Italy Box Office for The Gallows (2015)
Theatrical Performance (US$) | ||
Italy Box Office | $838,922 | Details |
Worldwide Box Office | $41,656,474 | Details |
Home Market Performance | ||
North America DVD Sales | $995,507 | Details |
North America Blu-ray Sales | $392,582 | Details |
Total North America Video Sales | $1,388,089 | |
Further financial details... |
Synopsis
Twenty years after an accident during a small town high school play results in death, students at the school resurrect the failed stage production in a misguided attempt to honor the anniversary of the tragedy—but ultimately find out that some things are better left alone.
Metrics
Movie Details
Production Budget: | $100,000 |
Italy Releases: | August 19th, 2015 (Wide) |
Video Release: | September 25th, 2015 by Warner Home Video |
MPAA Rating: | R for some disturbing violent content and terror. (Rating bulletin 2380, 7/1/2015) |
Running Time: | 81 minutes |
Keywords: | Theater Actor, Accidental Death, Found Footage, Slasher Horror |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | New Line Cinema, Blumhouse, Tremendum Pictures, Entertainment 360 |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Aladdin Shakes Things Up
November 11th, 2015
It was a strange week on the home market, as there were two new releases that could legitimately say they won on the combined DVD and Blu-ray chart for October 18th. San Andreas sold 801,000 units / $16.42 million for an opening week Blu-ray share of 40%. This put it on top of the chart; however, Aladdin arguably had the better week, as it sold 706,000 units / $13.92 million, all of which was on Blu-ray.
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Home Market Releases for October 13th, 2015
October 13th, 2015
There are two $100 million movies on this week's list of Home Market Releases: Spy, which earned more than $100 million domestically, and Tomorrowland, which merely cost more than $100 million to make. Spy is arguably the best release on this week's list, but the Blu-ray was already named Pick of the Week, so that honor is going to Aladdin's Blu-ray debut this week.
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Weekend Wrap-Up: Ant-Man Tops Terrific Weekend
July 20th, 2015
The top of the box office had a small surprise, as Ant-Man earned first place with $57.23 million over the weekend. This is a little lower than predicted, but Minions really collapsed, so Ant-Man easily won the race for the top of the box office race. Meanwhile, Trainwreck had a solid third place opening and could be on its way to $100 million, thanks in part to its target demographic and to its reviews. Overall, the box office pulled in $194 million. This is 9.6% lower than last weekend, but more importantly, it is 30% higher than the same weekend last year. 30%. That's a massive margin of victory. Year-to-date, 2015 has pulled in $6.20 billion, which is 8.1% more than 2014's pace. Summer is winding down, so 2015 is in a great place moving into the slower part of the year. Even if August and September are slower than average, there's almost no chance 2015 will blow through the $460 million lead it has over 2014.
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Weekend Wrap-Up: Minions Crush Competition, but Fall Short of Record
July 14th, 2015
As expected Minions dominated the box office earning first place with more than a 50% share of the total box office. It became the fourth film to open with more than $100 million this year. Three of those were released by Universal. On the other hand, the less said about The Gallows or Self/Less the better. To be fair, The Gallows earned more during its opening day that it cost to make, but its advertising budget is much bigger than its production budget. Meanwhile, Self/Less barely topped the Mendoza Line (earning only just over $2,000 per theater). The overall box office reached $215 million, which was 59% more than last week and 43% the same weekend last year. Year-to-date, 2015 has earned $5.92 billion, which is 6.4% higher than last year's pace.
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Weekend Estimates: Minions Have Second-Best Animated Opening
July 12th, 2015
2015 is becoming a golden year for blockbuster openings, and a platinum year for Universal. The studio is celebrating yet again, with Minions heading to a gigantic $115.2 million projected opening weekend. That’s the second-best debut of all time for an animated film (see all-time opening weekend records), although, incredibly, it’s only the third-best weekend for the studio this year after the debuts of Furious 7 and Jurassic World. The studio, which would usually consider a 12% market share an excellent year, has so far earned a whopping 26% share for 2015—quite literally off the charts.
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Friday Estimates: Minions On Pace for Century Opening, Perhaps Record
July 11th, 2015
The Friday estimates are in and Minions pulled in $46.2 million. On the one hand, this makes my job as a box office analyst easy, because all I have to say is “Wow!” On the other hand, it is hard to compare this film to others to calculate its most likely weekend haul, because there are so few animated films that opened this well.
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Weekend Predictions: Will Minions Top $100 Million?
July 9th, 2015
Of the three wide releases this week, only Minions is dominating the box office tracking. Unfortunately, its reviews are nowhere near as strong as they were at the beginning of the month. Even worse, they are twice as good as the reviews for Self/Less and The Gallows. The Gallows should earn a spot in the top five during its opening weekend, but the prospects for Self/Less are not as good. This weekend last year, Dawn of the Planet of the Apes opened with $72.61 million. Minions should crush that number. Also, last year only three films earned more than $10 million over the weekend, while this year, the top five should do the same. 2015 should earn a solid win in the year-over-year comparison.
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2015 Preview: July
July 1st, 2015
June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/08/21 | 4 | $308,381 | 0 | $433,724 | 1 | ||
2015/08/28 | 7 | $144,100 | -53% | 0 | $750,227 | 2 | |
2015/09/04 | 17 | $13,248 | -91% | 19 | $697 | $838,922 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/9/2015 | $423,367 | 76 | 91 | 365 | $2,160,289 | 10/20/2015 |
Australia | 7/23/2015 | $306,489 | 128 | 128 | 379 | $744,754 | 9/22/2015 |
Austria | 8/27/2015 | $51,820 | 45 | 46 | 155 | $193,278 | 9/30/2015 |
Bolivia | 8/13/2015 | $40,800 | 14 | 14 | 21 | $147,892 | 12/30/2018 |
Brazil | 7/23/2015 | $346,337 | 158 | 168 | 383 | $752,577 | 11/8/2018 |
Central America | 8/13/2015 | $0 | 0 | 9 | 11 | $379,231 | 9/22/2015 |
Colombia | 7/23/2015 | $0 | 0 | 5 | 6 | $706,390 | 12/30/2018 |
Ecuador | 7/24/2015 | $0 | 0 | 1 | 3 | $279,831 | 12/30/2018 |
Finland | 7/24/2015 | $22,343 | 47 | 47 | 90 | $64,828 | 8/18/2015 |
France | 7/22/2015 | $362,471 | 165 | 165 | 165 | $362,471 | 7/30/2015 |
Germany | 8/27/2015 | $130,827 | 0 | 74 | 159 | $399,253 | 8/22/2018 |
Hungary | 7/9/2015 | $0 | 0 | 17 | 17 | $44,623 | 12/30/2018 |
India | 7/10/2015 | $0 | 0 | 5 | 5 | $44,169 | 7/21/2015 |
Indonesia | 7/10/2015 | $258,885 | 191 | 191 | 199 | $579,009 | 12/30/2018 |
Italy | 8/19/2015 | $308,381 | 0 | 19 | 19 | $838,922 | 9/9/2015 |
Lebanon | 7/9/2015 | $18,228 | 11 | 11 | 11 | $18,228 | 12/30/2018 |
Malaysia | 7/23/2015 | $103,856 | 65 | 65 | 109 | $207,897 | 8/18/2015 |
Mexico | 7/24/2015 | $760,202 | 0 | 83 | 226 | $2,429,647 | 9/7/2018 |
Netherlands | 7/16/2015 | $54,181 | 28 | 28 | 78 | $175,364 | 11/24/2018 |
New Zealand | 7/23/2015 | $60,373 | 30 | 30 | 115 | $157,302 | 9/8/2015 |
North America | 7/10/2015 | $9,808,463 | 2,720 | 2,720 | 7,593 | $22,764,410 | 6/2/2016 |
Norway | 7/24/2015 | $60,577 | 74 | 74 | 74 | $60,577 | 7/30/2015 |
Peru | 8/6/2015 | $243,704 | 64 | 64 | 122 | $451,859 | 12/30/2018 |
Philippines | 7/22/2015 | $115,293 | 78 | 78 | 133 | $166,280 | 12/30/2018 |
Poland | 7/31/2015 | $136,139 | 0 | 0 | 0 | $317,883 | 12/30/2018 |
Russia (CIS) | 7/23/2015 | $829,684 | 777 | 777 | 1553 | $1,384,631 | 12/30/2018 |
Singapore | 8/27/2015 | $55,128 | 20 | 20 | 41 | $114,490 | 9/18/2015 |
Slovakia | 7/9/2015 | $16,312 | 33 | 33 | 33 | $16,312 | 7/17/2015 |
South Korea | 9/3/2015 | $350,781 | 298 | 298 | 299 | $575,924 | 9/22/2015 |
Spain | 7/31/2015 | $224,996 | 259 | 259 | 703 | $876,570 | 11/3/2015 |
Taiwan | 7/9/2015 | $216,941 | 54 | 54 | 126 | $463,047 | 8/4/2015 |
Turkey | 7/24/2015 | $19,109 | 91 | 91 | 117 | $42,926 | 12/30/2018 |
United Arab Emirates | 7/16/2015 | $0 | 0 | 7 | 7 | $252,662 | 12/30/2018 |
United Kingdom | 7/17/2015 | $524,805 | 315 | 315 | 696 | $1,370,662 | 8/25/2015 |
Uruguay | 8/6/2015 | $23,722 | 11 | 11 | 32 | $62,387 | 12/30/2018 |
Venezuela | 8/7/2015 | $226,157 | 30 | 30 | 86 | $1,216,549 | 9/18/2015 |
Rest of World | $833,350 | ||||||
Worldwide Total | $41,656,474 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Cassidy Gifford | Cassidy Spilker |
Supporting Cast
Pfeifer Brown | Pfeifer Ross |
Ryan Shoos | Ryan Shoos |
Travis Cluff | Mr. Schwendiman |
Price Morgan | Stage Boy |
Melissa Bratton | Pfeifer's Mom |
Theo Burkhardt | Rick Houser |
David Herrera | David the Janitor |
Gannon Del Fierro | Gannon |
Mackie Burt | Cheerleader #1 |
Adrian Salas | Superstar Football Player |
Mark Hales | Peasant #5 |
John Hales | The King |
Shannon Wetzel | Ms. Shannon |
Caeleb Trace | Football Player #1 |
Theo Stratigos | Football Player #2 |
Paris Cluff | Officer Lang |
Jason James | Police Officer |
Ryan Wade | Police Officer |
Ed Osuna | Police Officer |
Jordan Hunter | Police Officer |
Matt Benson | Mr. BHS |
Kelly Davis | Brooke/Kelly |
Emily Jones | Ryan's Mom |
Trina Short | Parent of the Nerds |
Shirley Hales | Parent of the Nerds |
Rebecca Dowty | Parent of the Nerds |
Karen Kidder | Parent of the Nerds |
Ed Nicolls | Parent of the Nerds |
Daniel Short | Parent of the Nerds |
Dave Kidder | Parent of the Nerds |
Blake Taylor | Football Coach |
Corey Costelloe | Football Coach |
Terry Meyers | Football Coach |
Derrik Carter | Football Coach |
Nathan Healy | Soda Drinking Coach |
Richie Mirlez | Chuckling Student |
Burkelee Woods | Chuckling Student |
Chris Akers | Stage Boy's Friend |
Jacob Burnett | Stage Boy's Friend |
Gabriela Duran | Painting Girl |
Milan Duran | Painting Girl |
Jesse Cross | Charlie Grimille |
Alexis Schneider Young | Young Pfeifer's Mom/Mary |
John Tanksly | Rick Houser |
Steven Hrdlicka | TV News Anchor |
Jerris Ramirez | Scroll Reader |
Jeff Smith | Gallows Director |
Kelley Yeager | Assistant Director |
Brandon Cornejo | Called in Sick Kid |
Brad Jacobson | Whispering Parent #1 |
Dorothy Snyder | Whispering Parent #2 |
Tom Milne | Photographer |
Paul Rutigliano | Photographer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Travis Cluff | Director |
Chris Lofing | Director |
Travis Cluff | Screenwriter |
Chris Lofing | Screenwriter |
Jason Blum | Producer |
Guymon Casady | Producer |
Dean Schnider | Producer |
Benjamin Forkner | Producer |
Chris Lofing | Producer |
Travis Cluff | Producer |
Dave Neustadter | Executive Producer |
Walter Hamada | Executive Producer |
Couper Samuelson | Executive Producer |
Brad Jacobson | Executive Producer |
Steven Imhoff | Executive Producer |
Steven Hrdlicka | Executive Producer |
Debbie Hrdlicka | Executive Producer |
Gabriela Revilla Lugo | Line Producer |
Edd Lukas | Director of Photography |
Stephanie Hass | Production Designer |
Chris Lofing | Editor |
Brandon Jones | Sound Designer |
Zach Lemmon | Composer |
10K Islands | Composer |
Nicki Stewart | Costume Designer |
Jessica Peter | Costume Designer |
Carollyn Devore | Casting Director |
Scott Miller | Unit Production Manager |
James Mahoney | First Assistant Director |
Brian Esraelian | Associate Producer |
Clark Jacobson | Associate Producer |
Judi Coleman | Associate Producer |
Esther Holland | Associate Producer |
Kathleen Hubka | Associate Producer |
Paula Jacobson | Associate Producer |
Dennis Mabry | Associate Producer |
Irene Mabry | Associate Producer |
Magdalena Mirelez | Associate Producer |
James Rodgers | Associate Producer |
Vicki Rodgers | Associate Producer |
Tony Snegoff | Stunt Coordinator |
Kyle Gentz | Director of Photography-Second Unit |
Tom Milne | Additional Photography-Still Photographer |
Paul Barlow | Additional Photography-Still Photographer |
Nathan Healy | Additional Photography-Still Photographer |
Brandon Jones | Re-recording Mixer |
Vincent Keenan | Sound Mixer |
Ethan Ellenberger | Sound Mixer |
Brandon Payan | Sound Mixer |
Lisa Vialpando | Make-up and Hair Designer |
Michael Needham | Special Make-up Effects |
Travis Cluff | Assistant Editor |
Chris Lofing | Visual Effects Designer |
Travis Cluff | Visual Effects Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.