Portugal Box Office for Graças a Deus (2019)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $8,753 | Details |
| Worldwide Box Office | $7,743,625 | Details |
| Further financial details... | ||
Synopsis
the story of three adult men—Alexandre, François, and Emmanuel—who band together to expose the code of silence that continues to enable a priest who abused them as boys. Their experiences powerfully illustrate the varying effects that the trauma of abuse causes on individuals and their families for years. The true story upon which the film is based is an ongoing scandal in France, with Philippe Barbarin, Cardinal of Lyon, convicted in March 2019 for concealing the conduct of Father Preynat.
Metrics
Movie Details
| Portugal Releases: | December 13th, 2019 (Wide), released as Graças a Deus |
| Video Release: | March 3rd, 2020 by Music Box Films Video |
| MPAA Rating: | Not Rated |
| Running Time: | 137 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Music Box Films, Mandarin Films, Foz, Mars Films, France 2 Cinema, Playtime, Scope Pictures |
| Production Countries: | Belgium, France |
| Languages: | French |
Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants
October 24th, 2019
It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters.
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Limited and VOD Releases: Will Jojo Light the Way?
October 18th, 2019
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There are not a lot of films on this week’s list that are earning both great reviews and loud buzz. The Lighthouse is one of the best, both in terms of buzz and in terms of reviews, but Jojo Rabbit is the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/12/13 | 18 | $3,612 | 9 | $401 | $4,115 | 1 | |
| 2019/12/20 | 25 | $1,930 | -47% | 5 | $386 | $8,753 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 8/30/2019 | $3,869 | 0 | 0 | 0 | $6,138 | 9/15/2019 |
| Australia | 8/23/2019 | $250 | 1 | 9 | 35 | $18,784 | 3/24/2020 |
| France | 2/22/2019 | $1,691,370 | 288 | 672 | 3070 | $7,146,345 | 4/13/2019 |
| Italy | 10/17/2019 | $76,290 | 0 | 15 | 15 | $143,273 | 11/10/2019 |
| Netherlands | 4/5/2019 | $23,041 | 34 | 38 | 72 | $52,734 | 4/15/2019 |
| New Zealand | 8/23/2019 | $61 | 1 | 1 | 3 | $734 | 10/19/2022 |
| North America | 10/18/2019 | $7,765 | 2 | 11 | 57 | $67,059 | |
| Portugal | 12/13/2019 | $3,612 | 9 | 9 | 14 | $8,753 | 10/19/2022 |
| Russia (CIS) | 4/26/2019 | $267 | 6 | 80 | 131 | $54,956 | 6/14/2019 |
| South Korea | 1/16/2020 | $12,213 | 38 | 38 | 55 | $32,577 | 1/30/2020 |
| Spain | 4/19/2019 | $74,817 | 79 | 79 | 141 | $163,057 | 5/7/2019 |
| Turkey | 8/2/2019 | $4,009 | 25 | 25 | 98 | $19,463 | 10/19/2022 |
| United Kingdom | 10/25/2019 | $29,752 | 18 | 18 | 18 | $29,752 | 10/30/2019 |
| Worldwide Total | $7,743,625 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Melvil Poupaud | Alexandre Guérin |
Supporting Cast
| Denis Menochet | François Debord |
| Swann Arlaud | Emmanuel Thomassin |
| Eric Caravaca | Gilles Perret |
| François Marthouret | Cardinal Barbarin |
| Bernard Verley | Bernard Preynat |
| Martine Erhel | Régine Maire |
| Josiane Balasko | Irène |
| Helene Vincent | Odile Debord |
| Frederic Pierrot | Chief Courteau |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Francois Ozon | Director |
| Francois Ozon | Screenwriter |
| Eric Altmayer | Producer |
| Nicolas Altmayer | Producer |
| Manu Dacosse | Director of Photography |
| Emmanuelle Duplay | Production Designer |
| Pascaline Chavanne | Costume Designer |
| Natali Tabareau-Vieuille | Make up |
| Franck-Pascal Alquinet | Hairstylist |
| David Bertrand | Casting Director |
| Anais Duran | Casting Director |
| Laure Gardette | Editor |
| Benoit Gargonne | Sound Editor |
| Jean-Paul Hurier | Sound Mixer |
| Evgueni Galperine | Composer |
| Sacha Galperine | Composer |
| Aude Cathelin | Production Manager |
| Alain Olivieri-Afar | First Assistant Director |
| Amelie Supau | Location Manager |