China Box Office for Escape Room: Tournament of Champions (2021)
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| Theatrical Performance (US$) | ||
| China Box Office | $11,440,000 | Details |
| Worldwide Box Office | $53,493,064 | Details |
| Home Market Performance | ||
| North America DVD Sales | $864,520 | Details |
| North America Blu-ray Sales | $1,092,842 | Details |
| Total North America Video Sales | $1,957,362 | |
| Further financial details... | ||
Synopsis
An intriguing invitation brings six strangers together. Initially, they think they have gathered for a highly immersive escape room, but they soon make the sickening discovery that they are pawns in a sadistic game of life and death. Together, they move from one terrifying scenario to the next as they find clues and solve puzzles. But the players soon learn that exposing their darkest secrets may hold the key to survive.
Metrics
Movie Details
| Production Budget: | $15,000,000 |
| China Releases: | March 30th, 2022 (Wide) |
| Video Release: | September 21st, 2021 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG-13 for violence, terror/peril and strong language. (Rating bulletin 2680 (cert #52337), 5/12/2021) |
| Running Time: | 88 minutes |
| Franchise: | Escape Room |
| Keywords: | Psychological Horror, Escape, Trapped, Corporate Malfeasance, Shadowy Organization |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Columbia Pictures, Original Film |
| Production Countries: | United States |
| Languages: | English |
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/04/08 | - | $940,000 | 22,304 | $42 | $5,220,000 | 2 | |
| 2022/04/15 | - | $610,000 | -35% | 14,500 | $42 | $6,320,000 | 3 |
| 2022/04/22 | - | $380,000 | -38% | 13,609 | $28 | $6,930,000 | 4 |
| 2022/04/29 | 10 | $510,000 | +34% | 11,012 | $46 | $7,660,000 | 5 |
| 2022/05/06 | 8 | $230,000 | -55% | 10,156 | $23 | $8,310,000 | 6 |
| 2022/05/13 | 7 | $370,000 | +61% | 12,067 | $31 | $9,010,000 | 7 |
| 2022/05/20 | 10 | $390,000 | +5% | 8,658 | $45 | $9,650,000 | 8 |
| 2022/05/27 | 9 | $300,000 | -23% | 10,095 | $30 | $10,200,000 | 9 |
| 2022/06/03 | 11 | $350,000 | +17% | 6,467 | $54 | $10,750,000 | 10 |
| 2022/06/10 | 9 | $80,000 | -77% | 2,766 | $29 | $11,010,000 | 11 |
| 2022/06/17 | 8 | $100,000 | +25% | 3,812 | $26 | $11,240,000 | 12 |
| 2022/06/24 | 8 | $70,000 | -30% | 2,428 | $29 | $11,430,000 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/15/2021 | $380,130 | 173 | 173 | 702 | $1,105,016 | 8/24/2021 |
| Brazil | 9/16/2021 | $0 | 0 | 0 | 0 | $0 | |
| China | 3/30/2022 | $0 | 0 | 22304 | 117874 | $11,440,000 | 7/24/2022 |
| Czech Republic | 7/16/2021 | $52,235 | 91 | 91 | 152 | $115,562 | 10/20/2022 |
| Finland | 9/24/2021 | $29,957 | 32 | 32 | 70 | $69,158 | 10/20/2022 |
| France | 8/11/2021 | $0 | 0 | 266 | 828 | $1,845,899 | 9/24/2021 |
| Germany | 8/19/2021 | $575,000 | 0 | 0 | 0 | $2,093,828 | 9/17/2021 |
| Hong Kong | 7/15/2021 | $0 | 0 | 0 | 0 | $647,832 | 7/30/2021 |
| Italy | 9/23/2021 | $264,720 | 0 | 0 | 0 | $680,191 | 10/20/2022 |
| Lithuania | 7/16/2021 | $16,832 | 14 | 14 | 54 | $104,522 | 10/13/2021 |
| Mexico | 9/16/2021 | $365,290 | 0 | 0 | 0 | $592,217 | 10/20/2022 |
| Netherlands | 7/30/2021 | $195,443 | 55 | 56 | 251 | $1,267,706 | 10/20/2022 |
| New Zealand | 7/1/2021 | $71,141 | 53 | 53 | 176 | $215,970 | 8/10/2021 |
| North America | 7/16/2021 | $8,801,391 | 2,815 | 2,815 | 10,177 | $25,314,753 | |
| Portugal | 7/16/2021 | $38,468 | 52 | 52 | 203 | $248,818 | 9/21/2021 |
| Romania | 7/16/2021 | $42,253 | 77 | 77 | 217 | $169,555 | 10/20/2022 |
| Russia (CIS) | 9/23/2021 | $906,225 | 1136 | 1136 | 2877 | $1,993,664 | 10/20/2022 |
| Slovakia | 7/16/2021 | $37,395 | 63 | 63 | 117 | $101,644 | 8/27/2021 |
| South Korea | 7/14/2021 | $689,369 | 728 | 728 | 1493 | $1,893,634 | 8/26/2021 |
| Spain | 8/13/2021 | $389,680 | 307 | 314 | 1253 | $2,039,350 | 10/8/2021 |
| Turkey | 9/17/2021 | $45,538 | 199 | 199 | 599 | $257,799 | 10/20/2022 |
| United Kingdom | 7/16/2021 | $383,371 | 414 | 414 | 964 | $1,295,946 | 8/4/2021 |
| Worldwide Total | $53,493,064 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Taylor Russell | Zoey Davis |
| Logan Miller | Ben Miller |
Supporting Cast
| Indya Moore | Brianna Collier |
| Holland Roden | Rachel Ellis |
| Carlito Olivero | Theo |
| Tom Cocquerel | Nathan |
| James Frain | |
| Deborah Ann Woll | Amanda Harper |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Adam Robitel | Director |
| Neal H. Moritz | Producer |
| Will Honley | Screenwriter |
| Maria Melnik | Screenwriter |
| Daniel Tuch | Screenwriter |
| Oren Uziel | Screenwriter |
| Christine Lavaf | Story by |
| Fritz Böhm | Story by |
| Adam Robitel | Executive Producer |
| Karina Rahardja | Executive Producer |
| Philip Waley | Executive Producer |
| Marc Spicer | Director of Photography |
| Edward Thomas | Production Designer |
| Steve Mirkovich | Editor |
| Peter Pay | Editor |
| Brian Tyler | Composer |
| John Carey | Composer |
| Oren Uziel | Co-Producer |