Spain Box Office for Estiu 1993 (2017)

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Estiu 1993
Theatrical Performance (US$)
Spain Box Office $1,383,434Details
Worldwide Box Office $2,751,844Details
Further financial details...

Synopsis

In the summer 1993, following the death of her parents, six years old Frida moves from Barcelona to the Catalan province to live with her aunt and uncle, who are now her new legal guardians. The country life is a challenge for Frida – time passes differently in her new home and the nature that surrounds her is mysterious and estranging. She now has a little sister for whom she has to take care of and has to deal with new feelings, such as jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. Yet, the family does what it can to achieve a fragile new balance and bring normality to their life. Occasional family outings to a local fiesta or a swimming pool, cooking or listening to jazz in the garden bring them moments of happiness. Slowly, Frida realizes that she is there to stay and has to adapt to the new environment. Before the season is over, she has to cope with her emotions and her parents have to learn to love her as their own daughter.

Metrics

Movie Details

Production Budget:$1,100,000
Spain Releases: June 30th, 2017 (Wide)
Video Release: September 18th, 2018 by Oscilloscope Video
MPAA Rating: Not Rated
Running Time: 96 minutes
Keywords: Coming of Age, 1990s, Autobiographical, Young Child Dealing with the Death of a Parent, AIDS, Terminal Illness, Orphan
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Incia Films
Production Countries: Spain
Languages: Catalan

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May 30th, 2018

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2001: A Space Odyssey remained in first place on the theater average chart with $24,810 in four theaters. The number one film, Solo: A Star Wars Movie, was next with an average of $19,270. The Gospel According to Andre earned an average of $11,951 in four theaters. First Reformed remained in the $10,000 club with an average of $10,064 in 29 theaters during its second weekend of release. More...

Limited and VOD Releases: Now and Then

May 25th, 2018

First Reformed

It is a slow week, both in terms of total releases and in terms of quality releases. The Gospel According to Andre and Summer 1993 are both earning great reviews, but will likely be relegated to the art house circuit. The film with the best chance of box office success is Who We Are Now, but even then it has an uphill battle. More...

Limited and VOD Releases: Check out an Oscar-winner or Three

February 9th, 2018

Summer 1993

A lot of films on this week’s list are earning good reviews, but not great reviews. This means most of them will have to wait till the home market to find an audience. That’s not to say there are no movies worth going to the theater to see. Summer 1993 is the best, but both Pad Man and the 2018 Oscar Shorts collections are also worth the trip. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/30 10 $94,053   46 $2,045   $94,053 1
2017/07/07 14 $83,492 -11% 53 $1,575   $248,211 2
2017/07/14 12 $52,235 -37% 43 $1,215   $356,993 3
2017/07/21 17 $33,966 -35% 39 $871   $443,869 4
2017/07/28 - $31,709 -7% 37 $857   $511,059 5
2017/08/04 23 $20,515 -35% 28 $733   $562,650 6
2017/08/11 24 $13,867 -32% 23 $603   $600,413 7
2017/08/18 20 $20,824 +50% 26 $801   $633,638 8
2017/08/25 22 $18,097 -13% 27 $670   $677,612 9
2017/09/01 22 $19,449 +7% 24 $810   $718,009 10
2017/09/08 16 $86,538 +345% 49 $1,766   $832,910 11
2017/09/15 15 $85,500 -1% 73 $1,171   $961,521 12
2017/09/22 16 $47,983 -44% 69 $695   $1,050,895 13
2017/09/29 24 $24,499 -49% 61 $402   $1,094,363 14
2017/10/06 23 $14,364 -41% 33 $435   $1,116,552 15
2017/10/13 - $9,890 -31% 17 $582   $1,149,164 16
2017/10/20 - $8,455 -15% 12 $705   $1,158,623 17
2017/10/27 - $6,227 -26% 9 $692   $1,150,506 18
2017/11/03 - $7,246 +16% 10 $725   $1,166,550 19
2017/11/10 - $4,382 -40% 8 $548   $1,178,016 20
2017/11/17 - $4,163 -5% 6 $694   $1,199,723 21
2017/11/24 - $2,102 -50% 7 $300   $1,217,450 22
2017/12/01 - $1,401 -33% 7 $200   $1,217,502 23
2017/12/08 - $1,115 -20% 6 $186   $1,204,999 24
2017/12/15 - $3,849 +245% 12 $321   $1,211,399 25
2017/12/22 - $507 -87% 4 $127   $1,219,858 26
2017/12/29 - $850 +68% 3 $283   $1,241,148 27
2018/01/05 - $519 -39% 3 $173   $1,244,498 28
2018/01/12 - $2,072 +299% 4 $518   $1,256,348 29
2018/01/19 - $3,085 +49% 7 $441   $1,271,635 30
2018/01/26 - $5,393 +75% 12 $449   $1,298,554 31
2018/02/02 24 $31,408 +482% 51 $616   $1,339,922 32
2018/02/09 - $17,859 -43% 30 $595   $1,353,683 33
2018/02/16 - $6,714 -62% 16 $420   $1,394,099 34
2018/02/23 - $1,657 -75% 6 $276   $1,382,896 35
2018/03/02 - $763 -54% 4 $191   $1,386,073 36
2018/03/16 - $321   2 $161   $1,383,434 38
2022/09/30 - $89   1 $89   $1,106,793 275
2022/10/07 - $127 +43% 1 $127   $1,107,137 276
2023/04/14 - $201   1 $201   $1,242,986 303

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/27/2018 $9,908 0 0 0 $16,702 1/1/2019
Australia 8/3/2018 $47,298 14 19 97 $180,596 10/3/2018
France 7/21/2017 $81,933 0 0 0 $81,933 6/27/2018
Lithuania 5/4/2018 $373 7 7 8 $529 5/18/2018
Netherlands 7/21/2017 $13,308 16 16 32 $41,959 8/3/2017
North America 5/25/2018 $21,307 4 19 85 $185,903 9/7/2019
Portugal 10/19/2018 $802 4 4 9 $5,932 10/19/2022
South Korea 10/25/2018 $8,243 36 36 48 $21,797 11/14/2018
Spain 6/30/2017 $94,053 46 73 870 $1,383,434 4/20/2023
Turkey 6/23/2017 $1,727 0 0 0 $9,143 1/1/2019
United Kingdom 7/13/2018 $6,346 0 0 0 $6,346 7/20/2018
 
Rest of World $817,570
 
Worldwide Total$2,751,844 4/20/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Carla Simón Director
Ernest Pipo Composer
Roger Blasco Sound Designer
Marta Arce Hairstyling
Piluca Guillem Makeup
Ana Aguila* Costume Designer
Didac Palou Editor
Ana Pfaff Editor
Eva Valino Sound
Mónica Bernuy Art Direction
Santiago Racaj Cinematographer
Carla Simón Screenwriter
Stefan Schmitz Co-Producer
Maria Zamora Co-Producer
Valérie Delpierre Producer
Mireia Graell Production Designer