Netherlands Box Office for Firebrand (2024)
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| Theatrical Performance (US$) | ||
| Netherlands Box Office | $299,084 | Details |
| Worldwide Box Office | $1,684,863 | Details |
| Further financial details... | ||
Synopsis
In blood-soaked Tudor England, twice married, accomplished, and educated Katherine Parr, reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII. Her consent to marry him carries great personal risk, given that her predecessors are either vanquished, beheaded, or dead. When Henry appoints her as Regent, the nation’s ruler during his absence when he departs to fight overseas, he lays a dangerous path for her. Henry’s courtiers, suspecting she’s sympathetic to radical Protestant beliefs that have taken root in the kingdom and are a threat to their power, scheme against her and cast doubts upon her fidelity to the increasingly ailing and paranoid King. Once Henry returns to England, his courtiers convince him to turn his fury on the nation’s radicals, including Katherine’s childhood friend Anne Askew, who becomes one of the scores of people convicted of treason and burned at the stake. Horrified and privately grieving, Katherine finds herself under ever-increasing scrutiny and suspicion. Knowing that even a whisper of scandal might lead to her downfall, Katherine must unleash her own scheme to fight for survival.
Metrics
Movie Details
| Netherlands Releases: | September 26th, 2024 (Limited) |
| MPAA Rating: | R for some violent content, brief gore and sexuality/nudity. (Rating bulletin 2837 (cert #54718), 6/5/2024) |
| Running Time: | 120 minutes |
| Keywords: | Historical Drama, 1500s, Royalty, Relationships Gone Wrong, Religious |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | MBK Entertainment, FilmNation Entertainment, Brouhaha Entertainment, Magnolia Mae Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/09/27 | 15 | $75,724 | 44 | $1,721 | $105,848 | 1 | |
| 2024/10/04 | 15 | $54,889 | -28% | 44 | $1,247 | $196,869 | 2 |
| 2024/10/11 | - | $39,575 | -28% | 40 | $989 | $263,167 | 3 |
| 2024/10/18 | - | $23,499 | -41% | 45 | $522 | $299,084 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Belgium | 2/28/2024 | $0 | 0 | 0 | 0 | $0 | |
| Brazil | 8/15/2024 | $0 | 0 | 0 | 0 | $0 | |
| France | 3/27/2024 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 10/17/2024 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 10/3/2024 | $83,529 | 0 | 0 | 0 | $88,749 | 10/9/2024 |
| Netherlands | 9/26/2024 | $75,724 | 44 | 45 | 173 | $299,084 | 10/22/2024 |
| North America | 6/14/2024 | $233,373 | 442 | 442 | 694 | $521,366 | |
| Portugal | 10/24/2024 | $10,477 | 19 | 19 | 19 | $10,477 | 10/29/2024 |
| Russia (CIS) | 6/13/2024 | $120,599 | 784 | 784 | 1451 | $254,979 | 6/26/2024 |
| Spain | 10/18/2024 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 9/6/2024 | $157,562 | 191 | 191 | 447 | $510,208 | 10/30/2024 |
| Worldwide Total | $1,684,863 | 10/30/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Karim Ainouz | Director |
| Elizabeth Fremantle | Story based on the novel “Queen’s Gambit” by |
| Henrietta Ashworth | Screenwriter |
| Jessica Ashworth | Screenwriter |
| Rosanne Flynn | Additional Writing by |
| Gabrielle Tana | Producer |
| Carolyn Marks Blackwood | Producer |
| Maria Logan | Executive Producer |
| Rosanne Flynn | Executive Producer |
| Nicola Hart | Executive Producer |
| Anne Sheehan | Executive Producer |
| Helene Louvart | Director of Photography |
| Helen Scott | Production Designer |
| Michael O’Connor | Costume Designer |
| Parplies Heike | Editor |
| Dickon Hinchliffe | Composer |
| Nina Gold | Casting Director |
| Brett Wilson | Co-Producer |
| Meg Clark | Co-Producer |