Thailand Box Office for Encanto (2021)
.jpg)
| Theatrical Performance (US$) | ||
| Thailand Box Office | $338,577 | Details |
| Worldwide Box Office | $231,181,871 | Details |
| Home Market Performance | ||
| North America DVD Sales | $6,483,234 | Details |
| North America Blu-ray Sales | $6,215,654 | Details |
| Total North America Video Sales | $12,698,888 | |
| Further financial details... | ||
Synopsis
The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift — every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger.
Metrics
Movie Details
| Production Budget: | $150,000,000 |
| Thailand Releases: | November 25th, 2021 (Wide) |
| Video Release: | December 24th, 2021 by Disney+ |
| MPAA Rating: | PG for some thematic elements and mild peril. (Rating bulletin 2700 (cert #53378), 9/29/2021) |
| Running Time: | 109 minutes |
| Keywords: | Family Adventure, Sibling Rivalry, Disrupted by 2020 COVID-19 pandemic |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Walt Disney Pictures, Walt Disney Animation Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Spider-Man back to the top with $14.125 million on soft weekend
January 23rd, 2022
-10-News.jpg)
Spider-Man: No Way Home is back at the top of the box office chart this weekend, with Sony projecting it will earn $14.125 million this time around for a domestic total of $721 million. Scream will be down 59% from its opening (in line with our model’s prediction). Its $12.4 million takes it to $51.3 million so far. Redeeming Love is coming in well ahead of our Friday-morning prediction with $3.71 million over the weekend and will land in fourth place.
More...
Weekend estimates: West Side Story shows some legs with $10.5-million weekend win
December 12th, 2021
-3-News.jpg)
As I said on Friday, the measure of success for West Side Story is not so much how it opens as how strong its legs are. Based on its performance through this weekend, there’s cause for some mild optimism. Ahead of the weekend, our model expected an opening around $6.9 million, based on its debut in a relatively modest 2,820 theaters and current market conditions. Its $800,000 in preview earnings suggested a weekend close to $10 million was on the cards, and bumped the model’s prediction up to $8.27 million. This morning Disney announced a projected $10.5 million for the film over its opening weekend. While that’s hardly a reason for dancing in the streets, it does suggest the film will play well for a while.
More...
Weekend predictions: West Side Story may edge out Encanto for top spot this weekend
December 10th, 2021
-1-News.jpg)
This is shaping up to be an interesting weekend at the box office, with three movies having a theoretical shot at coming out on top. Our model marginally favors Encanto, which should have a strong hold as Holiday Season hots up. West Side Story is hot on its heels though, and could easily come out on top based on its $800,000 in previews on Thursday. Even Ghostbusters: Afterlife has an outside shot at pulling off a surprise win.
More...
Weekend estimates: Encanto holds top spot on slow post-Thanksgiving weekend
December 5th, 2021
-2-News.jpg)
Encanto will do enough this weekend to hold on to top spot at the box office, according to studio estimates released on Sunday. With a projected $12.739 million this time around, Disney’s animated adventure will end the weekend with around $58 million in total domestically. It will be down 53% from the Friday–Sunday portion of Thanksgiving—a little stronger than Ghostbusters: Afterlife, which will be off 57% in its third weekend. Afterlife will take in $10.35 million this weekend, according to Sony, for $102.2 million to date.
More...
Weekend predictions: our model predicts Ghostbusters will win the weekend
December 3rd, 2021
With no major new releases this weekend, the race at the box office will be between returning films, and our model thinks we’ll have a surprise winner. After trailing Encanto by just $3 million over the Friday–Sunday portion of the Thanksgiving Holiday, Ghostbusters: Afterlife is favored to win this weekend by a similar margin.
More...
Weekend estimates: Encanto leads modest Thanksgiving weekend
November 28th, 2021
-1-News.jpg)
The first Thanksgiving with a full slate of new releases during the pandemic was full of uncertainty for theater owners. Family audiences have been returning to theaters but remain at about half their usual level, while the older crowd is mostly on the sidelines and at around 30% of its pre-pandemic size. A holiday weekend dominated by family fair like Encanto and Ghostbusters: Afterlife, with a side dish of the older-skewing House of Gucci is a welcome sight, but the big question was who would show. As it turns out, we’re looking at a modest weekend, with audiences hovering around their long term trend rather than rushing back to theaters.
More...
Encanto trailer
October 26th, 2021
Disney animated adventure opens in theaters on November 24 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/11/26 | - | $131,097 | 0 | $131,097 | 1 | ||
| 2021/12/03 | - | $47,852 | -63% | 0 | $241,631 | 2 | |
| 2021/12/10 | - | $23,382 | -51% | 0 | $310,683 | 3 | |
| 2021/12/17 | - | $7,419 | -68% | 0 | $333,450 | 4 | |
| 2021/12/24 | - | $789 | -89% | 0 | $338,577 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/25/2021 | $561,927 | 0 | 0 | 0 | $2,962,003 | 6/13/2022 |
| Australia | 12/2/2021 | $810,617 | 326 | 333 | 2050 | $4,454,709 | 9/30/2024 |
| Austria | 12/12/2021 | $69,465 | 0 | 0 | 0 | $782,352 | 6/27/2022 |
| Belgium | 11/24/2021 | $337,935 | 0 | 0 | 0 | $2,670,523 | 7/25/2022 |
| Brazil | 11/25/2021 | $732,636 | 0 | 0 | 0 | $3,700,112 | 9/7/2022 |
| Chile | 11/25/2021 | $289,908 | 0 | 0 | 0 | $1,433,510 | 10/20/2022 |
| China | 1/7/2022 | $3,240,000 | 27765 | 27765 | 68406 | $12,060,643 | 10/20/2022 |
| Colombia | 11/24/2021 | $2,797,869 | 0 | 0 | 0 | $10,672,948 | 5/23/2022 |
| Czech Republic | 11/25/2021 | $71,071 | 200 | 200 | 997 | $697,341 | 10/22/2022 |
| Denmark | 11/25/2021 | $50,108 | 0 | 0 | 0 | $226,984 | 7/5/2022 |
| Finland | 11/26/2021 | $105,567 | 103 | 103 | 585 | $493,474 | 10/20/2022 |
| France | 11/24/2021 | $3,605,709 | 0 | 0 | 0 | $24,048,662 | 9/7/2022 |
| Germany | 11/25/2021 | $907,856 | 0 | 0 | 0 | $5,748,972 | 9/7/2022 |
| Hong Kong | 11/25/2021 | $353,178 | 0 | 0 | 0 | $963,138 | 10/20/2022 |
| India | 11/26/2021 | $92,617 | 0 | 0 | 0 | $159,092 | 10/20/2022 |
| Indonesia | 11/24/2021 | $321,052 | 0 | 0 | 0 | $709,442 | 10/20/2022 |
| Italy | 11/24/2021 | $1,877,948 | 0 | 0 | 0 | $5,511,412 | 10/20/2022 |
| Japan | 11/26/2021 | $1,559,181 | 0 | 0 | 0 | $6,736,664 | 6/27/2022 |
| Lithuania | 11/26/2021 | $54,969 | 19 | 19 | 136 | $241,960 | 10/20/2022 |
| Malaysia | 11/25/2021 | $37,441 | 0 | 0 | 0 | $213,190 | 10/20/2022 |
| Mexico | 11/25/2021 | $1,491,786 | 0 | 0 | 0 | $5,415,326 | 10/20/2022 |
| Netherlands | 11/24/2021 | $213,048 | 266 | 266 | 1717 | $2,001,533 | 8/22/2022 |
| New Zealand | 12/2/2021 | $98,062 | 92 | 124 | 965 | $495,546 | 10/21/2024 |
| North America | 11/24/2021 | $27,206,494 | 3,980 | 3,980 | 27,695 | $96,093,622 | |
| Norway | 11/24/2021 | $51,261 | 0 | 0 | 0 | $350,609 | 5/23/2022 |
| Philippines | 12/8/2021 | $25,116 | 0 | 0 | 0 | $53,785 | 6/6/2022 |
| Poland | 11/26/2021 | $272,324 | 0 | 0 | 0 | $2,650,131 | 9/7/2022 |
| Portugal | 11/25/2021 | $148,076 | 111 | 111 | 1048 | $1,014,668 | 10/20/2022 |
| Romania | 11/26/2021 | $71,971 | 149 | 149 | 1615 | $934,054 | 12/14/2022 |
| Russia (CIS) | 11/25/2021 | $1,995,032 | 1951 | 1975 | 7076 | $6,491,961 | 10/22/2022 |
| Singapore | 11/25/2021 | $175,340 | 0 | 0 | 0 | $837,255 | 10/20/2022 |
| Slovakia | 3/10/2022 | $50,989 | 26 | 82 | 422 | $647,167 | 2/24/2023 |
| South Korea | 11/24/2021 | $1,708,798 | 1100 | 1100 | 3977 | $4,863,966 | 2/1/2023 |
| Spain | 11/26/2021 | $1,718,462 | 376 | 376 | 3989 | $8,175,763 | 7/12/2022 |
| Sweden | 11/26/2021 | $317,407 | 0 | 0 | 0 | $1,308,802 | 5/31/2022 |
| Switzerland | 11/26/2021 | $415,050 | 0 | 0 | 0 | $2,170,046 | 9/7/2022 |
| Taiwan | 11/26/2021 | $301,272 | 0 | 0 | 0 | $947,581 | 3/1/2022 |
| Thailand | 11/25/2021 | $131,097 | 0 | 0 | 0 | $338,577 | 12/28/2021 |
| Turkey | 11/26/2021 | $118,170 | 301 | 303 | 1584 | $1,398,321 | 10/22/2022 |
| United Kingdom | 11/24/2021 | $2,291,676 | 594 | 614 | 6253 | $10,506,027 | 9/7/2022 |
| Worldwide Total | $231,181,871 | 10/21/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Stephanie Beatriz | Mirabel Madrigal |
Supporting Cast
| María Cecilia Botero | Abuela Alma |
| John Leguizamo | Bruno |
| Mauro Castillo | Félix |
| Jessica Darrow | Luisa |
| Angie Cepeda | Julieta |
| Carolina Gaitán | Pepa |
| Diane Guerrero | Isabela |
| Wilmer Valderrama | Agustín |
| Rhenzy Feliz | Camilo |
| Ravi Cabot-Conyers | Antonio |
| Adassa* | Dolores |
| Maluma* | Mariano |
| Rose Portillo | Señora Guzmán |
| Noemi Josefina Flores | Young Mirabel |
| Juan Castano | Osvaldo |
| Sarah-Nicole Robles | Señora Ozma |
| Hector Elias | Old Arturo |
| Alan Tudyk | Toucan |
| Olga Merediz | Singing Voice of Abuela Alma |
| Jorge E. Ruiz Cano | Tiple Maestro |
| Alyssa Bella Candian | Town Kids |
| Paisley Day Herrera | Town Kids |
| Brooklyn Skylar Rodriguez | Town Kids |
| Ezra Rudulph | Town Kids |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jared Bush | Director |
| Byron Howard | Director |
| Charise Castro Smith | Co-Director |
| Yvett Merino | Producer |
| Clark Spencer | Producer |
| Charise Castro Smith | Screenwriter |
| Jared Bush | Screenwriter |
| Jared Bush | Story Creator |
| Byron Howard | Story Creator |
| Charise Castro Smith | Story Creator |
| Jason Hand | Story Creator |
| Nancy Kruse | Story Creator |
| Lin-Manuel Miranda | Story Creator |
| Lin-Manuel Miranda | Original Songs |
| Germaine Franco | Original Score |
| Jeremy Milton | Editor |
| Jennifer Lee | Executive Producer |
| Bradford Simonsen | Associate Producer |
| Scott Kersavage | Visual Effects Supervisor |
| Jason Hand | Head of Story |
| Nancy Kruse | Head of Story |
| Ian Gooding | Production Designer |
| Lorelay Bové | Production Designer |
| William B. Schwab | Art Director Characters |
| Camille Andre | Art Directors Environments |
| Mehrdad Isvandi | Art Directors Environments |
| Stephanie Hachem | Production Manager |
| Renato Dos Anjos | Head of Animation |
| Kira Lehtomaki | Head of Animation |
| Thaddeus P. Miller | Technical Supervisor |
| Michelle Lee Robinson | Head of Characters |
| Claudia Chung Sanii | Head of Characters |
| Nicholas Burkard | Head of Technical Animation |
| Jack Fulmer | Head of Environments |
| Christopher Hendryx | Effects Supervisor |
| Sergi Caballer | Character Modeling Supervisor |
| Alexander Alvarado | Character Look Development Supervisor |
| Luis Labrador | Environment Modeling Supervisor |
| Jay V. Jackson | Environment Look Development Supervisor |
| Suki Lee | Set Extension Supervisor |
| Christoffer Pedersen | Character Rigging Supervisor |
| Jesus Canal | Simulation Supervisor |
| Ian Krebs-Smith | Technical Animation Supervisor |
| Jason Stellwag | Technical Animation Supervisor |
| Alberto Abril | Animation Supervisor |
| Valentin Amador Diaz | Animation Supervisor |
| Kelly McClanahan | Animation Supervisor |
| Chad Sellers | Animation Supervisor |
| Philip To | Animation Supervisor |
| Michael Woodside | Animation Supervisor |
| Moe El-Ali | Crowds Supervisor |
| Darren Simpson | Stereoscopic Supervisor |
| Joaquin Baldwin | Layout Supervisor |
| Dorian Bustamante | Layout Supervisor |
| Tamara Alejandra Faralla Kersavage | Layout Finaling Supervisor |
| Cory Rocco Florimonte | Layout Lead/Camera Polish |
| Corey Butler | Lighting Supervisor |
| Gregory Culp | Lighting Supervisor |
| Richard Gouge | Lighting Supervisor |
| Richard E. Lehmann | Lighting Supervisor |
| Amol Sathe | Lighting Supervisor |
| Emily Tse | Lighting Supervisor |
| Neelima Karanam | Associate Technical Supervisor |
| Nadim Sinno | Associate Technical Supervisor |
| Mitch Counsell | Tactics Supervisor |
| Charlyn Go | Senior Production Supervisor |
| Kelly M. Feeg | Production Supervisor, Story |
| Jasmine Gonzalez Reed | Production Supervisor, Editorial |
| Lauren Albers | Production Supervisor, Visual Development |
| Taylor Anne Tiahrt | Production Supervisor, Characters |
| Elise M.L. Scanlan | Production Supervisor, Environments |
| Samantha Stendal | Production Supervisor, Layout |
| Nicholas Ellingsworth | Production Supervisor, Animation |
| Holly E. Bratton | Production Supervisor, Sweatbox |
| Blair Bradley-Coughlin | Production Supervisor, Technical Animation |
| Madison Boehme | Production Supervisor, Eff ects |
| Tucker Gilmore | Production Supervisor, Lighting |
| Demi Chen | Production Supervisor, Stereo |
| Heather Blodget | Production Supervisor, Marketing |
| Shannon Mills | Supervising Sound Editor |
| Nia Hansen | Sound Designer |
| Berenice Robinson | Post Production Producer |
| Tom MacDougall | Executive Music Producer |
| Jamie Sparer Roberts | Casting |
| Mark Kennedy | Story Artist |
| Seth Boyden | Story Artist |
| Tom Ellery | Story Artist |
| Ryan Green | Story Artist |
| Lior Lev | Story Artist |
| Nicole Mitchell | Story Artist |
| Tom Owens | Story Artist |
| Jeff Snow | Story Artist |
| David Vantuyle | Story Artist |
| Zane Yarbrough | Story Artist |
| Dan Abraham | Story Artist |
| Hillary Bradfield | Story Artist |
| Julia "Fitzy" Fitzmaurice* | Story Artist |
| Michael Herrera | Story Artist |
| Carrie Liao | Story Artist |
| Natalie Nourigat | Story Artist |
| Toby Shelton | Story Artist |
| Jeremy Spears | Story Artist |
| Samantha Vilfort | Story Artist |
| Alaia Braxton-Walker | Editorial Coordinator |
| Loren Gabriela Madrid Cisneros | Editorial Coordinator |
| Edwin Soto | Editorial Coordinator |
| Michael Dean Hebert | Editorial Coordinator |
| John Wheeler | First Assistant Editor |
| Pace Paulsen | First Assistant Editor |
| Jasmin Atiles | Production Coordinator, Animation |
| Russell James Pikus | Production Coordinator, Animation |
| Ellis Trespalacios | Production Coordinator, Animation/Crowds |
| Alex Kupershmidt | Tech Anim 2D Lead |
| Dimitre Berberov | Effects Lead |
| Dale Mayeda | Effects Lead |
| Alex Moaveni | Effects Lead |
| Jacob Rice | Effects Lead |
| Francisco Rodriguez | Effects Lead |
| Sean Creveling | Production Coordinator, Effects |
| Samson Neslund | Sound Effects Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.