Russia (CIS) Box Office for СИРАНО. УСПЕТЬ ДО ПРЕМЬЕРЫ (2019)
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| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $36,332 | Details |
| Worldwide Box Office | $6,298,346 | Details |
| Further financial details... | ||
Synopsis
December 1897, Paris. Edmond Rostand is not yet thirty but already has two children and too much anxiety. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. There’s one problem: it is not written yet. Ignoring the whims of actresses, the demands of his producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond must focus and put to pen to paper. For now, he has only the title: “Cyrano de Bergerac”.
Metrics
Movie Details
| Russia (CIS) Releases: | April 4th, 2019 (Wide), released as СИРАНО. УСПЕТЬ ДО ПРЕМЬЕРЫ |
| Video Release: | January 14th, 2020 by Samuel Goldwyn |
| MPAA Rating: | R for brief sexual content. (Rating bulletin 2596 (Cert #52381), 9/18/2019) |
| Running Time: | 110 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Gaumont, France 2 Cinema, Ezra, Rosemonde Films, C2M Productions, Nexus Factory, Umedia, UFund, Entourage Pictures, OCS., Canal Plus, France Television |
| Production Countries: | Belgium, France |
| Languages: | French, Russian |
Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants
October 24th, 2019
It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters.
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Limited and VOD Releases: Will Jojo Light the Way?
October 18th, 2019
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There are not a lot of films on this week’s list that are earning both great reviews and loud buzz. The Lighthouse is one of the best, both in terms of buzz and in terms of reviews, but Jojo Rabbit is the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/04/05 | 19 | $19,192 | 120 | $160 | $19,192 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 1/11/2019 | $1,601,602 | 445 | 611 | 2542 | $5,220,518 | 2/22/2019 |
| Germany | 4/19/2019 | $0 | 0 | 13 | 13 | $314,961 | 5/24/2019 |
| Italy | 4/18/2019 | $64,914 | 0 | 13 | 38 | $332,857 | 8/31/2019 |
| New Zealand | 3/12/2020 | $494 | 4 | 12 | 18 | $3,472 | 10/19/2022 |
| North America | 10/18/2019 | $306,451 | 3 | 18 | 48 | $351,019 | 2/13/2020 |
| Portugal | 6/14/2019 | $2,665 | 6 | 8 | 15 | $6,234 | 7/2/2019 |
| Russia (CIS) | 4/4/2019 | $19,192 | 120 | 120 | 177 | $36,332 | 5/18/2019 |
| Rest of World | $32,953 | ||||||
| Worldwide Total | $6,298,346 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Thomas Soliveres | Edmond Rostand |
Supporting Cast
| Olivier Gourmet | Coquelin |
| Mathilde Seigner | Maria Legault |
| Tom Leeb | Léo Volny |
| Lucie Boujenah | Jeanne |
| Alice de Lencquesaing | Rosemonde |
| Clementine Celarie | Sarah Bernhardt |
| Igor Gotesman | Jean Coquelin |
| Dominique Pinon | Lucien |
| Simon Abkarian | Ange Floury |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Alexis Michalik | Director |
| Alain Goldman | Producer |
| Vanessa Dijan | Co-Producer |
| Benjamin Bellecour | Co-Producer |
| Sylvain Goldberg | Co-Producer |
| Serge de Poucques | Co-Producer |
| Nadia Khamlichi | Co-Producer |
| Gilles Waterkeyn | Co-Producer |
| Romain Trouillet | Composer |
| Giovanni Fiore Coltellacci | Director of Photography |
| Anny Danche | Set Designer |
| Marie Silvi | Set Designer |
| Niels Barletta | Sound Mixer |
| Fred Demolder | Sound Mixer |
| Antoine Deflandre | Sound Mixer |
| Franck Schwarz | Set Decorator |
| Thierry Delattre | Costume Designer |
| Michaël Lagens | Casting Director |
| Bérangère Saint-Bezar | Screenwriter |
| Stéphane Bidaut | Visual Effects Supervisor |
| Cyrille Bragnier | Executive Producer |
| Bruno Amnestoy | Production Manager |
| Abraham Goldblat | Post-Production Supervisor |