Australia Box Office for Good Time (2017)
| Theatrical Performance (US$) | ||
| Australia Box Office | $112,879 | Details |
| Worldwide Box Office | $4,137,324 | Details |
| Further financial details... | ||
Synopsis
After a botched bank robbery lands his younger brother in prison, Constantine “Connie” Nikas embarks on a twisted odyssey through the city's underworld in an increasingly desperate—and dangerous—attempt to get his brother Nick out of jail. Over the course of one adrenalized night, Connie finds himself on a mad descent into violence and mayhem as he races against the clock to save his brother and himself, knowing their lives hang in the balance.
Metrics
Movie Details
| Australia Releases: | October 6th, 2017 (Wide) |
| Video Release: | November 7th, 2017 by A24 |
| MPAA Rating: | R for language throughout, violence, drug use and sexual content. (Rating bulletin 2486 (Cert #51011), 7/26/2017) |
| Running Time: | 100 minutes |
| Keywords: | Family Affair, Bank Robbery, Undercover, Set in New York City, Life on the Outside, Fugitive / On the Run, Heist, Mental Illness, Set in Brooklyn, Prison, Learning Disabilities, Narcotics, Non-Chronological, Scene in End Credits |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Elara Pictures, Rhea Films, Hercules Film Fund |
| Production Countries: | United States |
| Languages: | English |
2017 - Awards Season: Independent Spirit Awards - Nominations
November 22nd, 2017
The Independent Spirit Awards nominations were announced yesterday and thus the 2017 Awards Season begins. The movie with the most nominations is Call Me by Your Name, which opens on Friday. This is amazingly good timing. It’s not the only film that should get a financial boost.
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Home Market Releases for November 21st, 2017
November 20th, 2017
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It is a slow week on the home market for two reasons. Technically it is one reason, but it is having two effects. It’s Thanksgiving weekend, which means the schedule is really busy and I need to keep this list short in order to save time. Also, while Thanksgiving means Black Friday and Cyber Monday, two of the busiest shopping days of the year, you don’t want to release something new into that storm of chaos. The biggest release of the week, not counting VOD releases is The Hitman’s Bodyguard, which I reviewed. As for the best release on this week’s list, I’m torn between Good Time, NEW GAME: The Complete First Season, and The Villainess. It was down to a roll of the dice, but The Villainess on Blu-ray Combo Pack is the Pick of the Week.
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Home Market Releases for November 7, 2017
November 8th, 2017
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It is not a particularly strong week on the home market. Cars 3 is the biggest new release, but it is far from the best. There were not a lot of contenders for Pick of the Week. The Philadelphia Story and Your Name were the two best with the latter coming out on top and its Blu-ray Combo Pack is the Pick of the Week.
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Theater Averages: Ingrid Westward Trip nets $45,100
August 16th, 2017
Ingrid Goes West opened in first place on the theater average chart with an average of $45,100 in three theaters. This is the third best average of the year behind The Big Sick (average of $84,315 in five) and The Beguiled ($57,323 in four). A24 had another success with Good Time earning an average of $31,275 in four theaters. The Trip to Spain opened with an average of $15,102 in three theaters, which is in the middle of the franchise average so far. Finally there’s Wind River, which was the only holdover in the $10,000 club. It managed an average of $13,615 in 45 theaters and already has nearly $1 million in limited release.
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Weekend Estimates: Annabelle to the Rescue
August 13th, 2017
After a series of lackluster weekends at the box office, Annabelle: Creation is doing its bit to clear away the end-of-Summertime blues with a $35 million opening this weekend. That’s right in line with the $37 million Annabelle opened with three years ago, which is an impressive performance for a horror franchise. It’s also the best opening for a horror movie since Split’s $40 million start back in January. The first film in the franchise fell away quite rapidly, and ended up with $84 million in total, so a final total of over $100 million is far from assured, but with a production budget of only $15 million, and probably not much more than $20 million in marketing, this should be a highly profitable movie for Warner Bros., especially since the franchise is popular globally.
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Limited and VOD Releases: Take a Trip to the Theaters
August 11th, 2017
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There are a number of limited releases coming out this week that are earning good reviews and / or strong buzz. Of these, The Trip to Spain is the one I want to see the most. It also has a good chance to earn more than $2 million in theaters, as its two predecessors did the same.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/10/06 | - | $3,112 | 9 | $346 | $3,112 | 1 | |
| 2017/10/13 | 29 | $13,841 | +345% | 8 | $1,730 | $17,310 | 2 |
| 2017/10/20 | 29 | $15,353 | +11% | 10 | $1,535 | $40,754 | 3 |
| 2017/10/27 | - | $6,475 | -58% | 10 | $648 | $55,085 | 4 |
| 2017/11/03 | - | $4,530 | -30% | 4 | $1,133 | $64,133 | 5 |
| 2017/11/10 | - | $1,873 | -59% | 4 | $468 | $69,599 | 6 |
| 2017/11/17 | - | $899 | -52% | 2 | $450 | $71,122 | 7 |
| 2017/12/08 | - | $11,648 | 3 | $3,883 | $90,697 | 10 | |
| 2017/12/15 | - | $4,025 | -65% | 1 | $4,025 | $97,351 | 11 |
| 2022/07/08 | - | $199 | 1 | $199 | $115,414 | 249 | |
| 2024/05/03 | - | $434 | 1 | $434 | $110,295 | 344 | |
| 2024/05/10 | - | $62 | -86% | 1 | $62 | $112,497 | 345 |
| 2024/05/17 | - | $93 | +50% | 1 | $93 | $112,631 | 346 |
| 2024/05/24 | - | $592 | +537% | 1 | $592 | $114,564 | 347 |
| 2024/08/02 | - | $524 | 1 | $524 | $112,879 | 357 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/15/2017 | $13,217 | 0 | 0 | 0 | $25,996 | 1/1/2019 |
| Australia | 10/6/2017 | $3,112 | 9 | 10 | 57 | $112,879 | 8/5/2024 |
| France | 9/15/2017 | $409,298 | 0 | 0 | 0 | $705,126 | 6/28/2018 |
| Lithuania | 9/15/2017 | $5,133 | 25 | 25 | 25 | $5,133 | 9/20/2017 |
| Netherlands | 10/13/2017 | $28,635 | 20 | 21 | 60 | $125,613 | 10/30/2017 |
| North America | 8/11/2017 | $125,101 | 4 | 721 | 1,540 | $2,026,498 | 6/17/2018 |
| Portugal | 9/29/2017 | $4,539 | 5 | 5 | 12 | $14,943 | 10/19/2017 |
| Russia (CIS) | 9/29/2017 | $70,759 | 133 | 133 | 233 | $126,563 | 1/1/2019 |
| Slovakia | 10/13/2017 | $3,195 | 29 | 29 | 29 | $3,195 | 10/18/2017 |
| South Korea | 12/26/2017 | $0 | 0 | 15 | 28 | $22,097 | 2/22/2018 |
| Turkey | 10/20/2017 | $10,023 | 17 | 17 | 37 | $27,157 | 2/26/2019 |
| United Kingdom | 11/17/2017 | $45,017 | 14 | 14 | 14 | $45,017 | 11/22/2017 |
| Rest of World | $897,107 | ||||||
| Worldwide Total | $4,137,324 | 8/5/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Robert Pattinson | Connie |
| Benny Safdie | Nick |
Supporting Cast
| Jennifer Jason Leigh | Corey Ellman |
| Barkhad Abdi | Dash the Park Security Guard |
| Buddy Duress | Ray |
| Taliah Lennice Webster* | Crystal |
| Necro | Caliph |
| Peter Verby | Peter the Psychiatrist |
| Saida Mansoor | Agapia Nikas |
| Gladys Mathon | Annie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Josh Safdie | Director |
| Benny Safdie | Director |
| Josh Safdie | Screenwriter |
| Ronald Bronstein | Screenwriter |
| Sebastian Bear-McClard | Producer |
| Paris Kasidokostas Latsis | Producer |
| Oscar Boyson | Producer |
| Terry Dougas | Producer |
| Jean-Luc De Fanti | Executive Producer |
| Sam Lisenco | Production Designer |
| Ronald Bronstein | Editor |
| Benny Safdie | Editor |
| Sean Price Williams | Director of Photography |