Spain Box Office for Extinction (2015)
.jpg)
| Theatrical Performance (US$) | ||
| Spain Box Office | $2,312,811 | Details |
| Worldwide Box Office | $2,350,695 | Details |
| Further financial details... | ||
Synopsis
Nine years after an infection turns most of the humanity into rabid creatures, Patrick, Jack and Lu, a nine-year-old girl, survive in seeming pece and calm in the forgotten snow-covered town of Harmony. We nonetheless sense that something terrible happened between Patrick and Jack because a deep hate keeps them apart. When the infected appear again, Patrick and Jack will have to leave behind all rancor to protect the one being who means more to them than anything else.
Metrics
Movie Details
| Spain Releases: | August 14th, 2015 (Wide) |
| Video Release: | September 1st, 2015 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for horror violence, terror and language. (Rating bulletin 2358, 1/28/2015) |
| Running Time: | 110 minutes |
| Keywords: | Epidemic, Post Apocalypse, Zombies, Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Vaca Films, Ombra Films, Telefonica Studios, Laokoon Cinema, Television Espanola, Canal Plus |
| Production Countries: | France, Hungary, Spain, United States |
| Languages: | English |
Limited and VOD Releases: Summer is Coming to an End
July 30th, 2015
It is a bad time of the year to release a limited release. It is too late into summer to think a limited release can expand wide enough to gain mainstream success before summer ends. At the same time, it is far too early for Awards Season buzz to have an effect at the box office. This partially explains why there are so few films on this week's list and fewer still have any chance at box office success. There are only two films on this week's list with strong buzz and overwhelmingly positive reviews. Best of Enemies and The End of the Tour. Both could do well on the Per Theater Chart this weekend, but The End of the Tour is the only film with a shot at expanding significantly.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/08/14 | 4 | $623,750 | 224 | $2,785 | $623,750 | 1 | |
| 2015/08/21 | 6 | $294,251 | -53% | 241 | $1,221 | $1,420,651 | 2 |
| 2015/08/28 | 9 | $167,478 | -43% | 230 | $728 | $1,860,143 | 3 |
| 2015/09/04 | 13 | $129,833 | -22% | 191 | $680 | $2,145,940 | 4 |
| 2015/09/11 | 18 | $39,839 | -69% | 131 | $304 | $2,285,708 | 5 |
| 2015/09/18 | 32 | $6,245 | -84% | 47 | $133 | $2,326,724 | 6 |
| 2015/09/25 | 39 | $3,619 | -42% | 23 | $157 | $2,309,621 | 7 |
| 2015/10/02 | 44 | $333 | -91% | 19 | $18 | $2,306,857 | 8 |
| 2015/10/16 | 54 | $28 | 1 | $28 | $2,312,543 | 10 | |
| 2015/10/23 | 43 | $86 | +207% | 1 | $86 | $2,312,629 | 11 |
| 2015/10/30 | 37 | $182 | +112% | 2 | $91 | $2,312,811 | 12 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 7/31/2015 | $0 | 0 | 0 | 0 | $0 | |
| Peru | 11/12/2015 | $37,883 | 58 | 58 | 58 | $37,884 | 12/30/2018 |
| Spain | 8/14/2015 | $623,750 | 224 | 241 | 1110 | $2,312,811 | 11/3/2015 |
| Worldwide Total | $2,350,695 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Matthew Fox | Patrick |
| Jeffrey Donovan | Jack |
| Quinn McColgan | Lu |
Supporting Cast
| Valeria Vereau | Emma |
| Clara Lago | Woman |
| Eduardo Fedriani | Creature 1 |
| Matt Devere | Soldier 1 |
| Alex Hafner | Soldier 2 |
| Jeremy Wheeler | Bus Driver |
| Katharine Bubbear | Young Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Miguel Angel Vivas | Director |
| Juan de Dios Garduno | Based on the Novel "Y pese a todo" by |
| Alberto Marini | Screenwriter |
| Miguel Angel Vivas | Screenwriter |
| Borja Pena | Producer |
| Emma Lustres | Producer |
| Jaume Collet-Serra | Producer |
| Juan Sola | Producer |
| Ignacio Fernandez-Veiga Feijoo | Producer |
| Brad Luff | Producer |
| Axel Kuschevatzky | Executive Producer |
| Gabriel Arias-Salgado | Executive Producer |
| James Gibb | Executive Producer |
| Josu Inchaustegui | Director of Photography |
| Juan Pedro De Gaspar | Production Designer |
| Luis de la Madrid | Editor |
| Jordi Lopez | Editor |
| Sergio Moure de Oteyza | Composer |
| Reg Poerscout-Edgerton | Casting Director |
| Charles M. Barsamian | Associate Producer |
| Verane Frediani | Co-Producer |
| Maria Liano | Line Producer |
| Antonio P. Perez | Associate Producer |
| Gabor Rajna | Co-Producer |
| Franck Ribiere | Associate Producer |
| Franck Ribiere | Co-Producer |
| Gabor Sipos | Co-Producer |
| Judit Stalter | Co-Producer |
| Hedvig Kiraly | Art Director |
| Panni Lutter | Set Decorator |
| Angela Nahum | Set Decorator |
| Andrea Flesch | Costume Designer |
| Szandra Biro | Hair Stylist |
| Hildegard Haide | Makeup Designer |
| Rita Horvath | Makeup Artist |
| Monika Nagy | Production Manager |
| Reka Belso | Second Assistant Director |
| Istvan Kolos | First Assistant Director |
| Sara Mazkiaran | First Assistant Director |
| Jorge Alarcon | ADR Editor |
| Jorge Alarcon | Assistant Sound Editor |
| Nacho Arenas | Supervising Sound Editor |
| Miguel Barbosa | Foley Artist |
| Miguel Calvo | Dialogue Editor |
| Miguel Calvo | Sound Effects Editor |
| Jaime Fernandez | Re-recording Mixer |
| Roberto C. Goday | Foley Assistant |
| Darren T. Jennings | ADR Recording Engineer |
| Janos Koporosy | Sound Mixer |
| Veronica Moreno | ADR Mixer |
| Alberto Pacheco | Sound Effects Editor |
| Francisco Rodriguez | ADR Mixer |
| Diego Staub | Foley Mixer |
| Chris White | ADR Mixer |
| Balaza Hoffmann | Special Effects Technician |
| Zsolt Kindl | Special Effects Technician |
| Sebastian Csaba Kiss | Special Effects Technician |
| Endre Korda | Special Effects Supervisor |
| Tomas Arando | Digital Compositor |
| Ramon Cervera | Digital Compositor |
| Antonio Chumillas | Digital Compositor |
| David Esteve | Digital Compositor |
| Ricardo G. Elipe | On Set VFX Supervisor |
| Inaki Gegundez Vicente | Environment Artist |
| Metin Gungor | Matte Painting Supervisor |
| Eduardo Iglesias | Digital Compositor |
| Antonio J. Jimenez | Digital Compositor |
| Isidro Jimenez | Visual Effects Supervisor |
| Alberto Lozano Rivaya | CGI Artist |
| Juan Manuel Nogales | Visual Effects Supervisor |
| Jose David Portales | Environment Artist |
| Adrian Pueyo | Digital Compositor |
| Inigo Rotaetxe | Concept Artist |
| Ana Rubio | Visual Effects Producer |
| Dario Siero | Digital Compositor |
| Gabriel Sitjas | Digital Compositor |
| Ignacio Carreno | Stunt Coordinator |
| Zoltan Gulyas Kiss | Stunt Coordinator |
| Lina Badenes | Making Of |
| Lara Blanco | Second Assistant Camera |
| Javier Garcia | Camera Operator |
| Gyorgy Horvath | First Assistant Camera: A Camera |
| Imanol Nabea | Camera Operator |
| Quim Vives | Still Photographer |
| Lorand Banner-Szucs | Casting Director: Hungary |
| Eszter Csiba | Casting Coordinator |
| Lillie Jeffrey | Casting Associate |
| Eva Leira | Casting Director: Spain |
| Yolanda Serrano | Casting Director: Spain |
| Izabell Janositz | Costume Supervisor |
| Omar Bermudez | Assistant Editor |
| Ricardo Real Sanchez | Colorist: Dailies |
| Alejandro Roman | Orchestrator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.