Portugal Box Office for Que a Festa Comece! (2022)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $5,352 | Details |
| Worldwide Box Office | $13,021,859 | Details |
| Further financial details... | ||
Synopsis
A man returns home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community.
Metrics
Movie Details
| Portugal Releases: | August 4th, 2022 (Wide), released as Que a Festa Comece! |
| Video Release: | October 4th, 2022 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for some strong language, and suggestive references. (Rating bulletin 2736 (cert #53811), 6/15/2022) |
| Keywords: | Family Comedy, Easter, Dysfunctional Family, Asian-Americans, Aspiring Actress / Actor |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DreamWorks Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Bullet Train shooting for $30-million opening
August 5th, 2022
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Two new wide releases hit theaters this weekend, each looking to find what might be described as a “big niche” audience. Bullet Train is looking to draw in fans of high-speed action, while Easter Sunday is the kind of family comedy that we’ve hardly seen in the last couple of years. With this Summer’s blockbusters beginning to play out, both of the new entrants could find a decent crowd, although Bullet Train will end up topping the chart and has already booked $4.6 million from Thursday previews.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/08/05 | 12 | $5,352 | 26 | $206 | $5,352 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 8/5/2022 | $5,447,130 | 3,175 | 3,176 | 9,026 | $13,013,690 | |
| Portugal | 8/4/2022 | $5,352 | 26 | 26 | 26 | $5,352 | 8/9/2022 |
| South Korea | 12/28/2022 | $1,721 | 27 | 27 | 27 | $2,817 | 1/4/2023 |
| United Kingdom | 8/5/2022 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $13,021,859 | 1/4/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Jo Koy | Joe Valencia |
Supporting Cast
| Tiffany Haddish | Vanessa |
| Tia Carrere | Tita Teresa |
| Jimmy O. Yang | |
| Brandon Wardell | Junior Valencia |
| Eva Noblezada | Ruth |
| Asif Ali | Tony Daytona |
| Lydia Gaston | Tita Susan |
| Rodney To | Tito Arthur |
| Elena Juatco | Regina |
| Jay Chandrasekhar |
Cameos
| Eugene Cordero | Himself |
| Lou Diamond Phillips | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jay Chandrasekhar | Director |
| Ken Cheng | Screenwriter |
| Kate Angelo | Screenwriter |