South Korea Box Office for Hampstead (2017)
-(2017).jpg)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $62,374 | Details |
| Worldwide Box Office | $6,223,958 | Details |
| Further financial details... | ||
Synopsis
Though Emily and Donald live in the same idyllic London neighborhood of Hampstead, the worlds they inhabit could not be more different. She is an American widow occupying a posh apartment she can no longer afford and filling her time with charity work as she struggles to figure out a next step. He is a gruff Irish loner who lives off the land in a makeshift cabin and wants nothing more than to be left in peace. When his home is threatened by greedy real estate developers, Emily believes she has found her new cause—but gets more than she bargained for when unexpected romance blossoms.
Metrics
Movie Details
| South Korea Releases: | June 26th, 2018 (Wide) |
| Video Release: | June 14th, 2019 by IFC Video |
| MPAA Rating: | PG-13 for some suggestive material and language. (Rating bulletin 2577 (Cert #52194), 5/8/2019) |
| Running Time: | 102 minutes |
| Keywords: | Land Developer, Betrayal, Courtroom / Legal Drama, Evicted, Romance, Set in England |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Ecosse Films, Motion Picture Capital, Silver Reel Entertainment |
| Production Countries: | United Kingdom |
| Languages: | English |
Theater Averages: Nothing New to Report
June 20th, 2019
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There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters.
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Limited and VOD Releases: One Plus One
June 14th, 2019
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It’s a terrible week for limited releases. Half the films on this week’s list are playing on VOD, while most of the rest have very limited box office chances either due to weak reviews, or because they are foreign-language films. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese and Plus One are among the two biggest / best releases of the week, but both are playing on VOD, so I don’t think either will find an audience in theaters. In fact, I suspect none of the films on this week’s list will find an audience in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/07/06 | 15 | $14,143 | 34 | $416 | $23,394 | 2 | |
| 2018/07/13 | - | $6,988 | -51% | 16 | $437 | $42,456 | 3 |
| 2018/07/20 | 24 | $5,451 | -22% | 12 | $454 | $54,555 | 4 |
| 2018/07/27 | - | $1,253 | -77% | 4 | $313 | $60,101 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/4/2017 | $1,645 | 2 | 236 | 1212 | $2,297,280 | 1/25/2018 |
| Italy | 9/14/2017 | $212,521 | 0 | 0 | 0 | $348,226 | 9/27/2017 |
| Lithuania | 8/25/2017 | $6,882 | 49 | 49 | 64 | $12,969 | 10/10/2017 |
| Netherlands | 8/18/2017 | $69,652 | 22 | 34 | 141 | $271,689 | 9/18/2017 |
| New Zealand | 7/28/2017 | $89,900 | 57 | 77 | 516 | $538,199 | 9/25/2017 |
| North America | 6/14/2019 | $17,141 | 12 | 18 | 104 | $148,636 | |
| Portugal | 8/18/2017 | $15,294 | 11 | 11 | 31 | $51,142 | 9/20/2017 |
| South Korea | 6/26/2018 | $0 | 0 | 34 | 66 | $62,374 | 8/21/2018 |
| Spain | 8/25/2017 | $133,851 | 95 | 98 | 249 | $386,141 | 9/14/2017 |
| United Kingdom | 6/23/2017 | $577,220 | 485 | 485 | 1216 | $2,107,302 | 10/25/2017 |
| Worldwide Total | $6,223,958 | 8/21/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Diane Keaton | Emily |
| Brendan Gleeson | Donald |
Supporting Cast
| Lesley Manville | Fiona |
| Jason Watkins | James Smythe |
| James Norton | Philip |
| Phil Davis | Sid Fife |
| Peter Singh | Xavier |
| Hugh Skinner | Erik |
| Lace Akpojaro | Café Manager |
| Elizabeth Conboy | Posh Woman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Joel Hopkins | Director |
| Robert Festinger | Screenwriter |
| Robert Bernstein | Producer |
| Douglas Rae | Producer |
| Leon Clarance | Executive Producer |
| Mark Woolley | Executive Producer |
| Laure Vaysse | Executive Producer |
| Jo Monk | Executive Producer |
| Deepak Nayar | Executive Producer |
| Alison Thompson | Executive Producer |
| Mark Gooder | Executive Producer |
| Claudia Bluemhuber | Executive Producer |
| Ian Hutchinson | Executive Producer |
| Bob Weinstein | Executive Producer |
| Harvey Weinstein | Executive Producer |
| David Glasser | Executive Producer |
| Paul Ritchie | Co-Producer |
| Matt Delargy | Co-Producer |
| James Saynor | Co-Producer |
| Genevieve Lemal | Co-Producer |
| Nicky Stean | Co-Producer |
| Felix Wiedemann | Director of Photography |
| Sarah Kane | Production Designer |
| Robin Sales | Editor |
| Liza Bracey | Costume Designer |
| Stephen Warbeck | Composer |
| Mark Lo | Music Supervisor |
| Elaine Grainger | Casting Director |