New Zealand Box Office for Final Portrait (2017)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $41,657 | Details |
| Worldwide Box Office | $1,725,841 | Details |
| Home Market Performance | ||
| North America DVD Sales | $18,856 | Details |
| Total North America Video Sales | $18,856 | |
| Further financial details... | ||
Synopsis
In 1964, while on a short trip to Paris, the American writer and art-lover James Lord is asked by his friend, the world-renowned artist Alberto Giacometti, to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of a touching and offbeat friendship, but, seen through the eyes of Lord, a uniquely revealing insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. Final Portrait is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity.
Metrics
Movie Details
| New Zealand Releases: | October 6th, 2017 (Wide) |
| Video Release: | July 31st, 2018 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for language, some sexual references and nudity. (Rating bulletin 2484 (Cert #51137), 7/12/2017) |
| Running Time: | 90 minutes |
| Keywords: | 1960s, Set in Paris, Artists, Critic, Writing and Writers |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Riverstone Pictures, HanWay Films, Potboiler Productions, Olive Productions, Arsam Intl., Lowsun Productions |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Home Market Releases for July 31st, 2018
August 1st, 2018
This is one of the worst weeks on the home market I can remember. There’s nothing here that even remotely looks like a top-notch release, at least on physical medium. This is the week that Avengers: Infinity War hits Video on Demand and it is dominating the home market in that regard and has to be the Pick of the Week. The only other releases that were close are Star Blazers: Space Battleship Yamato 2199 on Blu-ray Combo Pack and Star Wars Rebels: Season Four.
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Theater Averages: Isle Dogpiles the Competition
March 27th, 2018
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Isle of Dogs had the best theater average of the weekend and indeed the year with an average of $59,825 in 27 theaters. Technically Fantastic Mr. Fox had a better average with $66,475, but it was only playing on 4 theaters, so this is much more impressive.
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Limited and VOD Releases: Limited Releases Have Gone to the Dogs
March 23rd, 2018
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There are over two dozen limited releases coming out this week, but many of them had only a handful of, if any, reviews. There are some that should find a receptive audience, whether its on Video on Demand like Pyewacket, or whether it has massive breakout success, like most think Isle of Dogs will manage.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/10/06 | 14 | $12,427 | 12 | $1,036 | $21,971 | 1 | |
| 2017/10/13 | 18 | $6,366 | -49% | 14 | $455 | $34,508 | 2 |
| 2017/10/20 | 27 | $2,579 | -59% | 12 | $215 | $38,578 | 3 |
| 2017/10/27 | - | $468 | -82% | 5 | $94 | $40,853 | 4 |
| 2017/11/03 | - | $307 | -34% | 4 | $77 | $41,657 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/29/2017 | $1,267 | 4 | 52 | 330 | $457,927 | 2/12/2018 |
| France | 6/8/2018 | $55,825 | 0 | 0 | 0 | $55,825 | 6/15/2018 |
| Netherlands | 12/8/2017 | $20,173 | 31 | 31 | 62 | $49,641 | 12/20/2017 |
| New Zealand | 10/6/2017 | $12,427 | 12 | 14 | 47 | $41,657 | 11/6/2017 |
| North America | 3/23/2018 | $25,472 | 3 | 100 | 330 | $460,859 | |
| Portugal | 3/16/2018 | $10,055 | 10 | 10 | 24 | $23,123 | 4/3/2018 |
| Russia (CIS) | 1/12/2018 | $24,969 | 54 | 54 | 55 | $51,334 | 1/8/2019 |
| South Korea | 9/18/2018 | $0 | 0 | 55 | 125 | $127,475 | 10/26/2018 |
| Spain | 12/29/2017 | $29,025 | 42 | 42 | 68 | $78,500 | 1/12/2018 |
| Turkey | 8/18/2017 | $4,648 | 13 | 13 | 13 | $16,661 | 2/26/2019 |
| United Kingdom | 8/18/2017 | $104,081 | 59 | 59 | 167 | $362,839 | 10/25/2017 |
| Worldwide Total | $1,725,841 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Geoffrey Rush | Alberto Giacometti |
| Armie Hammer | James Lord |
Supporting Cast
| Clémence Poésy | Caroline |
| Tony Shalhoub | Diego Giacometti |
| Sylvie Testud | Annette Giacometti |
| James Faulkner | Pierre Matisse |
| Kerry Shale | Claude Martineau |
| Annabel Mullion | Anne-Marie Frenaud |
| Tim Dreisden | Cafe Waiter |
| Takatsuna Mukai | Annette’s Lover |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Stanley Tucci | Director |
| Stanley Tucci | Screenwriter |
| James Lord | Story based on “A Giacometti Portrait” by |
| Gail Egan | Producer |
| Nik Bower | Producer |
| Ilann Girard | Producer |
| Deepak Nayar | Executive Producer |
| Fred Hogge | Executive Producer |
| Ted Blumberg | Executive Producer |
| Michael S. Constable* | Line Producer |
| Danny Cohen | Director of Photography |
| James Merifield | Production Designer |
| Camilla Toniolo | Editor |
| Evan Lurie | Composer |
| Liza Bracey | Costume Designer |
| Nina Gold | Casting Director |