Russia (CIS) Box Office for Free to Run (2016)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $2,943 | Details |
Worldwide Box Office | $2,943 | Details |
Home Market Performance | ||
North America DVD Sales | $5,144 | Details |
Total North America Video Sales | $5,144 | |
Further financial details... |
Synopsis
Today, all anybody needs to run is the determination and a pair of the right shoes. But just fifty years ago, running was viewed almost exclusively as the domain of elite male athletes who competed on tracks. With insight and propulsive energy, director Pierre Morath traces running’s rise to the 1960s, examining how the liberation movements and newfound sense of personal freedom that defined the era took the sport out of the stadiums and onto the streets, and how legends like Steve Prefontaine, Fred Lebow, and Kathrine Switzer redefined running as a populist phenomenon.
Metrics
Movie Details
Russia (CIS) Releases: | September 23rd, 2016 (Wide) |
Video Release: | November 1st, 2016 by IFC Video |
MPAA Rating: | Not Rated |
Running Time: | 100 minutes |
Keywords: | Track and Field, 1960s, Early / Simultaneous Video-on-Demand release |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Point Productions , Yuzu Productions, Eklektik, Arte France Cinema, RTBF, Belgacom, RTS , Office Federal De La Culture, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, VOO ET BETV, Cineforom, Loterie Romande Fond Culturel, Suissimage, Succes Passage Antenne, Succes Cinema, Jour2Fete |
Production Countries: | Belgium, France, Switzerland |
Languages: | English, French |
Home Market Releases for November 1st, 2016
November 2nd, 2016
The Home Market Release Report is a day late this week for a trio of reasons. Firstly, the November Preview was also due the same day. Secondly, it was a very busy week. And finally, I’m suffering from a medical condition a lot of Canadians suffer from this time of year... acute Coffee Crisp poisoning. I’m not saying I ate four dozen fun-sized Coffee Crisps in the past three days... I’m not saying that, because it was actually an even 50. Don’t judge me. ... Okay, judge me. Clearly mistakes were made. It is a busy week, but not very deep week. Star Trek Beyond is by far the biggest and best release of the week and the various home market releases are the pick of the week. There wasn’t a lot of competition for that title, but Bad Moms is also worth picking up.
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Limited and VOD Releases: See a Limited Releases During Your Coffee Break
July 15th, 2016
It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 7/15/2016 | $0 | 0 | 0 | 0 | $0 | |
Russia (CIS) | 9/23/2016 | $1,986 | 8 | 8 | 13 | $2,943 | 11/14/2018 |
Worldwide Total | $2,943 | 11/14/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
Kathrine Switzer | Herself |
Fred Lebow | Himself |
Steve Prefontaine | Himself |
Frank Shorter | Himself |
Pierre Morath | Himself |
Georges Hirsh | Himself |
Noel Tamini | Himself |
Joe Henderson | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Pierre Morath | Director |
Fabrice Esteve | Producer |
Jean-Marc Frohle | Producer |
Christian Popp | Producer |
Marie Besson | Producer |
Fabrice Esteve | Executive Producer |
Jean-Marc Frohle | Executive Producer |
Marie Besson | Executive Producer |
Thomas Queille | Editor |
Thomas Queille | Director of Photography |