Australia Box Office for Fiddler: A Miracle Of Miracles (2019)
Theatrical Performance (US$) | ||
Australia Box Office | $14,635 | Details |
Worldwide Box Office | $573,465 | Details |
Further financial details... |
Synopsis
The origin story behind one of Broadway’s most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when “tradition” was on the wane as gender roles, sexuality, race relations and religion were evolving.
Metrics
Movie Details
Australia Releases: | August 23rd, 2019 (Wide), released as Fiddler: A Miracle Of Miracles |
MPAA Rating: | PG-13 for some thematic elements/disturbing images. (Rating bulletin 2578 (Cert #52204), 5/15/2019) |
Running Time: | 92 minutes |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Dog Green Productions |
Production Countries: | United States |
Languages: | English |
Theater Averages: Brittany Sprints to the Top
August 28th, 2019
Brittany Runs a Marathon led the way on the theater average chart earning an average of $36,142 in five theaters. This is more than enough to expand significantly. Additionally, the film has more mainstream appeal than many limited releases, so it should expand enough to earn some measure of mainstream success. Miles Davis: Birth of the Cool was well back with $18,258 in one theater, but this is still a great start for a documentary. The final film in the $10,000 club was Give Me Liberty, which earned an average of $11,087 in three theaters.
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Limited and VOD Releases: Run to the Theaters
August 23rd, 2019
There are several releases on this week’s list earning amazing reviews, including Brittany Runs a Marathon, which has the best shot at attracting a mainstream audience. On the other hand, Fiddler: A Miracle of Miracles and Miles Davis: Birth of the Cool could do well on the art house scene.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/11/01 | - | $5,690 | 4 | $1,423 | $14,635 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/23/2019 | $0 | 0 | 4 | 4 | $14,635 | 11/7/2019 |
North America | 8/23/2019 | $36,425 | 7 | 77 | 302 | $549,385 | |
United Kingdom | 12/13/2019 | $9,445 | 33 | 33 | 33 | $9,445 | 12/18/2019 |
Worldwide Total | $573,465 | 12/18/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
Sheldon Harnick | Himself |
Hal Prince* | Himself |
Austin Pendleton | Himself |
Lin-Manuel Miranda | Himself |
Chaim Topol | Himself |
Harvey Fierstein | Himself |
Fran Lebowitz | Herself |
Calvin Trillin | Himself |
Nathan Englander | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Max Lewkowicz | Director |
Max Lewkowicz | Screenwriter |
Valerie Thomas | Screenwriter |
Max Lewkowicz | Producer |
Valerie Thomas | Producer |
Elena Berger Melman | Producer |
Patti Kenner | Executive Producer |
Rita Lerner | Executive Producer |
Ann Oster | Executive Producer |
Scott Shelley | Director of Photography |
Joseph Borruso | Editor |