Japan Box Office for ファンタスティック・ビースト3 (2022)
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| Theatrical Performance (US$) | ||
| Japan Box Office | $32,200,000 | Details |
| Worldwide Box Office | $404,560,145 | Details |
| Home Market Performance | ||
| North America DVD Sales | $6,536,159 | Details |
| North America Blu-ray Sales | $13,189,657 | Details |
| Total North America Video Sales | $19,725,816 | |
| Further financial details... | ||
Synopsis
Professor Albus Dumbledore knows the powerful Dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?
Metrics
Movie Details
| Production Budget: | $200,000,000 |
| Japan Releases: | April 8th, 2022 (Wide), released as ファンタスティック・ビースト3 |
| Video Release: | May 30th, 2022 by Warner Home Video |
| MPAA Rating: | PG-13 for some fantasy action/violence. (Rating bulletin 2720 (cert #53529), 2/23/2022) |
| Franchise: | Fantastic Beasts and Where to Find Them, Harry Potter |
| Keywords: | Action Adventure, 1930s, Sequel With Lead Character Recast |
| Source: | Spin-Off |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Heyday Films, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: The Bad Guys headed for good weekend
April 22nd, 2022
It’s a busy weekend at the box office, with three new wide releases already reporting Thursday preview results and headed for the top 10, plus the return of two films that grossed over $70 million between them last weekend, and the continued expansion of indie breakout Everything Everywhere All at Once. Going into the weekend, our model thought The Bad Guys should come out on top, and it looks on track to do so. The good news is that all three newcomers are outperforming the model’s expectations so far.
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Weekend predictions: Secrets of Dumbledore should land in the high 40s
April 15th, 2022
-1-News.jpg)
Fantastic Beasts: The Secrets of Dumbledore posted $6 million in preview earnings last night, a figure that’s remarkably close to the $6.25 million Sonic the Hedgehog 2 made from previews last week. The 11th outing from the Harry Potter franchise is unlikely to come close to Sonic’s $72-million opening though, with our model expecting something in the high $40-millions.
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Fantastic Beasts: The Secrets of Dumbledore trailer
February 28th, 2022
Wizarding adventure starring Eddie Redmayne and Jude Law opens in theaters on April 15 ... Full Movie Details.
Professor Albus Dumbledore knows the powerful Dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/04/08 | - | $8,600,000 | 881 | $9,762 | $8,600,000 | 1 | |
| 2022/04/15 | - | $4,800,000 | -44% | 893 | $5,375 | $17,100,000 | 2 |
| 2022/04/22 | - | $3,100,000 | -35% | 881 | $3,519 | $22,300,000 | 3 |
| 2022/04/29 | - | $3,300,000 | +6% | 856 | $3,855 | $27,100,000 | 4 |
| 2022/05/06 | - | $1,500,000 | -55% | 759 | $1,976 | $32,200,000 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 4/7/2022 | $3,902,871 | 601 | 601 | 2621 | $12,794,533 | 10/20/2022 |
| Belgium | 4/7/2022 | $1,200,000 | 0 | 0 | 0 | $1,200,000 | 10/20/2022 |
| Brazil | 4/14/2022 | $4,700,000 | 1630 | 1630 | 3036 | $8,400,000 | 10/20/2022 |
| China | 4/8/2022 | $9,600,000 | 67356 | 67356 | 278424 | $29,000,000 | 7/11/2022 |
| Czech Republic | 4/8/2022 | $724,092 | 217 | 217 | 779 | $2,050,209 | 6/13/2022 |
| Denmark | 4/7/2022 | $1,400,000 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 |
| Finland | 4/8/2022 | $605,560 | 115 | 120 | 666 | $2,028,960 | 10/20/2022 |
| France | 4/13/2022 | $6,900,000 | 930 | 975 | 3706 | $21,200,000 | 5/9/2022 |
| Germany | 4/8/2022 | $9,200,000 | 1029 | 1029 | 4279 | $27,400,000 | 5/8/2022 |
| India | 4/8/2022 | $1,200,000 | 0 | 0 | 0 | $1,200,000 | 10/20/2022 |
| Italy | 4/14/2022 | $2,855,671 | 0 | 0 | 0 | $9,037,070 | 10/20/2022 |
| Japan | 4/8/2022 | $8,600,000 | 881 | 893 | 4270 | $32,200,000 | 5/9/2022 |
| Lithuania | 4/15/2022 | $66,960 | 16 | 17 | 45 | $267,730 | 10/20/2022 |
| Mexico | 4/13/2022 | $7,196,913 | 0 | 0 | 0 | $14,892,097 | 6/7/2022 |
| Netherlands | 4/6/2022 | $1,901,863 | 187 | 188 | 1608 | $7,577,734 | 10/20/2022 |
| New Zealand | 4/7/2022 | $553,402 | 114 | 116 | 652 | $1,845,684 | 10/20/2022 |
| North America | 4/15/2022 | $42,151,256 | 4,208 | 4,245 | 21,797 | $95,850,844 | |
| Poland | 4/8/2022 | $1,300,000 | 0 | 0 | 0 | $1,300,000 | 4/11/2022 |
| Portugal | 4/7/2022 | $412,126 | 127 | 127 | 583 | $1,414,669 | 6/21/2022 |
| Romania | 4/8/2022 | $244,632 | 117 | 117 | 557 | $858,714 | 7/12/2022 |
| Russia (CIS) | 4/15/2022 | $0 | 0 | 113 | 224 | $927,716 | 6/15/2022 |
| Slovakia | 4/14/2022 | $265,488 | 78 | 78 | 284 | $667,952 | 7/4/2022 |
| South Korea | 4/13/2022 | $2,929,359 | 2207 | 2207 | 5621 | $9,429,282 | 7/6/2022 |
| Spain | 4/8/2022 | $2,876,274 | 368 | 393 | 2529 | $9,060,050 | 6/20/2022 |
| Sweden | 4/8/2022 | $1,100,000 | 0 | 0 | 0 | $1,300,000 | 10/20/2022 |
| Turkey | 4/15/2022 | $362,554 | 611 | 611 | 1890 | $988,445 | 6/16/2022 |
| United Kingdom | 4/8/2022 | $7,669,666 | 711 | 727 | 4761 | $25,383,204 | 8/17/2022 |
| Rest of World | $84,885,252 | ||||||
| Worldwide Total | $404,560,145 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Eddie Redmayne | Newt Scamander |
| Jude Law | Albus Dumbledore |
| Ezra Miller | Credence/Aurelius Dumbledore |
| Dan Fogler | Jacob Kowalski |
| Alison Sudol | Queenie Goldstein |
| Callum Turner | Theseus Scamander |
Supporting Cast
| Jessica Williams | Professor Eulalie Hicks |
| Katherine Waterston | Tina Goldstein |
| Mads Mikkelsen | Gellert Grindelwald |
| William Nadylam | Yusuf Kama |
| Cara Mahoney | Waitress |
| Poppy Corby-Tuech | Vinda Rosier |
| Maja Bloom | Carrow |
| Paul Low-Hang | Zabini |
| Richard Coyle | Aberforth |
| Wilf Scolding | Frank Doyle (Workman 1) |
| Kazeem Tosin Amore | Workman 2 |
| Noor Dillan-Night | Workman 3 |
| Victoria Yeates | Bunty Broadacre |
| Manuel Klein | Tall Auror |
| Aleksandr Kuznetsov | Helmut |
| Oliver Masucci | Anton Vogel |
| Valerie Pachner | Henrietta Fischer |
| Ramona Kunze-Libnow | Edith (Elderly Matron) |
| Dave Wong | Liu Tao |
| Maria Fernanda Candido | Vicência Santos |
| Lucas Englander | Horst |
| Fiona Glascott | Minerva McGonagall |
| Jan Pohl | Ministry Official |
| Matthias Brenner | Otto |
| Peter Simonischek | Warder |
| Jacqueline Boatswain | Ida Webb (British Witch) |
| David Bertrand | Victor (French Minister) |
| Stefan Race | Karl (Dark- Eyed Waiter) |
| Jessica Cartledge | Redheaded Ravenclaw |
| Radha Sthanakiya* | Tiny Witch 1 |
| Isabelle Coverdale | Tiny Witch 2 |
| Dónal Finn | Albert |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| David Yates | Director |
| J.K. Rowling | Screenwriter |
| Steve Kloves | Screenwriter |
| J.K. Rowling | Based up a Screenplay by |
| David Heyman | Producer |
| J.K. Rowling | Producer |
| Steve Kloves | Producer |
| Lionel Wigram | Producer |
| Tim Lewis | Producer |
| Neil Blair | Executive Producer |
| Danny Cohen | Executive Producer |
| Josh Berger | Executive Producer |
| Courtenay Valenti | Executive Producer |
| Michael Sharp | Executive Producer |
| George Richmond | Director of Photography |
| Stuart Craig | Production Designer |
| Neil Lamont | Production Designer |
| Mark Day | Editor |
| James Newton Howard | Composer |
| Christian Manz | Visual Effects Supervisor |
| Colleen Atwood | Costume Designer |
| Fiona Weir | Casting Director |
| Michael Sharp | Unit Production Manager |
| Tim Lewis | Unit Production Manager |
| Josh Robertson | First Assistant Director |
| Josh Robertson | Associate Producer |
| Stephen Woolfenden | Second Unit Director |
| Glenn Freemantle | Sound Designer |
| Glenn Freemantle | Supervising Sound Editor |
| Al Bullock | Supervising Art Director |
| Martin Foley | Supervising Art Director |
| Alex Baily | Art Director |
| Gary Tomkins | Art Director |
| Paul Laugier | Art Director |
| Charlotte Malynn | Art Director |
| Elicia Scales | Art Director |
| James Spencer | Art Director |
| Kate Grimble | Art Director |
| Oliver Goodier | Art Director |
| Peter Dorme | Art Director |
| Huw Arthur | Art Director |
| Kat Pearl* | Art Department Coordinator |
| Vicky Ralph | Art Department Coordinator |
| Cyrille Charro | Art Department Coordinator |
| Mitch Low | Sound Mixer |
| Anna Worley | Script Supervisor |
| Ann Lynch | Post-Production Supervisor |
| Mark Burton | First Assistant Editor |
| Samuel Clough | First Assistant Editor |
| Olly Young | Visual Effects Producer |
| Henry Kemplen | Visual Effects Editor |
| Myles Robey | Visual Effects Editor |
| Lydia Bland | Visual Effects Coordinator |
| Sam Girdler | Visual Effects Coordinator |
| Ali Ingham | Visual Effects Coordinator |
| George Bootman | Visual Effects Coordinator |
| Ben Barker | Supervising Sound Editor |
| Ian Tapp | Re-recording Mixer |
| Niv Adiri | Re-recording Mixer |
| Andrew Nelson | Re-recording Mixer |
| Jonathan Rush* | Re-recording Mixer |
| James Wichall | Dialogue Editor |
| Emilie O’Connor | Dialogue Editor |
| Mark Sutherland | Costume Co-Designer |
| Charlotte Finlay | Costume Supervisor |
| Jeremy Woodhead | Makeup, Hair & Prosthetics Designer |
| Jeremy Woodhead | Makeup, Hair & Prosthetics Designer |
| Anna Pinnock | Set Decorator |
| Pamela Joyce | Production Manager |
| Rob Silva | Associate Producer |
| Dan Whitty | Location Manager |
| Jodie Gregory | Location Manager |
| Alistair Williams | Special Effects Supervisor |
| Katie Gabriel | Special Effects Coordinator |
| Alex Fabre* | Special Effects Designer |
| Simon Rafferty | Special Effects Designer |
| Tom Wilton | Supervising Creature Puppeteer |
| Jack Parker | Puppeteer |
| Sarah Mardel | Puppeteer |
| Glen Gathard | Foley Mixer |
| Adam Oakley | Foley Editor |
| Robby Brown | Foley Editor |
| Zoe Freed | Foley Artist |
| Rebecca Heathcote | Foley Artist |
| Jim Weidman | Supervising Music Editor |
| Allan Jenkins | Music Editor |
| David Olson | Music Editor |
| James Newton Howard | Score Produced |
| Michael Dean Parsons | Score Produced |
| Chris Barrett | Score Editor |
| Cécile Tournesac* | Score Editor |
| Benjamin Loch | Visual Effects Supervisor: Framestore |
| Stephane Naze | Visual Effects Supervisor: Framestore |
| Coline Six | Visual Effects Supervising Producer: Framestore |
| Massimo Meo | Visual Effects Producer: Framestore |
| Jay Barton | Visual Effects Supervisor: Digital Domain |
| Brian Gazdik | Digital Effects Supervisor: Digital Domain |
| Sarah Swick | Visual Effects Producer: Digital Domain |
| Marco La Torre | Animation Supervisor: Digital Domain |
| Martyn Culpitt | Visual Effects Supervisor: Image Engine |
| Okan Ataman | Compositing Supervisor: Image Engine |
| Jeremy Mesana | Animation Supervisor: Image Engine |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.