Philippines Box Office for Happy Death Day 2U (2019)
Theatrical Performance (US$) | ||
Philippines Box Office | $216,164 | Details |
Worldwide Box Office | $64,686,515 | Details |
Home Market Performance | ||
North America DVD Sales | $1,057,350 | Details |
North America Blu-ray Sales | $1,330,353 | Details |
Total North America Video Sales | $2,387,703 | |
Further financial details... |
Synopsis
Our hero Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead.
Metrics
Movie Details
Production Budget: | $9,000,000 |
Philippines Releases: | February 13th, 2019 (Wide) |
Video Release: | April 30th, 2019 by Universal Home Entertainment |
MPAA Rating: | PG-13 for violence, language, sexual material and thematic elements. (Rating bulletin 2557 (Cert #51949), 12/12/2018) |
Running Time: | 100 minutes |
Franchise: | Happy Death Day |
Keywords: | Scientific Experiment Gone Awry, Infidelity, Time Travel, Murder Mystery, One Day, Revenge, Horror Comedy, Surprise Twist |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Blumhouse, Universal Pictures, Dentsu Inc., Fuji Television Network |
Production Countries: | Japan, United States |
Languages: | English |
Home Market Releases for May 14th, 2019
May 15th, 2019
It’s another weak week on the home market. The biggest release of the week is Fighting With My Family, which is also one of the best. The other contenders for Pick of the Week are a documentary, Apollo 11; a classic collection, The Buster Keaton Collection: Volume 1; and a foreign-language import, Princess Mononoke. They are all worth owning, but they all have issues as well. The last two releases are double-dips, while the first two don’t have a ton of extras. In the end, I went with Fighting With My Family as the Pick of the Week, because it has the best combination of movie quality and extras without being a double-dip.
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Home Market Releases for April 30, 2019
April 30th, 2019
The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week.
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Weekend Wrap-Up: Dragons Breath Fire and Life into the Box Office
February 26th, 2019
How to Train Your Dragon: The Hidden World not only led the way over the weekend, it had the fastest start of the year so far. This helped the overall box office grow to $127 million. This is 4.3% higher than last weekend, which might not seem impressive, but this is a post-holiday weekend and we usually see a substantial drop-off. On the other hand, this is still 34% lower than this weekend last year, as Black Panther’s sophomore stint was almost exactly double The Hidden World’s debut. This left 2019 even further behind 2018 and the gap is now 25% or $460 million at $1.36 billion to $1.82 billion.
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Weekend Wrap-Up: Alita Battles Disbelievers and Wins
February 20th, 2019
The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result.
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Weekend Estimates: Alita Wins Battle for Top Spot, but Production Budget is Winning the War
February 17th, 2019
Alita: Battle Angel is topping the weekend chart with an estimated $27.8 million over the three-day weekend and $33.0 million over four. Adding in Thursday’s result gives us a total opening of $41.7 million, which is more than we predicted and we were already a little more bullish than most. Its reviews were bouncing above then sinking below the overall positive level throughout the week, but they seem to have settled on the south side at 58% positive. We won’t get the CinemaScore until Monday, but I suspect it will be substantially better than this and be in the B plus / A minus range. We don’t have solid numbers for its international weekend, but estimates have it in the $40 million range during its second weekend of release. This would have been a great run so far, had the film not cost so much to make.
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Friday Estimates: Alita Battles it’s Way to the Top
February 16th, 2019
Alita: Battle Angel started strong on Thursday with $8.72 million and held on well on Friday down just 14% to $7.53 million. Granted, this was the worst decline of the three new releases, but it was also the only one to open on Thursday, so I think this is a strong showing. The reviews remain right on the edge of the overall positive level, so it should have acceptable legs. Look for between $25 million and $26 million over the three-day weekend and $30 million over four. This would be a good start, if the film cost $100 million to make. However, with a budget between $160 million and $170 million, depending on tax breaks, even getting to $100 million domestically will just be saving face.
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Weekend Predictions: Will there be a Lot of Love At the Box Office this week?
February 14th, 2019
It’s a very odd weekend at the box office. Not only is it a long weekend with most people having Monday off, but Valentine’s Day is Thursday and two of the three wide releases opened on Wednesday. The biggest new release is Alita: Battle Angel, but the film reportedly cost as much as $200 million to make and there’s a chance it will open with less than $20 million over the three-day portion of the weekend. Isn’t It Romantic should get the biggest boost thanks to Valentine’s Day. Meanwhile, Happy Death Day 2U is hoping to top the original. As for this weekend last year, it was the weekend Black Panther debuted. 2019 is going to get destroyed at the year-over-year comparison, again. If it loses by less than 50%, I will be happy. That’s how bad things have gotten.
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Preview: February
February 1st, 2019
2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year.
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Happy Death Day 2U Trailer
January 10th, 2019
Horror movie starring Jessica Rothe opens on February 14 ... Full Movie Details.
Our hero Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/02/15 | - | $167,892 | 141 | $1,191 | $194,559 | 1 | |
2019/02/22 | - | $13,505 | -92% | 16 | $844 | $212,007 | 2 |
2019/03/01 | - | $2,448 | -82% | 4 | $612 | $216,164 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/14/2019 | $194,456 | 144 | 165 | 449 | $418,701 | 4/27/2019 |
Australia | 2/15/2019 | $447,757 | 220 | 220 | 628 | $980,372 | 3/28/2019 |
Austria | 2/15/2019 | $0 | 0 | 56 | 131 | $370,685 | 4/10/2019 |
Belgium | 2/20/2019 | $95,571 | 41 | 41 | 109 | $253,981 | 3/28/2019 |
Bolivia | 2/14/2019 | $66,407 | 21 | 21 | 47 | $193,794 | 3/20/2019 |
Brazil | 2/21/2019 | $811,108 | 488 | 514 | 1582 | $2,263,951 | 7/29/2020 |
Bulgaria | 2/15/2019 | $44,144 | 0 | 16 | 16 | $169,958 | 4/9/2019 |
Central America | 3/21/2019 | $160,513 | 154 | 154 | 234 | $263,151 | 4/18/2019 |
Chile | 2/14/2019 | $162,888 | 71 | 71 | 187 | $394,079 | 3/20/2019 |
Colombia | 2/14/2019 | $187,217 | 188 | 188 | 344 | $422,882 | 3/20/2019 |
Cyprus | 2/14/2019 | $13,449 | 6 | 6 | 18 | $24,210 | 3/8/2019 |
Czech Republic | 3/1/2019 | $89,799 | 96 | 96 | 183 | $209,049 | 4/10/2019 |
Ecuador | 2/15/2019 | $162,806 | 46 | 47 | 96 | $461,516 | 3/20/2019 |
Egypt | 2/13/2019 | $26,912 | 19 | 19 | 40 | $52,550 | 3/8/2019 |
Estonia | 2/15/2019 | $29,157 | 19 | 19 | 43 | $70,747 | 4/5/2019 |
Finland | 2/15/2019 | $104,446 | 66 | 66 | 179 | $285,969 | 4/5/2019 |
France | 2/13/2019 | $972,534 | 217 | 217 | 647 | $2,141,698 | 3/20/2019 |
Germany | 2/14/2019 | $941,842 | 320 | 381 | 1681 | $2,454,019 | 4/24/2019 |
Greece | 2/28/2019 | $54,653 | 42 | 42 | 59 | $158,619 | 3/28/2019 |
Hong Kong | 2/28/2019 | $314,520 | 52 | 52 | 155 | $794,518 | 4/5/2019 |
Hungary | 2/14/2019 | $142,793 | 39 | 52 | 155 | $300,948 | 4/5/2019 |
Indonesia | 2/13/2019 | $864,467 | 297 | 297 | 597 | $1,360,241 | 3/8/2019 |
Israel | 2/14/2019 | $228,062 | 26 | 30 | 160 | $694,223 | 4/24/2019 |
Italy | 2/28/2019 | $628,253 | 0 | 97 | 122 | $1,325,634 | 4/5/2019 |
Japan | 7/12/2019 | $68,922 | 9 | 9 | 53 | $245,700 | 9/18/2019 |
Latvia | 2/22/2019 | $14,842 | 10 | 10 | 26 | $59,407 | 4/18/2019 |
Lebanon | 2/14/2019 | $27,533 | 16 | 16 | 27 | $41,914 | 3/8/2019 |
Lithuania | 2/15/2019 | $17,787 | 93 | 93 | 125 | $42,940 | 2/26/2019 |
Malaysia | 2/21/2019 | $406,535 | 139 | 139 | 355 | $967,929 | 4/10/2019 |
Mexico | 3/1/2019 | $1,165,647 | 0 | 322 | 378 | $2,351,292 | 4/5/2019 |
Middle East Region | 2/14/2019 | $379,094 | 63 | 63 | 132 | $803,058 | 3/20/2019 |
Mongolia | 2/22/2019 | $17,226 | 7 | 7 | 17 | $42,223 | 3/20/2019 |
Netherlands | 2/15/2019 | $194,731 | 71 | 71 | 235 | $441,466 | 3/28/2019 |
New Zealand | 2/14/2019 | $74,490 | 50 | 51 | 149 | $164,913 | 3/20/2019 |
North America | 2/13/2019 | $9,497,665 | 3,207 | 3,212 | 10,836 | $28,148,130 | |
Pakistan | 2/15/2019 | $7,295 | 28 | 28 | 51 | $28,707 | 3/28/2019 |
Paraguay | 2/14/2019 | $32,406 | 17 | 17 | 37 | $59,240 | 3/28/2019 |
Peru | 2/14/2019 | $447,146 | 101 | 101 | 241 | $1,031,131 | 3/20/2019 |
Philippines | 2/13/2019 | $167,892 | 141 | 141 | 161 | $216,164 | 3/8/2019 |
Poland | 3/1/2019 | $105,902 | 94 | 94 | 231 | $269,594 | 4/18/2019 |
Portugal | 2/14/2019 | $82,833 | 37 | 44 | 140 | $207,519 | 3/26/2019 |
Romania | 2/14/2019 | $53,308 | 74 | 74 | 165 | $111,058 | 3/31/2021 |
Russia (CIS) | 2/28/2019 | $1,032,951 | 955 | 955 | 2525 | $2,135,422 | 4/10/2019 |
Serbia and Montenegro | 2/14/2019 | $21,538 | 35 | 44 | 91 | $47,480 | 3/28/2019 |
Singapore | 2/21/2019 | $188,414 | 32 | 32 | 75 | $419,627 | 12/16/2020 |
Slovakia | 3/1/2019 | $59,788 | 66 | 66 | 123 | $126,230 | 4/5/2019 |
Slovenia | 2/14/2019 | $13,083 | 12 | 12 | 40 | $37,722 | 4/10/2019 |
South Korea | 2/14/2019 | $1,645,085 | 657 | 657 | 1014 | $3,023,315 | 3/29/2019 |
Spain | 2/15/2019 | $499,099 | 214 | 248 | 978 | $1,496,561 | 4/10/2019 |
Sweden | 2/15/2019 | $190,614 | 92 | 92 | 192 | $307,310 | 4/5/2019 |
Switzerland | 2/13/2019 | $120,223 | 36 | 41 | 138 | $394,464 | 5/23/2019 |
Taiwan | 2/15/2019 | $468,799 | 98 | 98 | 314 | $898,117 | 3/20/2019 |
Thailand | 2/28/2019 | $165,369 | 108 | 108 | 108 | $165,369 | 3/8/2019 |
Trinidad | 2/27/2019 | $11,915 | 14 | 14 | 18 | $24,093 | 3/20/2019 |
Turkey | 2/22/2019 | $166,834 | 249 | 249 | 628 | $407,306 | 3/21/2019 |
Ukraine | 2/14/2019 | $259,291 | 163 | 163 | 392 | $447,122 | 11/6/2019 |
United Arab Emirates | 2/14/2019 | $205,860 | 50 | 50 | 84 | $353,211 | 3/8/2019 |
United Kingdom | 2/14/2019 | $945,557 | 436 | 436 | 1178 | $1,979,075 | 4/5/2019 |
Uruguay | 2/14/2019 | $20,882 | 15 | 15 | 36 | $50,571 | 3/20/2019 |
Venezuela | 2/15/2019 | $29,790 | 66 | 66 | 66 | $86,296 | 4/10/2019 |
Vietnam | 2/15/2019 | $264,344 | 175 | 175 | 400 | $695,456 | 3/8/2019 |
Rest of World | $293,888 | ||||||
Worldwide Total | $64,686,515 | 3/31/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jessica Rothe | Tree Gelbman |
Supporting Cast
Israel Broussard | Carter Davis |
Suraj Sharma | Samar Ghosh |
Steve Zissis | Dean Bronson |
Phi Vu | Ryan Phan |
Sarah Yarkin | Dre Morgan |
Rachel Matthews | Danielle Bouseman |
Ruby Modine | Lori Spengler |
Charles Aitken | Gregory Butler |
Laura Clifton | Stephanie Butler |
Missy Yager | Julie Gelbman |
Jason Bayle | David Gelbman |
Caleb Spillyards | Tim Bauer |
Jimmy Gonzales | Police Officer |
Peter Jaymes Jr | Police Officer |
Rob Mello | John Tombs |
Kenneth Israel | Dr. Parker |
James Evermore | Homeless Man |
Johnny Ballance | Angry Student |
Tenea Intriago | Student Protestor |
Lindsey Smith | Waitress |
Tran Tran | Emily |
Gigi Erneta | Reporter |
Blaine Kern | Nick Sims |
Brenda Currin | Old Lady |
Cariella Smith | Becky Shepard |
Brady Edwin Lewis* | Frat Brother |
Wendy Miklovic | New Nurse |
Ramsey Anderson | Keith Lumbly |
Brent Henry | Skydiving Instructor |
Sylvia Grace Crim | MRI Technician |
Andy Dylan | Babyface Killer |
Preston Schrag | Exhausted Frat Brother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Christopher Landon | Director |
Christopher Landon | Screenwriter |
Scott Lobdell | Character Creator |
Jason Blum | Producer |
Angela Mancuso | Executive Producer |
John Baldecchi | Executive Producer |
Samson Mucke | Executive Producer |
Beatriz Sequeira | Co-Producer |
Ryan Turek | Co-Producer |
Toby Oliver | Director of Photography |
Bill Boes | Production Designer |
Ben Baudhuin | Editor |
Bear McCreary | Composer |
Andrea von Foerster | Music Supervisor |
Whitney Anne Adams | Costume Designer |
Terri Taylor | Casting Director |
Sarah Domeier Lindo* | Casting Director |
Jennifer Scudder Trent | Co-Producer |
Samson Mucke | Unit Production Manager |
Fernando Altschul | First Assistant Director |
Joe May | Second Assistant Director |
Erin Vitali | Associate Producer |
Nancy Kirhoffer | Post-Production Supervisor |
Jason Stewart | Art Director |
Andrew Bofinger | Set Decorator |
Adele Plauche | Set Designer |
Robert C. Bigelow | Sound Mixer |
David K. Nami* | Special Effects Coordinator |
Amy Gavel | Costume Supervisor |
Ashley Levy | Make up |
Margeaux Fox | Hairstylist |
Marta Goldstein | Script Supervisor |
Lorna Street Dopson | Script Supervisor |
Lisa Latter | Location Manager |
Chris Welcker | Sound Mixer |
Annette Farnsworth-Ryder | Costume Supervisor |
Dee Leveque | Hairstylist |
Jesus Rosales | Assistant Editor |
Derek Larsen | Second Assistant Editor |
Trevor Gates | Supervising Sound Editor |
Jonathan Wales | Re-recording Mixer |
Jason Dotts | Supervising Dialogue/ADR Editor |
Paul Knox | Sound Effects Editor |
Michael Baird | Dialogue Editor |
Diego Staub | Foley Mixer |
Kevin Aragunde | Foley Mixer |
Oliver Taylor | Visual Effects Supervisor |
Scott Michael Smith | Score Mixer |
Bernd Mazagg | Score Recordist |
Michael Baber* | Music Editor |
Jason Akers | Additional Music |
Omer Ben-Zvi | Additional Music |
Sam Ewing | Additional Music |
Kevin Lax | Additional Music |
Mark Rayner | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.