United Kingdom Box Office for Godzilla Minus One (ゴジラ最新作) (2023)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $3,185,119 | Details |
| Worldwide Box Office | $104,882,997 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $15,000,000 |
| United Kingdom Releases: | December 15th, 2023 (Wide) November 1st, 2024 (Limited), released as Godzilla Minus One/Minus Color |
| Video Release: | June 1st, 2024 by Premiere |
| MPAA Rating: | PG-13 for creature violence and action. (Rating bulletin 2805 (cert #54697), 11/18/2023) |
| Running Time: | 125 minutes |
| Franchise: | Godzilla |
| Keywords: | Post War, Monster, Set in Japan, Kaiju, Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Robot Communications, Toho Co |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend predictions: The Boy and the Heron, and Songbirds and Snakes; and Beyoncé, and Godzilla
December 8th, 2023
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The movie gods have put together another mix of interesting, but hard to predict, new releases this weekend, led by Miyazaki’s The Boy and the Heron. After the success of the rather different Godzilla Minus One last weekend, Japanese films are having a bit of a moment, and those two will likely both be in the top four by the end of the weekend. Where they land exactly is a little harder to predict.
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Weekend predictions: Beyoncé starting out strong
December 1st, 2023
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With four new wide releases and several films having their first “normal” weekend after opening over Thanksgiving, this is a devilishly difficult weekend to predict at the box office. Hardest of them all is RENAISSANCE: A FILM BY BEYONCÉ, which follows in the footsteps of another all-caps concert movie, TAYLOR SWIFT | THE ERAS TOUR. Beyoncé’s film posted excellent preview numbers last night, with $5.06 million. That’s quite a bit more than Taylor Swift’s $2.8 million in previews, but that’s not really an apples to apples comparison, as the Swift previews were added to the schedule long after her most enthusiastic fans had bought tickets for later in the weekend. With so few other comparable films, our model is struggling to pin down a number for RENAISSANCE this weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/12/15 | 2 | $1,038,245 | 469 | $2,214 | $1,038,245 | 1 | |
| 2023/12/22 | 11 | $268,986 | -74% | 428 | $628 | $2,142,922 | 2 |
| 2023/12/29 | 10 | $328,909 | +22% | 332 | $991 | $2,475,927 | 3 |
| 2024/01/05 | 11 | $210,405 | -36% | 255 | $825 | $2,982,776 | 4 |
| 2024/01/12 | 16 | $97,801 | -54% | 0 | $3,185,119 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/1/2023 | $211,247 | 77 | 77 | 440 | $1,371,688 | 11/4/2024 |
| Brazil | 12/14/2023 | $0 | 0 | 0 | 0 | $0 | |
| China | 12/3/2023 | $0 | 0 | 0 | 0 | $0 | |
| France | 1/17/2024 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 12/1/2023 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 12/1/2023 | $67,122 | 0 | 0 | 0 | $154,198 | 12/11/2023 |
| Japan | 11/3/2023 | $0 | 0 | 0 | 0 | $36,800,000 | 1/22/2024 |
| Latvia | 12/14/2023 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 12/28/2023 | $1,479,307 | 0 | 0 | 0 | $5,552,898 | 1/30/2024 |
| Netherlands | 11/30/2023 | $71,138 | 56 | 56 | 156 | $221,983 | 12/18/2023 |
| New Zealand | 12/1/2023 | $35,555 | 28 | 28 | 160 | $218,639 | 11/4/2024 |
| North America | 12/1/2023 | $11,419,975 | 2,308 | 2,622 | 16,221 | $56,928,793 | |
| Portugal | 12/28/2023 | $80,031 | 66 | 66 | 152 | $221,531 | 1/31/2024 |
| Spain | 12/15/2023 | $0 | 0 | 61 | 154 | $228,148 | 1/11/2024 |
| United Kingdom | 12/15/2023 | $1,038,245 | 469 | 469 | 1484 | $3,185,119 | 1/15/2024 |
| Worldwide Total | $104,882,997 | 11/4/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Ryunosuke Kamiki | Koichi Shikishima |
Supporting Cast
| Minami Hamabe | Noriko Oishi |
| Yuki Yamada | Shiro Mizushima |
| Munetaka Aoki | Sosaku Tachibana |
| Hidetaka Yoshioka | Kenji Noda |
| Sakura Ando | Sumiko Ota |
| Kuranosuke Sasaki | Seiji Akitsu |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Takashi Yamazaki | Director |
| Takashi Yamazaki | Screenwriter |
| Minami Ichikawa | Producer |
| Kazuaki Kishida | Producer |
| Kenji Yamada | Producer |
| Keiichiro Moriya | Producer |
| Ryuji Miyajima | Editor |
| Naoki Sato | Composer |
| Kôzô Shibasaki | Director of Photography |