Poland Box Office for Four Lions (2010)
Theatrical Performance (US$) | ||
Poland Box Office | $5,067 | Details |
Worldwide Box Office | $8,607,693 | Details |
Further financial details... |
Synopsis
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.
Metrics
Movie Details
Production Budget: | $3,750,000 |
Poland Releases: | August 17th, 2012 (Wide) |
Video Release: | March 8th, 2011 by Magnolia Home Entertainment |
MPAA Rating: | R for language throughout, including some sexual references. (Rating bulletin 2140, 9/29/2010) |
Running Time: | 97 minutes |
Keywords: | Terrorism, Political, Religious |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warp Films |
Production Countries: | United Kingdom |
Languages: | Arabic, English, Punjabi |
DVD and Blu-ray Releases for March 15th, 2011
March 14th, 2011
Another exhaustingly slow week. It seems like forever since there was a week with two or more top-tier releases. There is one film that was a hit both at the box office and with critics, The Fighter, while most of the rest failed to succeed in both areas and during a normal week many would have not even been worth mentioning. That said, The Fighter would have been a contender for Pick of the Week even if the competition was stronger than average and the DVD or the Blu-ray / DVD Combo Pack is worth grabbing.
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Featured Blu-ray / DVD Review: Four Lions
March 13th, 2011
Four Lions is a black comedy about Islamic terrorists. I'm not surprised it had trouble finding a distributor here. In fact, I'm a little surprised it did as well as it did in limited release earning just over $300,000. Obviously, given the subject matter, this is not a film for everyone. But will it at least appeal to those who enjoy British humor? Or is it too out there even for that niche market?
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DVD and Blu-ray Releases for March 8th, 2011
March 7th, 2011
Another incredibly slow week with very few releases that could be considered top tier. None of the first-run releases are really worth picking up for most people, but there are a couple smaller releases that are contenders for Pick of the Week. This includes Mystery Science Theater 3000: Volume XX, but in the end I gave that honor to Inside Job on either DVD or Blu-ray.
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127 is Number One on Per Theater Chart
November 9th, 2010
There were a few limited releases to reach the $10,000 mark on the per theater chart this past weekend. 127 Hours lead the way with an impressive average of $66,213 in four theaters. Fair*Game was well back with $14,154, but it opened in 46 theaters, so this is a much better indicator of its chances to expand. The overall box office leader, MegaMind, was the only other film in the $10,000 club with an average of $11,668, but the second place film, Due Date, came very close with an average of $9,743.
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Limited Releases Are Better Than Fair
November 5th, 2010
After weeks of waiting for the flood of Awards Season hopefuls to finally come out, it appears the wait is over with no less than three releases that could be vying for Oscars on February 27th of next year. Client 9, 127 Hours, and Fair*Game could all be in contention that night, while the latter two could be competing against each other. On the other hand, the competition could hurt at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/08/17 | 9 | $5,067 | 8 | $633 | $5,067 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 11/5/2010 | $41,512 | 8 | 18 | 162 | $310,007 | 6/24/2019 |
Poland | 8/17/2012 | $5,067 | 8 | 8 | 8 | $5,067 | 12/29/2018 |
Rest of World | $8,292,619 | ||||||
Worldwide Total | $8,607,693 | 6/24/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Riz Ahmed | Omar |
Nigel Lindsay | Barry |
Kayvan Novak | Waj |
Adeel Akhtar | Faisal |
Supporting Cast
Arsher Ali | Hassan |
Benedict Cumberbatch | Ed |
Julia Davis | Alice |
Craig Parkinson | Matt |
Preeya Kalidas | Sophia |
Wasim Zakir | Ahmed |
Mohammad Aqil | Nabil |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mark Herbert | Producer |
Derrin Schlesinger | Producer |
Carole Baraton | Executive Producer |
Peter Carlton | Executive Producer |
Will Clarke | Executive Producer |
Caroline Leddy | Executive Producer |
Angus Aynsley | Executive Producer |
Mark Findlay | Executive Producer |
Alex Marshall | Executive Producer |
Chris Morris | Director |
Chris Morris | Screenwriter |
Jesse Armstrong | Screenwriter |
Sam Bain | Screenwriter |