South Korea Box Office for Hammer of the Gods (2013)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $4,788 | Details |
| Worldwide Box Office | $5,402 | Details |
| Home Market Performance | ||
| North America DVD Sales | $916,737 | Details |
| North America Blu-ray Sales | $58,869 | Details |
| Total North America Video Sales | $975,606 | |
| Further financial details... | ||
Synopsis
Set in the violent world of Viking Britain in 871 AD, Hammer of the Gods is the story of a young Viking warrior, Steinar, sent by his father the King on a quest to find his estranged brother, who was banished from the kingdom many years before. Steinar's epic journey across hostile territory gradually sees him emerge as the man his father wants him to be - the ruthless and unforgiving successor to his throne.
Metrics
Movie Details
| South Korea Releases: | November 25th, 2020 (Wide) |
| Video Release: | July 5th, 2013 by Magnolia Home Entertainment |
| MPAA Rating: | R for bloody violence, language including sexual references, and some nudity. (Rating bulletin 2267, 4/10/2013) |
| Running Time: | 99 minutes |
| Keywords: | Vikings, Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Vertigo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Per Theater Chart: Way Way is Strong Strong
July 9th, 2013
The Way Way Back earned top spot on the per theater chart with an average of $29,094 in nineteen theaters. This suggests a lot of room to expand, while it should reach its first milestone shortly. The overall box office leader, Despicable Me 2 was next with an average of $20,895. Kevin Hart: Let Me Explain was a surprise entrant in the $10,000 club with an average of $11,450 in nearly 900 theaters. The final film in the $10,000 club was Museum Hours with an average of $10,427 in three theaters.
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Limited Releases will have to go Way Back to Look for a Big Hit
July 5th, 2013
It's a pretty busy week for limited releases with several films having openings spread out from Wednesday through Friday. However, while it is a busy week, only two of them are earning overall good reviews. Big Star: Nothing Can Hurt Me is earning the best reviews, but as a documentary, its chances of expanding are limited. On the other hand, The Way Way Back is not only earning great reviews, but its cast is better than most wide releases could hope for.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/11/27 | - | $3,785 | 42 | $90 | $4,788 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 7/5/2013 | $164 | 2 | 2 | 4 | $614 | |
| South Korea | 11/25/2020 | $3,785 | 42 | 42 | 42 | $4,788 | 12/3/2020 |
| Worldwide Total | $5,402 | 12/3/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Charlie Bewley | Steinar |
| Elliot Cowan | Hakan |
Supporting Cast
| Clive Standen | Hagen |
| Guy Flanagan | Jokul |
| Michael Jibson | Grim |
| Glynis Barber | Astrid |
| James Cosmo | King Bagsecg |
| Ivan Kaye | Ivar |
| Alexandra Dowling | Agnes |
| Finlay Robinson | Harald |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Farren Blackburn | Director |
| Matthew Read | Screenwriter |
| Rupert Preston | Producer |
| Hubi Von Liel | Producer |
| Allan Niblo | Executive Producer |
| James Richardson | Executive Producer |
| Nick Love | Executive Producer |
| Nigel Williams | Executive Producer |
| Jon Bourdillon | Executive Producer |
| Ben Smith | Production Designer |
| Sam Williams | Editor |
| Benjamin Wallfisch | Composer |
| Stephan Pehrsson | Director of Photography |