Portugal Box Office for Os Olhos de Orson Welles (2018)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $12,395 | Details |
| Worldwide Box Office | $68,248 | Details |
| Further financial details... | ||
Synopsis
Granted exclusive access to hundreds of private drawings and paintings by Orson Welles, filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before – through his own eyes, sketched with his own hand, painted with his own brush. Executive produced by Michael Moore, The Eyes of Orson Welles brings vividly to life the passions, politics and power of this brilliant 20th-century showman, and explores how the genius of Welles still resonates today in the age of Trump, more than 30 years after his death.
Metrics
Movie Details
| Portugal Releases: | June 7th, 2019 (Wide), released as Os Olhos de Orson Welles |
| MPAA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Keywords: | Movie Director, Archive Footage, Biography, Artists |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Creative Scotland, BBC Films, BofA Productions, Filmstruck |
| Production Countries: | United Kingdom |
| Languages: | English |
Theater Averages: Real Horse Race on Top of the Chart
March 21st, 2019
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The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters.
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Limited and VOD Releases: Which Limited Releases Will Crack the Case of the Box Office?
March 15th, 2019
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It’s a good week for limited releases with a lot of different films. This includes some made for mainstream appeal (Nancy Drew and the Hidden Staircase and No Manches Frida 2) as well as more art house fair (The Mustang and Starfish). There are even some documentaries (Combat Obscura and The Eyes of Orson Welles) and foreign-language films (Ash is Purest White and Iceman). I just hope the competition isn’t too much and at least some of these films thrive in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/06/07 | 33 | $238 | 1 | $238 | $238 | 1 | |
| 2019/06/14 | 19 | $2,782 | +1,069% | 2 | $1,391 | $3,017 | 2 |
| 2019/06/21 | 21 | $2,070 | -26% | 2 | $1,035 | $6,888 | 3 |
| 2019/06/28 | 21 | $1,167 | -44% | 3 | $389 | $8,905 | 4 |
| 2019/07/05 | 25 | $1,032 | -12% | 1 | $1,032 | $10,627 | 5 |
| 2019/07/12 | 33 | $514 | -50% | 1 | $514 | $11,715 | 6 |
| 2019/07/19 | - | $297 | -42% | 1 | $297 | $12,395 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 3/15/2019 | $2,372 | 1 | 2 | 4 | $10,252 | |
| Portugal | 6/7/2019 | $238 | 1 | 3 | 11 | $12,395 | 7/23/2019 |
| United Kingdom | 8/17/2018 | $18,571 | 16 | 16 | 44 | $45,601 | 10/24/2018 |
| Worldwide Total | $68,248 | 7/23/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| Mark Cousins | Director |
| Mark Cousins | Screenwriter |
| Mary Bell | Producer |
| Adam Dawtrey | Producer |
| Mark Thomas | Executive Producer |
| Michael Moore | Executive Producer |
| Timo Langer | Editor |
| Mark Cousins | Director of Photography |