman with Rose |
| Terence Mathews | Travis’ Dad |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Justin Simien | Director |
| Katie Dippold | Screenwriter |
| Dan Lin | Producer |
| Jonathan Eirich | Producer |
| Nick Reynolds | Executive Producer |
| Tom Peitzman | Executive Producer |
| Darren Gilford | Production Designer |
| Phillip J. Bartell | Editor |
| Kris Bowers | Composer |
| Jeffrey Waldron | Director of Photography |
| Jeffrey Kurland | Costume Designer |
| Edwin Rivera | Visual Effects Supervisor |
| Carmen Cuba | Casting Director |
| Robin Le Chanu | Unit Production Manager |
| David H. Venghaus, Jr. | First Assistant Director |
| Jeff Overfield | Second Assistant Director |
| George Cottle | Second Unit Director |
| George Cottle | Stunt Coordinator |
| Rene Sekula | Visual Effects Producer |
| Lori Korngiebel | Co-Producer |
| Dondraico Johnson | Choreography |
| David H. Venghaus, Jr. | Associate Producer |
| Tom Reta | Supervising Art Director |
| Kristen Maloney | Art Director |
| Carla Martinez | Art Director |
| Brian Stultz | Art Director |
| Scott Plauche | Art Director |
| Shawn Bronson | Art Director |
| Victor J. Zolfo | Set Decorator |
| Willie Burton | Sound Mixer |
| Mia Brassell | Script Supervisor |
| Kimberly Jones | Make up |
| Bridgit Crider | Make up |
| Jeri Baker | Hairstylist |
| Jacqueline Bell | Hairstylist |
| Daniel Carrasco | Make-up and Prosthetic Effects Designer |
| Sadan Vague | Make-up and Prosthetic Effects Designer |
| Robert Q. Mathews | Costume Supervisor |
| Dan Sudick | Special Effects Supervisor |
| Joel Mitchell | Special Effects Coordinator |
| Mark Gasparo | Additional Editor |
| Al Nelson | Sound Designer |
| Andre Fenley | Supervising Sound Editor |
| Al Nelson | Supervising Sound Editor |
| Christopher Scarabosio | Re-recording Mixer |
| Tom Myers | Re-recording Mixer |
| Mac Smith | Sound Effects Editor |
| Luke Dunn Gielmuda | Sound Effects Editor |
| Dug Winningham | Sound Effects Editor |
| Stephanie Brown | Dialogue/ADR Supervisor |
| Gwendolyn Yates Whittle | Dialogue/ADR Supervisor |
| Will Ralston | Dialogue Editor |
| Brad Semenoff | Dialogue Editor |
| Kim B. Christensen | Dialogue Editor |
| Richard Duarte | Foley Mixer |
| Catherine Kagan | Supervising Location Manager |
| Scott Herbertson | Set Designer |
| Tammy Lee | Set Designer |
| Hugo Santiago | Set Designer |
| Randall Wilkins | Set Designer |
| Andrew Reeder | Set Designer |
| Chris McGee | Set Designer |
| Sandra D. Carmola | Set Designer |
| Robert Fechtman | Set Designer |
| Noelle King | Set Designer |
| Barbara Mesney | Set Designer |
| Easton Smith | Set Designer |
| Carl Stensel | Set Designer |
| Sam Page | Set Designer |
| Ellen Segal | Supervising Music Editor |
| DeVaughn Watts | Music Editor |
| Nevin Seus | Music Editor |
| Kris Bowers | Score Producer |
| Max Wrightson | Score Producer |
| Thomas Kotcheff | Additional Music |
| Alan Meyerson | Score Mixer |
| Alan Meyerson | Score Recordist |
| Adam Michalak | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.