Romania Box Office for Halloween: Noaptea crimelor (2021)
| Theatrical Performance (US$) | ||
| Romania Box Office | $64,955 | Details |
| Worldwide Box Office | $130,851,162 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,840,941 | Details |
| North America Blu-ray Sales | $4,140,077 | Details |
| Total North America Video Sales | $6,981,018 | |
| Further financial details... | ||
Synopsis
Minutes after Laurie Strode, her daughter Karen and granddaughter Allyson left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor. But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all. Evil dies tonight.
Metrics
Movie Details
| Production Budget: | $20,000,000 |
| Romania Releases: | October 22nd, 2021 (Wide), released as Halloween: Noaptea crimelor |
| Video Release: | October 15th, 2021 by Peacock |
| MPAA Rating: | R for strong bloody violence throughout, grisly images, language and some drug use. (Rating bulletin 2659 (cert #52690), 12/9/2020) |
| Running Time: | 105 minutes |
| Franchise: | Halloween |
| Keywords: | Slasher Horror, Delayed Sequel, Sequels With Returning Stars, Halloween |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Miramax Films, Blumhouse, Universal Pictures, Rough House Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: top three stay the same as bevy of new releases fight over the scraps
October 31st, 2021
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There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far.
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Weekend predictions: moviegoers spoilt for choice this weekend
October 29th, 2021
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After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening.
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Weekend estimates: Dune lands with $40.1 million stateside, hits $220 million worldwide
October 24th, 2021
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Weekend estimates: Halloween kills it with $50.4-million debut
October 17th, 2021
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Halloween Kills is continuing the good run of results at the domestic box office this weekend with a very solid opening, which Universal is projecting will just clear $50 million. That’s easily ahead of Friday morning’s predicted $41.2 million, and the second-best weekend for the 43-year-old franchise, only surpassed by the 2018 incarnation. It also means a hat-trick of $50-million-plus weekends to start October.
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Weekend predictions: Halloween Kills headed to weekend win
October 15th, 2021
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Halloween Kills, the 12th installment in the virtually un-killable Halloween franchise, should comfortably top the box office chart this weekend, even it falls well short of the $76.2-million opening weekend earned by its predecessor, simply titled Halloween, back in 2018. It has already banked a respectable $4.850 million from previews in 2,950 theaters on Thursday, and adds another 755 locations today. Here’s what our model has to say about its likely opening, based on what we know so far. I’ll also dig into the prospects for The Last Duel, and see how the weekend as a whole is stacking up.
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Halloween Kills Trailer
July 9th, 2020
Horror movie starring Jamie Lee Curtis is now scheduled to open on October 15, 2021 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/10/22 | 5 | $28,837 | 74 | $390 | $28,837 | 1 | |
| 2021/10/29 | 8 | $11,770 | -59% | 60 | $196 | $47,904 | 2 |
| 2021/11/05 | 11 | $3,846 | -67% | 32 | $120 | $56,290 | 3 |
| 2021/11/12 | 11 | $3,523 | -8% | 10 | $352 | $61,206 | 4 |
| 2021/11/19 | 14 | $2,018 | -43% | 13 | $155 | $64,153 | 5 |
| 2021/11/26 | 19 | $235 | -88% | 3 | $78 | $64,761 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/14/2021 | $93,000 | 150 | 150 | 150 | $93,000 | 10/20/2022 |
| Australia | 10/28/2021 | $1,051,538 | 348 | 348 | 1002 | $1,986,890 | 10/31/2022 |
| Austria | 10/21/2021 | $239,000 | 64 | 64 | 123 | $691,000 | 10/20/2022 |
| Belgium | 10/20/2021 | $154,000 | 53 | 53 | 53 | $154,000 | 10/20/2022 |
| Brazil | 10/14/2021 | $457,000 | 599 | 609 | 1722 | $1,025,000 | 10/20/2022 |
| Chile | 10/14/2021 | $97,000 | 70 | 70 | 70 | $97,000 | 10/20/2022 |
| Colombia | 10/21/2021 | $195,000 | 200 | 200 | 200 | $195,000 | 10/20/2022 |
| Czech Republic | 10/21/2021 | $69,755 | 93 | 93 | 199 | $173,790 | 10/20/2022 |
| Denmark | 10/14/2021 | $104,000 | 56 | 56 | 102 | $264,000 | 10/20/2022 |
| Ecuador | 10/14/2021 | $70,000 | 51 | 51 | 51 | $70,000 | 10/18/2021 |
| Finland | 10/15/2021 | $201,467 | 81 | 81 | 306 | $611,357 | 10/20/2022 |
| France | 10/20/2021 | $763,000 | 228 | 291 | 1113 | $3,120,000 | 10/20/2022 |
| Germany | 10/21/2021 | $1,289,000 | 399 | 428 | 1934 | $4,280,000 | 10/20/2022 |
| Greece | 10/28/2021 | $69,000 | 65 | 65 | 65 | $69,000 | 10/20/2022 |
| Hong Kong | 10/21/2021 | $105,000 | 37 | 37 | 37 | $105,000 | 10/20/2022 |
| Hungary | 10/21/2021 | $96,000 | 38 | 38 | 38 | $96,000 | 10/20/2022 |
| Iceland | 10/15/2021 | $17,000 | 8 | 8 | 8 | $17,000 | 10/20/2022 |
| Indonesia | 10/20/2021 | $224,000 | 328 | 328 | 328 | $224,000 | 10/20/2022 |
| Israel | 10/14/2021 | $66,000 | 29 | 29 | 32 | $315,729 | 6/15/2022 |
| Italy | 10/21/2021 | $599,038 | 315 | 315 | 315 | $1,975,381 | 10/20/2022 |
| Japan | 10/29/2021 | $290,000 | 120 | 120 | 236 | $662,000 | 10/20/2022 |
| Lithuania | 10/22/2021 | $20,614 | 15 | 15 | 42 | $62,162 | 11/17/2021 |
| Mexico | 10/14/2021 | $1,276,159 | 0 | 0 | 0 | $3,309,670 | 10/20/2022 |
| Netherlands | 10/14/2021 | $175,445 | 77 | 83 | 344 | $611,020 | 11/16/2021 |
| New Zealand | 10/28/2021 | $35,843 | 51 | 51 | 123 | $60,939 | 10/20/2022 |
| North America | 10/15/2021 | $49,404,980 | 3,705 | 3,727 | 17,202 | $92,002,155 | |
| Norway | 10/15/2021 | $149,000 | 105 | 105 | 105 | $149,000 | 10/20/2022 |
| Peru | 10/21/2021 | $86,000 | 99 | 99 | 99 | $86,000 | 10/20/2022 |
| Poland | 10/22/2021 | $154,000 | 93 | 93 | 93 | $154,000 | 10/20/2022 |
| Portugal | 10/21/2021 | $64,029 | 40 | 45 | 129 | $222,926 | 10/20/2022 |
| Romania | 10/22/2021 | $28,837 | 74 | 74 | 192 | $64,955 | 10/20/2022 |
| Russia (CIS) | 10/21/2021 | $782,990 | 1172 | 1172 | 2844 | $1,647,802 | 10/20/2022 |
| Saudi Arabia | 10/21/2021 | $369,000 | 43 | 43 | 180 | $1,086,000 | 10/20/2022 |
| Singapore | 10/28/2021 | $40,000 | 33 | 33 | 33 | $40,000 | 10/20/2022 |
| Slovakia | 10/21/2021 | $43,616 | 54 | 54 | 133 | $102,394 | 11/16/2021 |
| South Africa | 10/28/2021 | $27,000 | 45 | 45 | 45 | $27,000 | 10/20/2022 |
| South Korea | 10/27/2021 | $12,308 | 36 | 36 | 38 | $26,914 | 12/8/2021 |
| Spain | 10/22/2021 | $636,793 | 298 | 301 | 1059 | $2,056,398 | 11/23/2021 |
| Sweden | 10/15/2021 | $318,000 | 151 | 151 | 242 | $1,008,000 | 10/20/2022 |
| Switzerland | 10/14/2021 | $0 | 0 | 0 | 0 | $435,282 | 11/1/2023 |
| Switzerland (German Speaking) | 10/14/2021 | $59,000 | 28 | 28 | 28 | $59,000 | 10/20/2022 |
| Taiwan | 10/21/2021 | $76,000 | 87 | 87 | 87 | $76,000 | 10/20/2022 |
| Turkey | 10/15/2021 | $22,973 | 139 | 139 | 268 | $96,081 | 10/20/2022 |
| Ukraine | 10/21/2021 | $78,000 | 161 | 161 | 161 | $148,203 | 10/14/2022 |
| United Arab Emirates | 10/22/2021 | $220,000 | 64 | 64 | 64 | $220,000 | 10/24/2021 |
| United Kingdom | 10/15/2021 | $2,198,160 | 500 | 517 | 2178 | $6,898,000 | 10/20/2022 |
| Rest of World | $4,411,396 | ||||||
| Worldwide Total | $130,851,162 | 11/1/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Jamie Lee Curtis | Laurie Strode |
| Judy Greer | Karen |
| Andi Matichak | Allyson |
| Nick Castle | Michael Myers/The Shape |
| James Jude Courtney | Michael Myers/The Shape |
Supporting Cast
| Will Patton | Officer Frank Hawkins |
| Thomas Mann | Young Hawkins |
| Anthony Michael Hall | Tommy Doyle |
| Dylan Arnold | Cameron Elam |
| Robert Longstreet | Lonnie Elam |
| Kyle Richards | Lindsey Wallace |
| Nancy Stephens | Marion Chambers |
| Charles Cyphers | Civilian Brackett |
| Airon Armstrong | Michael Myers/The Shape (1978) |
| Jim Cummings | Pete McCabe |
| Scott MacArthur | Big John |
| Ross Bacon | Tivoli |
| Diva Tyler | Sondra |
| Lenny Clarke | Phil |
| Brian Mays, Sr. | Brian the Bartender |
| Michael Smallwood | Marcus |
| Carmela McNeal | Vanessa |
| Omar Dorsey | Sheriff Barker |
| Damien Lee | Concerned Brother |
| Salem Collins | Christy |
| Giselle Witt | Mindy |
| J. Gaven Wilde | Dennis |
| Tom Jones, Jr. | Dr. Samuel Loomis |
| Colin Mahan | Dr. Samuel Loomis |
| Trenell Mooring | Laurie’s EMT |
| Troy Rudeseal | Laurie’s EMT |
| Brian F. Durkin | Deputy Graham |
| Andrea Levesque | Singing Triplet |
| Arianna Levesque | Singing Triplet |
| Athena Levesque | Singing Triplet |
| Tristian Eggerling | Young Lonnie Elam |
| Beth Felice | Eyewitness |
| Mark Versnick | Head Surgeon |
| Jennifer Trudrung | Hysterical Woman |
| Drew Scheid | Oscar |
| Holli Saperstein | Oscar’s Mom |
| Jonathan Bruce | News Reporter |
| Mike Dupree | Ventriloquist |
| Naomi Ansano | Heartbroken Woman |
| Kelvin Hargrove | Heartbroken Woman’s Orderly |
| Nicholas Pryor | Morgue Doctor |
| James Northrup | Mob Doctor |
| Elaine Nalee | Helpful Neighbor |
| Stephen Foertsch | Bar Voice |
| Tatiyana Hill | Bar Voice |
| Michael Mercaldi | Bar Voice |
| Salem Hadeed-Murphy | Hawkin’s Doctor |
| Shayla Bagir | Hawkin’s Doctor |
| Shane Donovan Lewis | 1978 trick-or-treater |
| Jessica Arden Napier | 1978 trick-or-treater |
| Ella Dorsch | 1978 trick-or-treater |
| Ryan Lewis | Deputy Sullivan |
| Jacob Keohane | Deputy Tobias |
| Charlie Benton | Officer Richards |
| Christian Michael Pates | Young Michael Myers |
| Willie Raysor | Desk Clerk |
| Lauren Williams | OP Nurse |
| Aaron Ashlock | Hawkin’s EMT |
| Angela Emerson | Onlooker |
| Drew Broderick | Onlooker |
| Ni’Amoni Bagley | Onlooker |
| Jason Garay | Laurie’s Nurse |
| Craig Newkirk | Allyson’s EMT |
| Jibrail Nantambu | Julian |
| P.J. Soles | Lynda |
| Bob Odenkirk | Bob |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| David Gordon Green | Director |
| David Gordon Green | Screenwriter |
| Danny McBride | Screenwriter |
| Scott Teems | Screenwriter |
| John Carpenter | Character Creator |
| Debra Hill | Character Creator |
| Malek Akkad | Producer |
| Jason Blum | Producer |
| Bill Block | Producer |
| John Carpenter | Executive Producer |
| Jamie Lee Curtis | Executive Producer |
| Danny McBride | Executive Producer |
| David Gordon Green | Executive Producer |
| Ryan Freimann | Executive Producer |
| Jeanette Volturno-Brill | Executive Producer |
| Andrew Golov | Executive Producer |
| Couper Samuelson | Executive Producer |
| Bob Osher | Executive Producer |
| John Carpenter | Composer |
| Cody Carpenter | Composer |
| Daniel Davies | Composer |
| Michael Simmonds | Director of Photography |
| Richard A. Wright | Production Designer |
| Tim Alverson | Editor |
| Emily Gunshor | Costume Designer |
| Rick A. Osako | Co-Producer |
| Ryan Turek | Co-Producer |
| Atilla Salih Yucer | Co-Producer |
| Sean Gowrie | Co-Producer |
| Devoe Yates | Music Supervisor |
| Terri Taylor | Casting Director |
| Sarah Domeier Lindo* | Casting Director |
| Rick A. Osako | Unit Production Manager |
| Sean Gowrie | Unit Production Manager |
| Atilla Salih Yucer | First Assistant Director |
| Kamen Velkovsky | Second Assistant Director |
| Scott Clackum | Associate Producer |
| Laura Altmann | Associate Producer |
| Laura Altmann | Production Supervisor |
| Elliott Glick | Art Director |
| Warren Drummond | Story Artist |
| James Tocci | Set Designer |
| Caroline Quinn | Set Designer |
| Matthew Sullivan | Set Decorator |
| Christof Gebert | Sound Mixer |
| Heath Hood | Special Effects Coordinator |
| Jane V. Beck | Costume Supervisor |
| Sandra Orsolyak-Allen | Make up |
| Devin S. Morales | Make up |
| Patricia Glasser | Hairstylist |
| Bryan Moss | Hairstylist |
| Ronit Ravich-Boss | Script Supervisor |
| Kale Murphy | Location Manager |
| Derek Larsen | First Assistant Editor |
| Kali Kasashima | Assistant Editor |
| Paul Urmson | Re-recording Mixer |
| Rich Bologna | Re-recording Mixer |
| Rich Bologna | Supervising Sound Editor |
| Rich Bologna | Sound Designer |
| Tony Martinez | Dialogue Editor |
| Lawrence Zipf | Sound Effects Editor |
| Skip Lievsay | Re-recording Mixer |
| Lawrence Zipf | Re-recording Mixer |
| Jack Heeren | Foley Mixer |
| Kevin Schultz | Foley Mixer |
| Davi Aquino | Foley Recordist |
| Chelsea Body | Foley Recordist |
| P.K. Hooker | Supervising Sound Editor |
| Ryan Cole | Supervising Dialogue Editor |
| Polly McKinnon | Dialogue Editor |
| Jeremy B. Davis | Re-recording Mixer |
| Lee Gilmore | Sound Effects Editor |
| Andrew Twite | Sound Effects Editor |
| Matt Yocum | Sound Effects Editor |
| John Carpenter | Score Producer |
| Cody Carpenter | Score Producer |
| Daniel Davies | Score Producer |
| Daniel Davies | Score Mixer |
| John Spiker | Score Mixer |
| John Carpenter | Score Recordist |
| Cody Carpenter | Score Recordist |
| Daniel Davies | Score Recordist |
| Nancy Allen | Music Editor |
| Simon Maddison | Visual Effects Supervisor |
| Marcus Bolton | Visual Effects Executive Producer |
| Andrew Strouthos | Visual Effects Producer |
| Courtenay Cooper | Visual Effects Producer |
| Airon Armstrong | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.