South Korea Box Office for Geukhanjikeob (2019)
Theatrical Performance (US$) | ||
South Korea Box Office | $114,189,856 | Details |
Worldwide Box Office | $116,127,561 | Details |
Further financial details... |
Synopsis
A Groundbreaking investigation you’ve never tasted before! A team of narcotics detectives goes undercover in a fried chicken joint to stake out an organized crime gang. But things take an unexpected turn when the detectives’ chicken recipe suddenly transforms the rundown restaurant into the hottest eatery in town.
Metrics
Movie Details
South Korea Releases: | January 23rd, 2019 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 111 minutes |
Keywords: | Undercover, Narcotics, Crime Boss, Food, Restaurants |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | CJ Entertainment, Hartbeat Productions |
Production Countries: | Republic of Korea |
Languages: | Korean |
International Box Office: Dragon is No Longer Hidden
February 5th, 2019
How to Train Your Dragon: The Hidden World roared into first place on the international chart with $40.8 million in 40 markets for a still early international total of $85.5 million. It was buoyed by a quartet of major market openings, led by Mexico, where it earned first place with $7.56 million in 891 theaters. This is 20% more than the previous film in the franchise opened with in that market. It also opened in first place in the U.K. ($6.95 million in 556 theaters) and in Italy ($3.67 million in 467). On the other hand, it had to settle for third place in South Korea with $3.30 million on 971 screens over the weekend for a total opening of $4.61 million. The film opens in France and Germany this weekend, but doesn’t finish its box office run until August, when it finally opens in Japan.
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International Box Office: Some of the Shine Comes off for Glass
January 31st, 2019
Glass remained in first place with $23.6 million in 55 markets for a two-week total of $89.1 million. It has no new markets this past weekend. In fact, it only has one major market left in its run, China. The film’s biggest market was the U.K. where it remained in first place with $2.55 million over the weekend for a two-week total of $9.06 million. In Russia, t fell 60% to just $2.08 million on 1,381 over the weekend for a two-week total of $8.68 million. The film opened faster than Split did, but it has shorter legs, so it may or may not overtake its predecessor in the end.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/01/25 | 1 | $19,385,492 | 1,977 | $9,806 | $24,716,872 | 1 | |
2019/02/01 | 1 | $19,690,508 | +2% | 1,948 | $10,108 | $55,315,532 | 2 |
2019/02/08 | 1 | $14,295,010 | -27% | 1,707 | $8,374 | $98,584,720 | 3 |
2019/02/15 | 1 | $7,187,485 | -50% | 1,166 | $6,164 | $111,364,224 | 4 |
2019/02/22 | 2 | $3,674,221 | -49% | 905 | $4,060 | $118,062,128 | 5 |
2019/03/01 | 4 | $2,605,816 | -29% | 728 | $3,579 | $122,234,080 | 6 |
2019/03/08 | 5 | $571,908 | -78% | 523 | $1,094 | $122,489,040 | 7 |
2019/03/15 | 5 | $212,489 | -63% | 348 | $611 | $123,011,208 | 8 |
2019/03/22 | 13 | $21,316 | -90% | 72 | $296 | $122,785,080 | 9 |
2019/03/29 | - | $4,389 | -79% | 22 | $200 | $122,747,920 | 10 |
2019/07/19 | - | $1,676 | 3 | $559 | $118,493,168 | 26 | |
2019/07/26 | 41 | $959 | -43% | 3 | $320 | $1,804,530 | 27 |
2020/03/27 | - | $1,232 | 33 | $37 | $114,189,856 | 62 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/8/2019 | $97,626 | 11 | 15 | 53 | $282,373 | 3/19/2019 |
North America | 1/25/2019 | $0 | 0 | 2 | 0 | $1,565,885 | |
Russia (CIS) | 10/15/2020 | $52,918 | 388 | 388 | 594 | $89,447 | 10/19/2022 |
South Korea | 1/23/2019 | $19,385,492 | 1977 | 1977 | 9435 | $114,189,856 | 4/28/2020 |
Worldwide Total | $116,127,561 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Byeong-Hun Lee | Director |