Spain Box Office for Estiu 1993 (2017)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $1,383,434 | Details |
| Worldwide Box Office | $2,751,844 | Details |
| Further financial details... | ||
Synopsis
In the summer 1993, following the death of her parents, six years old Frida moves from Barcelona to the Catalan province to live with her aunt and uncle, who are now her new legal guardians. The country life is a challenge for Frida – time passes differently in her new home and the nature that surrounds her is mysterious and estranging. She now has a little sister for whom she has to take care of and has to deal with new feelings, such as jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. Yet, the family does what it can to achieve a fragile new balance and bring normality to their life. Occasional family outings to a local fiesta or a swimming pool, cooking or listening to jazz in the garden bring them moments of happiness. Slowly, Frida realizes that she is there to stay and has to adapt to the new environment. Before the season is over, she has to cope with her emotions and her parents have to learn to love her as their own daughter.
Metrics
Movie Details
| Production Budget: | $1,100,000 |
| Spain Releases: | June 30th, 2017 (Wide) |
| Video Release: | September 18th, 2018 by Oscilloscope Video |
| MPAA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Keywords: | Coming of Age, 1990s, Autobiographical, Young Child Dealing with the Death of a Parent, AIDS, Terminal Illness, Orphan |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Incia Films |
| Production Countries: | Spain |
| Languages: | Catalan |
Theater Averages: 2001 Re-Release Remains Tops
May 30th, 2018
2001: A Space Odyssey remained in first place on the theater average chart with $24,810 in four theaters. The number one film, Solo: A Star Wars Movie, was next with an average of $19,270. The Gospel According to Andre earned an average of $11,951 in four theaters. First Reformed remained in the $10,000 club with an average of $10,064 in 29 theaters during its second weekend of release.
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Limited and VOD Releases: Now and Then
May 25th, 2018
It is a slow week, both in terms of total releases and in terms of quality releases. The Gospel According to Andre and Summer 1993 are both earning great reviews, but will likely be relegated to the art house circuit. The film with the best chance of box office success is Who We Are Now, but even then it has an uphill battle.
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Limited and VOD Releases: Check out an Oscar-winner or Three
February 9th, 2018
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A lot of films on this week’s list are earning good reviews, but not great reviews. This means most of them will have to wait till the home market to find an audience. That’s not to say there are no movies worth going to the theater to see. Summer 1993 is the best, but both Pad Man and the 2018 Oscar Shorts collections are also worth the trip.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/06/30 | 10 | $94,053 | 46 | $2,045 | $94,053 | 1 | |
| 2017/07/07 | 14 | $83,492 | -11% | 53 | $1,575 | $248,211 | 2 |
| 2017/07/14 | 12 | $52,235 | -37% | 43 | $1,215 | $356,993 | 3 |
| 2017/07/21 | 17 | $33,966 | -35% | 39 | $871 | $443,869 | 4 |
| 2017/07/28 | - | $31,709 | -7% | 37 | $857 | $511,059 | 5 |
| 2017/08/04 | 23 | $20,515 | -35% | 28 | $733 | $562,650 | 6 |
| 2017/08/11 | 24 | $13,867 | -32% | 23 | $603 | $600,413 | 7 |
| 2017/08/18 | 20 | $20,824 | +50% | 26 | $801 | $633,638 | 8 |
| 2017/08/25 | 22 | $18,097 | -13% | 27 | $670 | $677,612 | 9 |
| 2017/09/01 | 22 | $19,449 | +7% | 24 | $810 | $718,009 | 10 |
| 2017/09/08 | 16 | $86,538 | +345% | 49 | $1,766 | $832,910 | 11 |
| 2017/09/15 | 15 | $85,500 | -1% | 73 | $1,171 | $961,521 | 12 |
| 2017/09/22 | 16 | $47,983 | -44% | 69 | $695 | $1,050,895 | 13 |
| 2017/09/29 | 24 | $24,499 | -49% | 61 | $402 | $1,094,363 | 14 |
| 2017/10/06 | 23 | $14,364 | -41% | 33 | $435 | $1,116,552 | 15 |
| 2017/10/13 | - | $9,890 | -31% | 17 | $582 | $1,149,164 | 16 |
| 2017/10/20 | - | $8,455 | -15% | 12 | $705 | $1,158,623 | 17 |
| 2017/10/27 | - | $6,227 | -26% | 9 | $692 | $1,150,506 | 18 |
| 2017/11/03 | - | $7,246 | +16% | 10 | $725 | $1,166,550 | 19 |
| 2017/11/10 | - | $4,382 | -40% | 8 | $548 | $1,178,016 | 20 |
| 2017/11/17 | - | $4,163 | -5% | 6 | $694 | $1,199,723 | 21 |
| 2017/11/24 | - | $2,102 | -50% | 7 | $300 | $1,217,450 | 22 |
| 2017/12/01 | - | $1,401 | -33% | 7 | $200 | $1,217,502 | 23 |
| 2017/12/08 | - | $1,115 | -20% | 6 | $186 | $1,204,999 | 24 |
| 2017/12/15 | - | $3,849 | +245% | 12 | $321 | $1,211,399 | 25 |
| 2017/12/22 | - | $507 | -87% | 4 | $127 | $1,219,858 | 26 |
| 2017/12/29 | - | $850 | +68% | 3 | $283 | $1,241,148 | 27 |
| 2018/01/05 | - | $519 | -39% | 3 | $173 | $1,244,498 | 28 |
| 2018/01/12 | - | $2,072 | +299% | 4 | $518 | $1,256,348 | 29 |
| 2018/01/19 | - | $3,085 | +49% | 7 | $441 | $1,271,635 | 30 |
| 2018/01/26 | - | $5,393 | +75% | 12 | $449 | $1,298,554 | 31 |
| 2018/02/02 | 24 | $31,408 | +482% | 51 | $616 | $1,339,922 | 32 |
| 2018/02/09 | - | $17,859 | -43% | 30 | $595 | $1,353,683 | 33 |
| 2018/02/16 | - | $6,714 | -62% | 16 | $420 | $1,394,099 | 34 |
| 2018/02/23 | - | $1,657 | -75% | 6 | $276 | $1,382,896 | 35 |
| 2018/03/02 | - | $763 | -54% | 4 | $191 | $1,386,073 | 36 |
| 2018/03/16 | - | $321 | 2 | $161 | $1,383,434 | 38 | |
| 2022/09/30 | - | $89 | 1 | $89 | $1,106,793 | 275 | |
| 2022/10/07 | - | $127 | +43% | 1 | $127 | $1,107,137 | 276 |
| 2023/04/14 | - | $201 | 1 | $201 | $1,242,986 | 303 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/27/2018 | $9,908 | 0 | 0 | 0 | $16,702 | 1/1/2019 |
| Australia | 8/3/2018 | $47,298 | 14 | 19 | 97 | $180,596 | 10/3/2018 |
| France | 7/21/2017 | $81,933 | 0 | 0 | 0 | $81,933 | 6/27/2018 |
| Lithuania | 5/4/2018 | $373 | 7 | 7 | 8 | $529 | 5/18/2018 |
| Netherlands | 7/21/2017 | $13,308 | 16 | 16 | 32 | $41,959 | 8/3/2017 |
| North America | 5/25/2018 | $21,307 | 4 | 19 | 85 | $185,903 | 9/7/2019 |
| Portugal | 10/19/2018 | $802 | 4 | 4 | 9 | $5,932 | 10/19/2022 |
| South Korea | 10/25/2018 | $8,243 | 36 | 36 | 48 | $21,797 | 11/14/2018 |
| Spain | 6/30/2017 | $94,053 | 46 | 73 | 870 | $1,383,434 | 4/20/2023 |
| Turkey | 6/23/2017 | $1,727 | 0 | 0 | 0 | $9,143 | 1/1/2019 |
| United Kingdom | 7/13/2018 | $6,346 | 0 | 0 | 0 | $6,346 | 7/20/2018 |
| Rest of World | $817,570 | ||||||
| Worldwide Total | $2,751,844 | 4/20/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| David Verdaguer | Esteve |
| Bruna Cusí | Marga |
| Laia Artigas | Frida |
Supporting Cast
| Paula Robles | Anna |
| Fermi Reixach | Avi |
| Paula Blanco | Cesca |
| Etna Campillo | Irene |
| Jordi Figueras | Blai |
| Montse Sanz | Lola |
| Isabel Rocatti | Avia |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Carla Simón | Director |
| Ernest Pipo | Composer |
| Roger Blasco | Sound Designer |
| Marta Arce | Hairstyling |
| Piluca Guillem | Makeup |
| Ana Aguila* | Costume Designer |
| Didac Palou | Editor |
| Ana Pfaff | Editor |
| Eva Valino | Sound |
| Mónica Bernuy | Art Direction |
| Santiago Racaj | Cinematographer |
| Carla Simón | Screenwriter |
| Stefan Schmitz | Co-Producer |
| Maria Zamora | Co-Producer |
| Valérie Delpierre | Producer |
| Mireia Graell | Production Designer |