Italy Box Office for Harry Potter e la camera dei segreti (2002)
| Theatrical Performance (US$) | ||
| Italy Box Office | $21,735,085 | Details |
| Worldwide Box Office | $874,954,228 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $100,000,000 |
| Italy Releases: | December 6th, 2002 (Wide), released as Harry Potter e la camera dei segreti November 16th, 2022 (Limited), released as Harry Potter E La Camera dei Segreti |
| Video Release: | April 11th, 2003 by Warner Home Video |
| MPAA Rating: | PG for scary moments, some creature violence and mild language |
| Running Time: | 161 minutes |
| Franchise: | Harry Potter |
| Keywords: | Boarding School, IMAX: DMR, Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Warner Bros., Heyday Films, 1492 Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
DVD and Blu-ray Releases for September 4th, 2012
September 3rd, 2012
This week is again loaded with TV on DVD releases, including several in the top best sellers according to Amazon.com. The best TV on DVD release in terms of comedy is 2 Broke Girls: Season One on DVD or Blu-ray, while Person of Interest: Season One on DVD or Blu-ray is the best TV on DVD release as far as the dramas are concerned. Both are contenders for Pick of the Week, but neither quite gets there. The Five-Year Engagement on Blu-ray Combo Pack comes a little close, but in the end I went with Headhunters on DVD or Blu-ray. Just keep an eye on the price of the Blu-ray.
More...
Blu-ray Sales: Finding the Source of the Problem
August 12th, 2011
It was a slow week on the home market, especially on Blu-ray, where it was a rare week suffering from year-over-year declines. But more on that in a bit. The number one selling Blu-ray was Source Code with 189,000 units. It was a little disappointing on DVD and its opening week Blu-ray ratio was just under 33%, acceptable, but not great. It was visual enough that upgrading to High Definition wasn't a bad choice, but second-tier enough that I would understand if a lot of people just didn't want to bother with the extra price.
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Analysis: Harry Potter and the Big Pile of Money
July 21st, 2011
With Harry Potter and the Deathly Hallows Part 2 off to a record-breaking start, the biggest-earning franchise at the worldwide box office is nearing its end. A few records are still to fall (notably, it will overtake Star Wars in a day or two to become the biggest domestic franchise), but we thought now would be good time to look back at how Harry Potter has shaped the movie industry, and the financial records it has broken along the way. For each film, we look at both the box office receipts and domestic spending on DVD, Blu-ray and video rentals. Warning: some readers may find the large numbers presented disturbing.
More...
Far from a Global Disaster
June 2nd, 2004
It was a massive worldwide opening for The Day After Tomorrow, which debuted in 9,276 theatres in 110 markets. It's $85.0 million over three days was almost the same has its four day domestic take. And with more than $150 million, it became the biggest worldwide debut this year. This is a great start, but the real test is yet to come. What will determine if this film is a blockbuster verses it being an elite film is how well it holds up to competition next weekend. More...Elf is the Master at the Box Office
November 18th, 2003
Horta's View from the Stalls: Digital Overkill in a Digital World - Visual Effects in the Movies
April 25th, 2003
Follow Up: The Two Towers Takes on Japan
February 26th, 2003
Chamber of Secrets sneaks pasts Jurassic Park
January 28th, 2003
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/06/17 | 19 | $5,043 | 0 | $22,043,108 | 1,020 | ||
| 2022/11/18 | 6 | $368,375 | 0 | $21,735,085 | 1,042 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/28/2002 | $5,959,971 | 488 | 488 | 563 | $9,297,176 | 12/11/2020 |
| Brazil | 11/26/2022 | $0 | 0 | 0 | 0 | $0 | |
| China | 10/18/2024 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 12/6/2002 | $0 | 0 | 0 | 0 | $21,735,085 | 11/21/2022 |
| Netherlands | 11/21/2002 | $0 | 0 | 99 | 99 | $15,630,849 | 7/24/2020 |
| New Zealand | 11/28/2002 | $0 | 0 | 12 | 39 | $7,649 | 4/2/2024 |
| North America | 11/15/2002 | $88,357,488 | 3,682 | 3,682 | 31,179 | $262,233,381 | |
| Russia (CIS) | 10/21/2016 | $15,678 | 36 | 36 | 36 | $15,678 | 11/14/2018 |
| Slovakia | 12/13/2002 | $0 | 0 | 1 | 1 | $743,050 | 7/14/2020 |
| South Korea | 12/13/2002 | $0 | 0 | 33 | 71 | $1,054,254 | 3/14/2019 |
| Spain | 6/5/2020 | $0 | 0 | 48 | 53 | $75,581 | 2/16/2022 |
| Turkey | 11/29/2002 | $0 | 0 | 99 | 201 | $243,028 | 3/28/2024 |
| United Kingdom | 11/15/2002 | $0 | 0 | 449 | 1622 | $73,355,099 | 2/28/2024 |
| Rest of World | $490,563,398 | ||||||
| Worldwide Total | $874,954,228 | 4/2/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Daniel Radcliffe | Harry Potter |
| Rupert Grint | Ron Weasley |
| Emma Watson | Hermione Granger |
| Kenneth Branagh | Gilderoy Lockhart |
Supporting Cast
| Robbie Coltrane | Rubeus Hagrid |
| Richard Griffiths | Uncle Vernon Dursley |
| Richard Harris | Albus Dumbledore |
| Jason Isaacs | Lucius Malfoy |
| Warwick Davis | Professor Filius Flitwick |
| Alan Rickman | Professor Snape |
| Fiona Shaw | Aunt Petunia Dursley |
| Maggie Smith | Professor McGonagall |
| Julie Walters | Mrs. Weasley |
| Shirley Henderson | Moaning Myrtle |
| Julian Glover | Aragog |
| Miriam Margolyes | Professor Sprout |
| Mark Williams | Arthur Weasley |
| Toby Jones | Dobby the House Elf |
| Bonnie Wright | Ginny Weasley |
| Tom Felton | Draco Malfoy |
| David Bradley | Argus Filch |
| Gemma Jones | Madam Poppy Pomfrey |
| Christian Coulson | Tom Marvolol Riddle |
| Chris Rankin | Percy Weasley |
| Devon Murray | Seamus Finnigan |
| Alfie Enoch | Dean Thomas |
| Josh Herdman | Gregory Goyle |
| Jamie Waylett | Vincent Crabbe |
| Harry Melling | Dudley Dursley |
| Robert Hardy | Cornelius Fudge |
| Geraldine Somerville | Lily Potter |
| Adrian Rawlins | James Potter |
| Oliver Phelps | George Weasley |
| James Phelps | Fred Weasley |
| Gemma Padley | Penelope Clearwater |
| Sally Mortemore | Madam Irma Pince |
| Hugh Mitchell | Colin Creevey |
| Matthew Lewis | Neville Longbottom |
| Alfred Burke | Headmaster Armando Dippet |
Cameos
| John Cleese | Nearly Headless Nick |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Chris Columbus | Director |
| Steve Kloves | Screenwriter |
| J.K. Rowling | Story Creator |
| David Heyman | Producer |
| Chris Columbus | Executive Producer |
| Mark Radcliffe | Executive Producer |
| Michael Barnathan | Executive Producer |
| David Barron | Executive Producer |
| Roger Pratt | Cinematographer |
| Stuart Craig | Production Designer |
| Peter Honess | Editor |
| William Ross | Music Adapted By |
| John Williams | Composer |
| Tanya Seghatchian | Co-Producer |
| Paula Dupre Pesmen | Associate Producer |
| Chris Carreras | Assistant Director |
| Peter MacDonald | Second Unit Director |
| Bernard Bellew | Unit Production Manager |
| David Carrigan | Production Manager |
| Neil Lamont | Supervising Art Director |
| John King | Art Director |
| Lucinda Thomson | Art Director |
| Steven Lawrence | Art Director |
| Peter Francis | Art Director |
| Andrew Ackland-Snow | Art Director |
| Mark Bartholomew | Art Director |
| Stephenie McMillan | Set Decorator |
| Michael Brewster* | Second Unit Camera |
| Jim Mitchell | Visual Effects Supervisor |
| Nick Davis | Visual Effects Supervisor |
| Bill George | Visual Effects Supervisor |
| John Richardson | Special Effects Supervisor |
| Lindy Hemming | Costume Designer |
| Michael O’Connor | Associate Costume Designer |
| David Crossman | Costume Supervisor |
| John Midgley | Production Sound Mixer |
| Ray Merrin | Re-recording Mixer |
| Graham Daniel | Re-recording Mixer |
| Rick Kline | Re-recording Mixer |
| Adam Daniel* | Re-recording Mixer |
| Dennis Leonard | Supervising Sound Editor |
| Martin Cantwell | Sound Effects Editor |
| Andy Kennedy | Sound Effects Editor |
| Randy Thom | Sound Designer |
| Colin Ritchie | Dialogue Editor |
| Jim Harrison | Music Editor |
| Amanda Knight | Makeup Designer |
| Eithne Fennell | Hairstylist Designer |
| Nick Dudman | Creature and Makeup Effects |
| Karen Lindsay-Stewart | Casting Director |
| Greg Powell | Stunt Coordinator |
| Jamie Christopher | First Assistant Director: Second Unit |
| Will Dodds | Third Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.