Australia Box Office for Equity (2016)
Theatrical Performance (US$) | ||
Australia Box Office | $14,655 | Details |
Worldwide Box Office | $1,675,474 | Details |
Home Market Performance | ||
North America DVD Sales | $59,975 | Details |
North America Blu-ray Sales | $28,352 | Details |
Total North America Video Sales | $88,327 | |
Further financial details... |
Synopsis
A top female investment banker leads a controversial tech IPO in the post financial crisis world where regulations are tight but pressure to bring in “big money” remains high.
Metrics
Movie Details
Australia Releases: | September 29th, 2016 (Wide) |
Video Release: | December 13th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | R for language throughout. (Rating bulletin 2426 (Cert #50481), 5/25/2016) |
Running Time: | 100 minutes |
Keywords: | Government Corruption, Fired, Betrayal, Scandal, Investment Banking, Sundance Film Festival 2016 |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Sony Pictures Classics, Broad Street Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 13th, 2016
December 12th, 2016
This is a strange week on the home market. We have one of the biggest domestic hits of the year, Suicide Squad, but it is one of the worst movies I’ve seen this year. (Granted, I’ve done fewer reviews this year and skipped a lot of terrible looking movies, like Independence Day: Resurgence, Warcraft, Gods of Egypt, Allegiant... Ben Hur, The Huntsman, The Legend of Tarzan. I could keep going. Wow! It was a bad year for $100 million movies.) After Suicide Squad, the next biggest release according to Amazon is the Chicago Cubs 2016 World Series Collector's Edition Blu-ray. That’s a huge drop in sales. As far as quality is concerned, I have to give a shout out to that World Series Blu-ray. Real fans want full games and this one provides them. On the other hand, I personally find baseball boring to watch. Unfortunately, there’s no one release that stands out as an obvious Pick of the Week, but instead we have a lot of releases that are close, but wouldn’t be close enough during a good week. The Twilight Zone: The Complete Series on Blu-ray is the best, assuming you didn’t grab the individual seasons when they came out.
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Theater Averages: White Girl Starts in the Black with Average of $10,155
September 7th, 2016
There were only two films to earn more than $10,000 on the theater average chart. White Girl lead the way with an average of $11,353 in three theaters. Meanwhile, No Manches Frida earned an average $10,155 in 362 theaters, which is even more impressive.
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Theater Averages: Operation Excellence
August 9th, 2016
Operation Chromite, the South Korean war movie, opened on first place on the theater average chart with $31,662. This put it just ahead of the overall box office champion, Suicide Squad, which earned an average of $31,418. Little Men was next with an average of $15,184 in two theaters. The re-release of Elevator to the Gallows was close behind with $14,334 in its lone theater. The final film in the $10,000 club was Equity, with an average of $13,629 in four theaters during its second weekend of release.
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Weekend Estimates: Suicide Squad Crashes into August Record Books
August 7th, 2016
One of the most talked-about debuts of the year is shaping up to be one of the better ones. Suicide Squad will open with about $135 million, according to Warner Bros., easily the biggest weekend in August, beating Guardians of the Galaxy’s $94.3 million in 2014. It’s also the 3rd-best weekend in 2016, and should earn a little more than Deadpool’s $132 million debut. In spite of these awesome stats, there’s about as much negative press for the film as positive, and some of it not entirely fair.
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Theater Averages: Don’t Think has earned First Place Twice
August 3rd, 2016
Don’t Think Twice repeated as champion of the theater average chart. It expanded from 1 to 5 theaters but still earned a very healthy average of $31,022. It will expand further. Indignation was the best of the new limited releases, earning an average of $23,281 in 4 theaters, while Equity was close behind with an average of $20,609 in 4 theaters. The overall number one film, Jason Bourne, was next with an average of $14,708. Hieronymus Bosch, Touched by the Devil earned $12,064 in 1 theater over the weekend and $19,076 from Wednesday through Sunday. A couple of documentaries rounded out the $10,000 club. Miss Sharon Jones earned $10,323 in 1 theater, while Gleason managed an average of $10,176 in 9 theaters.
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Weekend Estimates: Matt Damon Shows Star Power Can Matter
July 31st, 2016
When it comes to “star power” in Hollywood, I’ve been a skeptic ever since we launched our Bankability Index, and started looking at the real influence a single actor has on the performance of a film. With some notable exceptions (Tom Cruise and Sandra Bullock chief among them these days), actors generally don’t move the box office dial much when they appear in a generic film. But this weekend’s opening of Jason Bourne shows what the combination of the right actor in the right role can do. In spite of virtually identical reviews to 2012’s The Bourne Legacy, the new film, a franchise un-re-boot if you will, starring Matt Damon in the role he made iconic, will post a very solid $60 million this weekend. To be fair, that’s a bit behind the inflation-adjusted openings of The Bourne Ultimatum and The Bourne Supremacy, but it’s far better than the $38 million earned by Legacy when it debuted.
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Limited and VOD Releases: Will Forest See some Green this Weekend?
July 29th, 2016
It’s a week of “good, but not great” movies as there are a number of films earning Tomatometer Scores in the 70s. Generally speaking, films usually need 80% positive reviews or better to survive in limited release. There are a couple of films with amazing reviews, Gleason and Miss Sharon Jones, but both are documentaries, so they don’t have a lot of box office potential. The film I’m most interested in is Into the Forest, which is playing on Video on Demand.
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Equity Trailer
July 21st, 2016
Drama starring Anna Gunn, directed by Meera Menon, opens July 29 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/09/30 | - | $7,922 | 2 | $3,961 | $7,922 | 1 | |
2016/10/07 | - | $3,959 | -50% | 2 | $1,980 | $14,655 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/29/2016 | $7,922 | 2 | 2 | 4 | $14,655 | 10/13/2016 |
North America | 7/29/2016 | $82,434 | 4 | 255 | 848 | $1,605,463 | 6/17/2020 |
South Africa | 12/9/2016 | $2,738 | 5 | 5 | 18 | $19,778 | 1/18/2017 |
Sweden | 10/21/2016 | $544 | 2 | 2 | 2 | $544 | 10/25/2016 |
United Kingdom | 9/2/2016 | $17,187 | 103 | 103 | 110 | $31,711 | 9/20/2016 |
Rest of World | $3,323 | ||||||
Worldwide Total | $1,675,474 | 6/17/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Anna Gunn | Naomi Bishop |
James Purefoy | Michael Connor |
Sarah Megan Thomas | Erin Manning |
Alysia Reiner | Samantha Ryan |
Supporting Cast
Craig Bierko | Benji Akers |
David Alan Basche | Ian |
Nate Corddry | Cory |
Samuel Roukin | Ed |
Lee Tergesen | Randall |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Meera Menon | Director |
Amy Fox | Screenwriter |
Amy Fox | Story by |
Alysia Reiner | Story by |
Sarah Megan Thomas | Story by |
Alysia Reiner | Producer |
Sarah Megan Thomas | Producer |
Candy Straight | Executive Producer |
Brian David Cange | Line Producer |
Andrew Hafitz | Editor |
Teresa Binder | Costume Designer |
Eric Lin | Director of Photography |
Stephanie Holbrook | Casting Director |
Diane Lederman | Production Designer |
Alexis and Sam* | Composer |
Alexis and Sam* | Composer |
Susan Bevan | Co-Producer |
Barbara Byrne | Co-Producer |
Suzanne Ordas Curry | Co-Producer |
Anthony Daddino | Co-Producer |
Salima Habib | Co-Producer |
Cecilia Herbert | Co-Producer |
David Hoffman | Co-Producer |
Audrey McNiff | Co-Producer |
Linda Zwack Munger | Co-Producer |
Linnea Roberts | Co-Producer |
Christine Toretti | Co-Producer |
Larry Weitzner | Co-Producer |
David Alan Basche | Associate Producer |
Frank Thomas | Associate Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.