Spain Box Office for Todos queremos algo (2016)

← Go to main Everybody Wants Some page

Everybody Wants Some poster
Theatrical Performance (US$)
Spain Box Office $94,798Details
Worldwide Box Office $5,437,126Details
Home Market Performance
North America DVD Sales $458,630 Details
North America Blu-ray Sales $614,454 Details
Total North America Video Sales $1,073,084
Further financial details...

Synopsis

A “spiritual sequel” to Dazed and Confused set in the world of 1980 college life.

Metrics

Movie Details

Production Budget:$10,000,000
Spain Releases: July 1st, 2016 (Limited), released as Todos queremos algo
Video Release: June 21st, 2016 by Paramount Home Video
MPAA Rating: R for language throughout, sexual content, drug use and some nudity.
(Rating bulletin 2407 (Cert #50059), 1/13/2016)
Running Time: 116 minutes
Keywords: College, 1980s, College Sports, Baseball, Intertitle, Romance, Relationships Gone Wrong, Relationship Advice, Hazing, Pregnancy Scare, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Paramount Pictures, Annapurna Pictures, Detour Filmproduction
Production Countries: United States
Languages: English

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: Everybody Wants Some

July 11th, 2016

Green Room

Richard Linklater is one of those directors with lots of Indie Cred that rarely have breakout success at the box office. The biggest hit of his career has been School of Rock. Everybody Wants Some was expected to do well enough to earn some measure of mainstream success. Some were even expecting it to be one of the biggest limited releases of the year so far, topping $10 million. That didn’t happen. Is this one of the director’s weaker movies? Or was it unfairly overlooked by moviegoers? More...

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

Theater Averages: Fang has Teeth with $14,506

May 3rd, 2016

The Family Fang

The Family Fang led the way on the theater average chart with $14,506 in one theater. This is the last time we will talk about this film's box office numbers, because it opens on VOD this Friday, thus ending its chances of box office success. Then again, clearly VOD is more important to a limited release than the theatrical box office is. The Man Who Knew Infinity was next with an average of $13,388 in six theaters. That's good, but likely not good enough to expand significantly. Eva Hesse was playing in just one theater earning $12,780 over the weekend and $17,912 from Wednesday through Sunday. The Jungle Book made the $10,000 club for the third weekend in a row with an average of $10,818. More...

Theater Averages: The Jungle Book Meddles with the Limited Releases

April 26th, 2016

The Meddler

It wasn't a great week for new limited releases, which left a holdover / wide release on top of the theater average chart. The Jungle Book led the way with an average of $15,278. The only other film in the $10,000 was The Meddler, which opened with an average of $14,256 in four theaters. More...

Theater Averages: Green Room Pulls in the Green with an average of $29,328

April 20th, 2016

Green Room

Green Room led the way with an average of $29,328 in three theaters. This is yet another success for A24 and whoever is in charge of acquisitions over there needs to get a raise. The overall number one film, The Jungle Book was next with an average of $25,636. Sing Street was well back with an average of $12,715 in five theaters. The only holdover in the $10,000 club was Vita Activa: The Spirit of Hannah Arendt, which was down a mere 18% to $10,814 in its lone theater. More...

Theater Averages: Miles Opens Ahead of the Competition with $28,633

April 6th, 2016

Miles Ahead

Miles Ahead led the way on the theater average chart with $28,633 in four theaters. Vaxxed: From Cover Up to Catastrophe was right behind with $28,339 in one theater. As someone who doesn't want to see measles make a comeback, this is a scary result. Everybody Wants Some earned an average of $16,440 in 19 theaters over the weekend after opening in five theaters on Wednesday. Batman v Superman: Dawn of Justice remained in the $10,000 club with an average of $12,062. Saturday's Warrior and Chongqing Hot Pot had very close averages at $10,671 and $10,098 respectively. More...

Weekend Estimates: Batman v Superman down 68% in second weekend

April 3rd, 2016

Batman v Superman: Dawn of Justice

Last weekend, Batman v Superman posted the 7th-biggest opening weekend of all time. This weekend, if Sunday’s estimate proves to be accurate, it will record the 27th-biggest 2nd weekend. That stat tells you most of what you need to know about the film’s box office performance: it hit big at the beginning, but is proving to have very little staying power. Warner Bros.’ Sunday morning projection for the weekend is $52.385 million, down 68% from last weekend, for a total of $261.5 million to date. With $419.8 million overseas so far, the film is well on its way to $700 million worldwide, and should make about $900 million in total. That’s certainly short of what the studio was hoping for—the consensus was that the film needed $1 billion globally to make a profit—but surely enough to keep their plans for the franchise on track for now. More...

Limited and VOD Releases: Looking to Rake in the Green

April 1st, 2016

Green Room

There are a handful of films on this week's list earning great reviews and/or loud buzz. Of these four films, Green Room is the one I want to see the most, but Everybody Wants Some is the one most likely to become a box office hit. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/07/01 21 $21,273   30 $709   $21,273 1
2016/07/08 21 $13,485 -37% 27 $499   $48,480 2
2016/07/15 28 $7,659 -43% 16 $479   $66,490 3
2016/07/22 25 $5,377 -30% 10 $538   $77,733 4
2016/07/29 33 $2,726 -49% 3 $909   $87,196 5
2016/08/05 40 $1,186 -56% 3 $395   $89,785 6
2016/08/12 46 $662 -44% 2 $331   $92,379 7
2016/08/19 52 $541 -18% 2 $271   $94,798 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/24/2016 $32,372 25 25 62 $79,704 7/18/2016
Italy 6/17/2016 $154,190 0 0 0 $505,899 8/3/2016
North America 3/30/2016 $312,355 19 454 1,315 $3,400,278 7/28/2017
Portugal 4/28/2016 $5,910 13 13 13 $6,066 6/8/2016
Russia (CIS) 4/8/2016 $27,825 0 0 0 $55,980 11/13/2018
South Korea 6/27/2016 $0 0 61 80 $51,396 8/12/2016
Spain 7/1/2016 $21,273 30 30 93 $94,798 8/25/2016
United Kingdom 5/13/2016 $243,949 111 121 232 $470,514 6/9/2016
 
Rest of World $772,491
 
Worldwide Total$5,437,126 11/13/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Will Brittain Billy Autrey
Zoey Deutch Beverly
Ryan Guzman Roper
Tyler Hoechlin McReynolds
Blake Jenner Jake
J. Quinton Johnson Dale Douglas
Glen Powell Finnegan
Wyatt Russell Willoughby
Austin Amelio Nesbit
Temple Baker Plummer
Tanner Kalina Brumley
Juston Street Niles
Forrest Vickery Coma

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Linklater Director
Richard Linklater Screenwriter
Megan Ellison Producer
Ginger Sledge Producer
Richard Linklater Producer
Sean Daniel Executive Producer
John Sloss Executive Producer
Stephen Feder Executive Producer
Shane F. Kelly Director of Photography
Bruce Curtis Production Designer
Sandra Adair Editor
Kari Perkins Costume Designer
Randall Poster Music Supervisor
Meghan Currier Music Supervisor
Justine Baddeley Casting Director
Kim Davis-Wagner Casting Director
Vicky Boone Casting Director