Finland Box Office for Harry Potter and the Sorcerer’s Stone (2001)
Theatrical Performance (US$) | ||
Finland Box Office | $15,648 | Details |
Worldwide Box Office | $963,637,834 | Details |
Further financial details... |
Metrics
Movie Details
Production Budget: | $125,000,000 |
Finland Releases: | May 26th, 2023 (Limited) |
Video Release: | May 28th, 2002 by Warner Home Video |
MPAA Rating: | PG for some scary moments and mild language. |
Running Time: | 152 minutes |
Franchise: | Harry Potter |
Keywords: | New Guy/Girl in School, Boarding School, Secret Magic, IMAX: DMR, Family Adventure |
Source: | Based on Fiction Book/Short Story |
Genre: | Adventure |
Production Method: | Animation/Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Heyday Films, 1492 Pictures, Duncan Henderson Productions |
Production Countries: | United Kingdom, United States |
Languages: | English |
International Round Up: The Eight Hundred Lights Up Chinese Theaters
August 27th, 2020
The international markets were dominated at the weekend by The Eight Hundred’s blockbuster release in China. It was expected to do well, but a a seven-day opening “weekend” of $113.4 million ($115.4 million including previews) is beyond expectations, given the 50% capacity restrictions in Chinese theaters. It is actually more than Hobbs & Shaw earned this time last year, and helped the box office more than triple compared to last week. Granted, Hobbs & Shaw only had four days at the box office and not seven, but this is still a spectacular opening.
Performance around the rest of the world was more mixed, but there are some hopeful signs as Tenet starts its long-anticipated rollout.
More...
International Round Up: Harry Potter Puts a Spell on China, Crosses $1 Billion Worldwide
August 20th, 2020
The slow march to recovery at the box office continued in international markets at the weekend as theaters opened up and moviegoers continued to return. Progress is being slowed by the lack of new films, particularly from US studios, but catalog titles are filling the void. China took advantage of an opportunity to release a movie from the Harry Potter archive for the first time in the territory, and Australian film fans got a chance to enjoy some original Star Wars. Some local films are also doing well, partly thanks to the lack of competition.
Here’s a round-up of what’s playing around the world, and how markets are recovering.
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DVD and Blu-ray Releases for September 4th, 2012
September 3rd, 2012
This week is again loaded with TV on DVD releases, including several in the top best sellers according to Amazon.com. The best TV on DVD release in terms of comedy is 2 Broke Girls: Season One on DVD or Blu-ray, while Person of Interest: Season One on DVD or Blu-ray is the best TV on DVD release as far as the dramas are concerned. Both are contenders for Pick of the Week, but neither quite gets there. The Five-Year Engagement on Blu-ray Combo Pack comes a little close, but in the end I went with Headhunters on DVD or Blu-ray. Just keep an eye on the price of the Blu-ray.
More...
Blu-ray Sales: Finding the Source of the Problem
August 12th, 2011
It was a slow week on the home market, especially on Blu-ray, where it was a rare week suffering from year-over-year declines. But more on that in a bit. The number one selling Blu-ray was Source Code with 189,000 units. It was a little disappointing on DVD and its opening week Blu-ray ratio was just under 33%, acceptable, but not great. It was visual enough that upgrading to High Definition wasn't a bad choice, but second-tier enough that I would understand if a lot of people just didn't want to bother with the extra price.
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Analysis: Harry Potter and the Big Pile of Money
July 21st, 2011
With Harry Potter and the Deathly Hallows Part 2 off to a record-breaking start, the biggest-earning franchise at the worldwide box office is nearing its end. A few records are still to fall (notably, it will overtake Star Wars in a day or two to become the biggest domestic franchise), but we thought now would be good time to look back at how Harry Potter has shaped the movie industry, and the financial records it has broken along the way. For each film, we look at both the box office receipts and domestic spending on DVD, Blu-ray and video rentals. Warning: some readers may find the large numbers presented disturbing.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/29/2001 | $4,815,119 | 476 | 476 | 701 | $8,747,410 | 10/21/2024 |
Brazil | 11/23/2001 | $0 | 0 | 0 | 0 | $3,618,813 | 10/21/2020 |
China | 8/14/2020 | $13,750,000 | 73731 | 73731 | 104570 | $33,775,029 | 10/20/2024 |
Czech Republic | 2/14/2002 | $0 | 0 | 4 | 4 | $30,149 | 2/13/2024 |
Finland | 5/26/2023 | $0 | 0 | 0 | 0 | $15,648 | 6/2/2023 |
Italy | 12/6/2001 | $0 | 0 | 0 | 0 | $30,744,197 | 10/20/2022 |
Japan | 12/1/2001 | $0 | 0 | 0 | 0 | $433,094 | 12/1/2020 |
Mexico | 11/23/2001 | $0 | 0 | 0 | 0 | $778,884 | 10/20/2022 |
Netherlands | 11/22/2001 | $0 | 0 | 99 | 292 | $16,411,881 | 10/16/2023 |
New Zealand | 11/29/2001 | $0 | 0 | 12 | 59 | $5,106,717 | 3/25/2024 |
North America | 11/16/2001 | $90,294,621 | 3,672 | 3,672 | 36,120 | $317,871,467 | |
Russia (CIS) | 10/21/2016 | $29,259 | 36 | 36 | 36 | $29,259 | 11/14/2018 |
Slovakia | 12/21/2001 | $0 | 0 | 1 | 1 | $837,986 | 7/7/2020 |
South Korea | 12/13/2001 | $0 | 0 | 112 | 293 | $2,508,515 | 9/29/2021 |
Spain | 6/5/2020 | $0 | 0 | 266 | 660 | $944,156 | 2/15/2022 |
Turkey | 2/1/2002 | $0 | 0 | 99 | 202 | $168,181 | 8/1/2024 |
United Kingdom | 11/15/2001 | $0 | 0 | 494 | 2078 | $87,965,898 | 10/30/2024 |
Rest of World | $453,650,550 | ||||||
Worldwide Total | $963,637,834 | 10/30/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Daniel Radcliffe | Harry Potter |
Rupert Grint | Ronald 'Ron' Weasley |
Emma Watson | Hermione Granger |
Robbie Coltrane | Hagrid |
Richard Harris | Albus Dumbledore |
Alan Rickman | Professor Snape |
Maggie Smith | Professor/Deputy Headmistress Minerva McGonagall |
Supporting Cast
John Cleese | Nearly Headless Nick |
Warwick Davis | Goblin Bank Teller/Professor Flitwick |
Richard Griffiths | Uncle Vernon Dursley |
Ian Hart | Professor Quirrell/Voldemort |
John Hurt | Mr. Ollivander |
Fiona Shaw | Aunt Petunia Dursley |
Julie Walters | Mrs. Weasley |
Sean Biggerstaff | Oliver Wood |
Zoë Wanamaker | Madame Hooch |
David Bradley | Mr. Filch |
Tom Felton | Draco Malfoy |
Harry Melling | Dudley Dursley |
Matthew Lewis | Neville Longbottom |
Josh Herdman | Gregory Goyle |
Jamie Waylett | Vincent Crabbe |
Adrian Rawlins | James Potter |
Luke Youngblood | Lee Jordan |
Nina Young | The Grey Lady |
Bonnie Wright | Ginny Weasley |
James Waylett | Vincent Crabbe |
Verne Troyer | Griphook |
Will Theakston | Slytherin Captain Marcus Flint |
Geraldine Somerville | Lily Evans Potter |
Chris Rankin | Prefect Percy Weasley |
Leslie Phillips | The Sorting Hat |
Oliver Phelps | George Weasley |
James Phelps | Fred Weasley |
Devon Murray | Seamus Finnegan |
Rik Mayall | Peeves the Poltergeist |
Simon Fisher-Becker | Fat Friar |
Alfie Enoch | Dean Thomas |
Terence Bayler | The Bloody Baron |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Chris Columbus | Director |
Steve Kloves | Screenwriter |
J.K. Rowling | Story Creator |
David Heyman | Producer |
Chris Columbus | Executive Producer |
Mark Radcliffe | Executive Producer |
Michael Barnathan | Executive Producer |
Duncan Henderson | Executive Producer |
Tanya Seghatchian | Co-Producer |
John Seale | Cinematographer |
Richard Francis-Bruce | Editor |
John Williams | Composer |
Stuart Craig | Production Designer |
Neil Lamont | Supervising Art Director |
John King | Supervising Art Director |
Michael Lamont | Art Director |
Andrew Ackland-Snow | Art Director |
Steven Lawrence | Art Director |
Lucinda Thomson | Art Director |
Peter Francis | Art Director |
Simon Lamont | Art Director |
Michael Boone | Set Designer |
Peter Dorme | Set Designer |
Toad Tozer | Set Designer |
Rosie Hardwick | Set Designer |
Patricia Johnson | Set Designer |
Stephenie McMillan | Set Decorator |
Judianna Makovsky | Costume Designer |
John Midgley | Sound Mixer |
Eddy Joseph | Supervising Sound Editor |
Robert Legato | Visual Effects Supervisor |
John Richardson | Special Effects Supervisor |
Nick Dudman | Special Make-up Effects |
Paula Dupre Pesmen | Associate Producer |
Todd Arnow | Associate Producer |
Chris Carreras | Assistant Director |
David Ellis | Second Unit Director |
Robert Legato | Second Unit Director |
Gavin Finney | Second Unit Camera |
Greg Powell | Stunt Coordinator |
Janet Hirshenson | Casting Director |
Jane Jenkins | Casting Director |
Susie Figgis | Casting Director |
Josh Robertson | First Assistant Director: Second Unit |
Jamie Christopher | First Assistant Director: Second Unit |
Roger Guyett | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.