Japan Box Office for Hatsukoi (2019)
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| Theatrical Performance (US$) | ||
| Japan Box Office | $3,294,666 | Details |
| Worldwide Box Office | $3,671,212 | Details |
| Further financial details... | ||
Synopsis
The film is the prolific auteur, Takashi Miike, at his most fun and anarchic, a noir-tinged yakuza film blending genres in the story of a young boxer and a call girl, who fall passionately in love while getting innocently caught up in a drug-smuggling scheme over the course of one night in Tokyo.
Metrics
Movie Details
| Japan Releases: | February 12th, 2021 (Wide) |
| Video Release: | February 11th, 2020 by Well Go USA Video |
| MPAA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Keywords: | Drug Trafficking, Set in Tokyo |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | OLM, Recorded Picture Company, Toei Animation |
| Production Countries: | Japan, United Kingdom |
| Languages: | Japanese |
Home Market Releases for February 11th, 2020
February 12th, 2020
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It’s another slow week on the home market, but that doesn’t mean there are no first run releases of note. Ford v. Ferrari is the biggest and the best of these releases, but you might have trouble getting it on Amazon. There are some impressive foreign imports on this list, including First Love, Fruits Basket, Jojo’s Bizarre Adventure, and Roma. That last one is also the Pick of the Week.
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Theater Averages: In Love with the Theater Average Chart
October 3rd, 2019
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First Love was the only film in the $10,000 Club this weekend earning an average of $10,576 in two theaters.
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Weekend Estimates: Abominable Earning Average-Sized Opening
September 29th, 2019
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It is a mixed bag at the box office this weekend. None of the films are bombing, there are also no wild success stories either. Abominable is leading the way with an estimated $20.85 million opening. This is a little below expectations, but still a fine opening for this time of year. Additionally, its prospects have improved over the weekend, so it is clear its reviews and its A rating from CinemaScore have helped its word-of-mouth and that should help its legs going forward. The film also earned an estimated $8.8 million internationally in 30 markets for an early international total of $10.2 million It is still too early to judge how the film will do overseas.
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Limited and VOD Releases: A Lot to Love on This Week’s List
September 27th, 2019
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There are a lot of excellent films on this week’s list. Not only that, but there are a wide selections of films as well. Do you want to watch a documentary? Anthropocene: The Human Epoch is your best bet. Want to watch a potential Oscar-winning performance? Then Judy is for you. Want a Neo-Noir love story? First Love has what you need. Want to stay home and watch something on VOD? There are several choices there, both big and small.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/14/2020 | $0 | 0 | 0 | 0 | $0 | |
| France | 1/3/2020 | $85,719 | 46 | 46 | 46 | $85,719 | 1/10/2020 |
| Japan | 2/12/2021 | $0 | 0 | 0 | 0 | $3,294,666 | 2/27/2021 |
| North America | 9/27/2019 | $21,151 | 2 | 40 | 142 | $219,680 | |
| Portugal | 12/18/2020 | $113 | 1 | 1 | 4 | $918 | 4/27/2021 |
| Russia (CIS) | 11/28/2019 | $0 | 0 | 4 | 5 | $14,337 | 10/19/2022 |
| South Korea | 12/17/2020 | $11,410 | 79 | 79 | 114 | $29,551 | 6/1/2022 |
| Spain | 7/10/2020 | $8,106 | 45 | 45 | 45 | $8,106 | 7/16/2020 |
| Turkey | 3/13/2020 | $1,076 | 16 | 16 | 16 | $1,216 | 10/19/2022 |
| United Kingdom | 2/14/2020 | $17,019 | 13 | 13 | 13 | $17,019 | 2/23/2020 |
| Worldwide Total | $3,671,212 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Takashi Miike | Director |
| Masaru Nakamura | Screenwriter |
| Jeremy Thomas | Producer |
| Muneyuki Kii | Producer |
| Misako Saka | Producer |